Twenty One Pilots are gearing up for one more visit to the site of their biggest live triumph. The Columbus, Ohio-bred duo announced on Thursday (July 16) that fans will get another chance to watch their IMAX concert film, Twenty One Pilots: More Than We Ever Imagined, beginning on Aug. 8, with streaming provided by Kiswe.

The band will also host an online watch party on Aug. 8 that will feature Q&A with singer Tyler Joseph and drummer Josh Dun after the screening to discuss the movie that was shot in front of a sold-out crowd of 65,000 at Estadio GNP Seguros in Mexico City on the band’s 2024-2025 world tour. The special screening will allow fans to watch the film simultaneously and take part in interactive features, including a live chat. Tickets for the screening are available now; to buy tickets for the watch party click here. Following the watch party, the film, which opened in theaters worldwide on Feb. 26, will be available for on-demand purchase until Aug. 22.

In addition, 21P are releasing an accompanying live concert album, More Than We Ever Imagined (Live in Mexico City), which will be available on all DSPs on Aug. 7. The album is available for pre-order now in several limited-edition formats, including a Digipak CD, a 2LP red vinyl in a gatefold jacket and a deluxe photo book edition double-LP. The deluxe edition is a hardcover photobook with oversized accordion-fold pages with live photography and artwork, as well as a collection of oversized prints.

21P will bring it all back home on Oct. 17 with a show at Columbus’ Ohio Stadium featuring Death Cab For Cutie in front of 62,000 fans, marking the biggest U.S. headline show of their career. The duo are currently on the road on an international festival run that includes July and August dates in Europe and a late-summer/fall round in North and South America that will hit: Osheaga in Montreal (July 31), Sommo Festival in Cavendish, Prince Edward Island (Sept. 11), Rock in Rio in Rio de Janeiro, Brazil (Sept. 13), Shaky Knees in Atlanta (Sept. 19), Oceans Calling in Ocean City, Md. (Sept. 26), Austin City Limits in Austin, Texas (Oct. 4 and 11), and Corona Capital in Mexico City (Nov. 21).

Check out the More Than We Ever Imagined (Live in Mexico City) tracklist below:

1. Overcompensate

2. Holding On To You

3. Car Radio

4. Tear In My Heart

5. Shy Away

6. Heathens

7. Next Semester

8. Routines In The Night

9. The Line

10. Mulberry Street

11. Navigating

12. Nico And The Niners

13. Heavydirtysoul

14. Guns For Hands

15. Lavish

16. Ride

17. Paladin Strait

18. Jumpsuit

19. Midwest Indigo

20. Stressed Out

21. Trees

The Cure’s Robert Smith is not looking forward to the Chris Martin-curated half-time show at Sunday’s (July 19) FIFA World Cup final. For the first time in its history, the final will feature a half-time show, which runs to 11 minutes of the allotted 15-minute break. Broadcasters, however, expect the total half-time break to potentially run to 30 minutes, a violation of FIFA’s own rules.

The move has been roundly criticized as has the introduction of “hydration breaks” during the first and second halves, with fans often booing the breaks in the stadium.

Ahead of the match-up between Argentina and Spain for the trophy at the New York/New Jersey Stadium, Smith has blasted the show – set to feature BTS, Justin Bieber, Shakira and Madonna – and FIFA’s president Gianni Infantino in a pair of posts on The Cure’s official Instagram profile.

Sharing a description of the event alongside his own commentary, Smith’s caption reads: “The half-time show, which has been curated by Coldplay’s Chris Martin, will feature Madonna, Justin Bieber, Shakira and the K‑pop boyband BTS. Fifa’s president, Gianni Infantosser, has described the half-time show as ‘groundbreaking spectacle’ that will ‘celebrate football, music and our shared values, ensuring a legacy that transcends the final whistle.’ AAAAAAAAAAAAAAAAAAGH… #Breadandcircuses #MUGWANK #pleasejustf–koff.”

A few hours later, Smith clarified that while he was not criticizing the artists themselves, he was disdainful of the show as a concept and the fact that President Trump will be on hand alongside Infantino to award the winner the coveted trophy.

He added, “sigh… FOR THOSE OF US NOT QUITE GETTING IT: THE POINT IS NOT R E A L L Y ABOUT W H O IS CURATING OR PERFORMING, IT IS ABOUT THE #MUGWANK I D E A OF A FOOTBALL WORLD CUP FINAL HALF TIME SHOW… IF YOU NOW UNDERSTAND MY ‘AAAAAAAGH!’ A BIT BETTER, BUT STILL DON’T AGREE, PLEASE ADJUST YOUR RED CAP, YOUR ‘I 🖤 JANNY + DONNY + $$$’ TSHIRT AND… KNOCK YOURSELF OUT? ONWARDS… RSX PS. “Infantosser has said he and US president Trumpton will small hand over trophy on Sunday”. SADLY, THERE ARE NOT ENOUGH A’S LEFT FOR THE ‘ARGH’ THAT SHOULD FOLLOW… #breadandcircuses #pleasejustf–koff #f–kfifa #justlookup.”

Smith is a longtime fan of west London team Queens Park Rangers. On Wednesday (July 17), England crashed out of the tournament following a 2-1 defeat to Argentina, with Rolling Stones frontman Mick Jagger caught on camera expressing his disappointment. 

The Cure is currently touring through Europe on a festival run with their next show set to take place on Friday (July 17) in Plovdiv, Bulgaria.

It’s Gracie Abrams’ week, and we’re just living in it. The U.S. pop artist today dropped Daughter From Hell, her third studio effort and the followup to 2024’s The Secret of Us, which went all the way to No. 2 on the Billboard 200 chart.

One of its 16 tracks is “Minibar,” which Abrams and her full band performed late Thursday on NBC’s The Tonight Show Starring Jimmy Fallon, a delicious entrée to her full album.

For the debut TV performance, Abrams slung an acoustic guitar and got to work with her full band, all of them bathed in a warm red light. Watch below.

Abrams also stuck around for a chat with Fallon. Right off the bat, Abrams confirmed she’s about to make her acting debut. “It’s happening. Yes, I leave very, very shortly,” she said, moving swiftly along before offering more details on what’s reported to be an A24 movie from Babygirl director Halina Reijn.

On her new album project, it’s “so cool for me,” he adds. “I feel stoked. It’s been nice to be back with the crew and band. And to kind of just, yeah, reunite. And the people that I made this with, I respect and admire so much.”

Abrams recounted how she freaked out during her 2025 Glastonbury Festival performance when she spotted Paul McCartney on the sidelines (there’s proof, caught on video), a neat segue to her forthcoming The Look at My Life tour. As the buzz built, her last tour scaled up to big rooms. This time, however, “we get the luxury of starting square one, like, wildest dreams kind of stage and design. Yeah, I’m really excited.”

Abrams will head out on her North America jaunt from Dec. 2 in Denver.

And for the record, the “Daughter From Hell” in that album really is Abrams. “That song was the last one that I wrote for the album, and it is like a, you know, decades overdue apology to my mom, basically,” she tells Fallon.” No, she wasn’t a monster child. Just a “defiant person,” which can be “turbulent” for mom and dad. “This is a thank-you note to her.”

Watch below.

Olivia Rodrigo returns to the crest of the ARIA Albums Chart, as You Seem Pretty Sad For A Girl So In Love (Geffen/Universal) enters a fourth non-consecutive week at No. 1.

Rodrigo rumbles with, and wins, her chart battle with the Rolling Stones, as the legendary British rock band drops in at No. 2 with Foreign Tongues (Polydor/Universal), their 25^th studio album. It’s the Stones’ sixth top five album since the ARIA Charts launched in 1983, and the followup to 2023’s Hackney Diamonds, which peaked at No. 3. 

Prior to the ARIA Charts era, Mick Jagger and Co. topped the leaderboard with Out Of Our Heads (from 1965), Sticky Fingers (1971), Exile On Main Street (1972), Goats Head Soup (1973), It’s Only Rock ‘N Roll (1974), Black and Blue (1976), Some Girls (1978), Emotional Rescue (1980) and Tattoo You (1981).

Closing out the podium on the latest frame, published Friday, July 17, is the soundtrack to Canadian drama Heated Rivalry (Milan Records/Sony), new at No. 3.  The collection features Canadian musician Peter Peter and tracks from Wolf Parade, Wet Leg, t.A.T.u. and others, and was released in January of this year, but is boosted by its release on physical formats.
 
Also new to the chart is Bring Me The Horizon’s Count Your Blessings Repented (RCA/Sony), a re-recording of their debut album, issued to celebrate its 20th anniversary. Count Your Blessings Repented arrives at No. 5. The original didn’t impact the national Australian chart, but the Sheffield, England alternative rockers did go on to land four No. 1s. 
 
The Temper Trap complete their comeback with a top 10 debut for Sungazer (Mushroom Music), the Melbourne indie-rockers’ fourth studio album and first in a decade. It’s new at No. 9. Winners of four-ARIA Awards, TTT now has four consecutive top 10 appearances, including a No. 1 with their self-titled effort from 2012.

Jack White cracks the top 20 with Frozen Charlotte (Third Man Record), his seventh solo studio. It’s new at No. 17, for his best chart position since 2018’s Boarding House Reach went to No.  11. The former White Stripes frontman has a solo best chart position of No. 2, with 2012’s Blunderbuss. 
 
Further down the list is Future’s The Real Me (Epic/Sony) at No. 23; The Plot In You’s self-titled Concord/Universal release at No. 27; Australian rock band The Velvet Club’s Are You Falling In Love? (CMI), new at No. 29; Australian Idol’s 2024 champion Dylan Wright, whose fourth EP Crossroads (Sony) starts at No. 33; Adam Lambert’s Adam (Orchard) at No. 36; and Bella Kay’s My Reckless Abandon (Atlantic/Warner) at No. 38.

Over on the ARIA Singles Chart, Ella Langley’s “Choosin’ Texas” (Sony Music) holds at No. 1 for the sixth non-consecutive week. Langley extends an impressive winning streak for female artists. Indeed, the last male artist to top the tally was Justin Bieber, whose “Daisies” went to No. 1 on the chart published July 25, 2025 – one week shy of a full year ago. No new titles impact the latest frame.

In a sliding doors moment, Oliver Cronin might be jostling for a place in Australia’s national cricket team instead of releasing his own creations through Warner Music.

The breakout Australian artist was born and raised in Mullumbimby, a town in the Northern Rivers region of New South Wales, not far from Byron Bay. That dot on the map has produced Amy Taylor, the iconic singer with Amyl And The Sniffers, and Amethyst Kelly, better known by her former rap name Iggy Azalea. Add Cronin’s name to that list of Mullum’s music luminaries.

It might’ve been an entirely different journey. As a young teen, it was cricket, not music or even surfing, that dominated Cronin’s dreams. A talented bowler of the ball, throwing it down with pace, Cronin was selected for state teams. Before he would get the call from national team selectors, Cronin fell hard for music. “I had to choose between music and cricket because I understood what it took to be elite at something. And it takes a lot,” he tells Billboard.

He went all-in with music, and never looked back.

Cronin was a bright student, and a career in engineering awaited. He followed his music dreams, with the support of his mom, who studied and taught music, played in bands, and introduced the youngster to rhythm and melody before he could walk; and his father, a former professional photographer, now author.

If he was to tread that tricky path, he would need to study at a school of rock. Cronin, with his parents’ assistance, pursued a daily “regime” where, for the first three hours of the day, he’d study the music business, then write songs for several hours, and finish up with music videos and tutorials of artistry and the business behind it.

Now aged 24, Oliver has a record deal with Warner Music Australia, and the new EP Lost On The Way To Paradise, out today, July 17. Playing in the space between pop and R&B, the seven-song collection gathers the previously released cuts “Closure,” “7500 Miles,” and “Eyes Wide Shut.”

It’s the followup to 2024’s Halfway To Paradise, released in a year when he performed showcases and promo tours in North America, Canada, Germany, Malaysia, Singapore and Hong Kong, and caught the attention of WMG executives around the globe, culminating in a global partnership with Warner Records.

Halfway To Paradise expanded at the start of 2025 with Edge Of Paradise, a deluxe edition including the track “Maria,” a collaboration with Filipino band Lola Amour.

Cronin first signed with Warner Music in 2019, and released his debut Beautiful Nightmare in 2022, an EP that featured “Boys Don’t Cry,” a cut that caught fire on TikTok, a platform on which he boasts 1.1 million followers. Several releases have gone viral in India, the Philippines, and Germany.

Earlier this year, Cronin stepped out of his comfort zone and onto the catwalk. He debuted his 6’4” frame at Australian Fashion Week 2026 where he walked in Christian Kimber’s show — a moment he describes as “very scary” and “a bit of fun.”

With the release today of another slice of Paradise, Cronin has similar feelings.

“It’s always weird when I’m about to release music,” he told Billboard earlier this week. “Especially because this body of work is so personal to me and so, like, vulnerable and I sometimes have trouble letting go of these songs. I think once they’re out into the world, it’s no longer really mine. It’s kind of up,” he continues. “It’s for people to interpret and to listen to and to make their memories from my songs. So right now I’m holding on to the last little bit I have of these songs to be mine until they’re all out into the world. I’m excited because it’s been a long time since I’ve dropped a project.”

Stream Lost On The Way To Paradise below.