Offset has been granted probation for allegedly attacking a security guard at a Los Angeles cannabis dispensary last year.

Last Wednesday (July 15), a judge in California state court entered a so-called diversion order that postpones Offset’s misdemeanor battery prosecution for one year. If the rapper (born Kiari Cephus) complies with all requirements, including completing community service and attending an anger management program, the criminal case will be dismissed and wiped from his record.

Offset was accused of striking security guard Jim Leobardo Sanchez in the face after being asked to provide an I.D. to enter a MedMen licensed recreational dispensary in March 2025. Sanchez brought a civil assault lawsuit against Offset in November, and prosecutors in the Los Angeles City Attorney’s Office leveled a misdemeanor charge in December.

The former Migos rapper has denied Sanchez’s claims, which remain pending in civil court. He pleaded not guilty to the criminal count, and he has not admitted any wrongdoing as part of last week’s probation order.

In addition to community service and anger management, the diversion program requires Offset to stay away from the MedMen location near Los Angeles International Airport, refrain from any violent behavior or threats, and make financial restitution to Sanchez. His prosecution could be reinstated if he violates any of these provisions within the next year.

Offset is set to appear in court for a progress report this November.

Reps for Offset, Sanchez and the LA City Attorney’s Office did not immediately return requests for comment on Monday (July 20).

Burna Boy granted fans an all-access pass to one of the biggest performances of his career, and Billboard had a front-row seat.

In a new behind-the-scenes video diary for Billboard, the genre-blending artist takes viewers through every single step of his day as he prepared to perform at the inaugural FIFA World Cup Final halftime show on Sunday. From a police escort at the beginning of the day to the adrenaline of stepping on the field at New Jersey’s MetLife Stadium for the halftime show, the video transparently showcases a timeline of all the moments that led up to and followed his high-profile performance.

Along the way, Burna shares several memorable interactions. He poses for photos with collaborator Shakira, with whom he teamed up for the official 2026 FIFA World Cup anthem “Dai Dai.” The song — which the duo performed during Sunday’s halftime — spends a second week atop the Billboard Global 200 and a fourth week at No. 1 on the Billboard Global Excl. U.S. chart. Burna also meets up with streamer iShowSpeed, embraces Justin Bieber in a hug, and even greets Ted Lasso star Jason Sudeikis, who made an unannounced cameo to introduce Bieber. After making his rounds, Burna squeezes in one final practice session right before taking the stage.

The camera follows Burna stepping onto the field, capturing the celebration. Burna is all smiles as the performance comes to an end, entering the players’ tunnel to return backstage and receiving praise from Chris Martin, who curated the halftime show and co-wrote the song “We Dance” with his Coldplay bandmates for the finale.

Watch Burna Boy’s full day in the life via Billboard below.

 J. Cole‘s The Fall-Off World Tour has gotten off to an auspicious start.

Last week during the tour’s second stop in Miami, a couple got engaged as he was performing “Life Sentence,” one of the latest cuts from his most recent album The Fall-Off, which is dedicated to love and marriage despite the song’s title. “What’s up, baby girl? What’s up, my boy? God bless y’all,” the rapper said once he caught wind of their engagement. “That’s f—ing beautiful. Y’all make some noise for them, man.”

There was also another couple who were getting married the day after the show at Miami’s Kaseya Center and had their seats upgraded by Cole’s team and invited him and his manager Ibrahim Hamad to the wedding. “Aye @KingOfQueenz @JColeNC we just wanna say thank you for tonight’s show in Miami. our original tickets had an ‘obstructed view’ and so y’all upgraded our tickets to the front row,” the fan wrote on X. “Y’all let a bunch of fans since 2010 make a core memory. thank you. my lady and I get married tomorrow at 3pm in Miami if y’all would like to come. shoutout to Cole for showing us love during Life Sentence.”

And now, during the tour’s fourth stop at Atlanta’s State Farm Arena, someone threw their bra onstage as Cole was performing his hit record “Work Out” from his 2011 debut studio album Sideline Story. “N—a ain’t got a bra onstage in a long motherf—in’ time, boy,” he told the crowd as he was laughing in shock. “You gotta cherish that sh–.”

The American leg of Cole’s tour ends in his hometown of Fayetteville, North Carolina, at Crown Coliseum on Sept. 3. He then heads out for the European leg starting Oct. 7 at Uber Arena in Berlin and will end it at Unity Arena in Oslo, Norway, on Nov. 12, so there’s still plenty of time to catch him if you haven’t gotten the chance to already.

Make sure to bring either a bra or an engagement ring — or both.

Taylor Swift attended game 4 of the NBA Finals between the New York Knicks and San Antonio Spurs at Madison Square Garden in June, which saw the Knicks overcome a 29-point deficit for the largest comeback in Finals history. Knicks star Jalen Brunson spoke at Variety’s inaugural Sports & Entertainment Studio last week, during which he showed appreciation for having the pop supernova courtside among the celebrity guests in the crowd.

“It’s really cool having her there,” Brunson said, before bringing up Swift also being courtside for the Eastern Conference Finals in Cleveland. “I feel like her being in Cleveland for courtside one game, obviously, I think Travis and the Kelces are from Ohio, so I get that. And she’s been at the Knicks’ games before.”

He continued: “So, I mean, whoever comes, as long as you’re cheering us on, we appreciate it. And I think that was probably a really good game to come to as well.”

Swift cheered on the Knicks during the historic comeback in game 4 while rocking a “Stevie Knicks” T-shirt alongside HAIM’s Este and Alana Haim as well as actress Mariska Hargitay.

JB and the Knicks ended up disposing of the Spurs in five games to capture the franchise’s first championship in 53 years.

Page Six reported that Brunson and the rest of the Knicks starting five were invited to Swift and Travis Kelce’s wedding. JB didn’t confirm whether or not he was invited, but he did relay that he wasn’t at the star-studded affair.

“It’s a great question,” he said. “I found out the same way the rest of the world did. So, I don’t know if it was true or not, but I did not attend.”

Swift and Kelce tied the knot at Madison Square Garden on July 3 in front of more than 1,000 wedding guests, while Adam Sandler served as the ceremony’s officiant.

Hey, sexy ladies! PSY‘s smash hit “Gangnam Style” is now the first K-pop video to reach a major YouTube milestone.

As of Monday (July 20) — almost exactly 14 years after it was posted on the platform — the humorous, dance-heavy visual has amassed more than 6 billion views. No other music video in the genre has reached those numbers to date, underscoring PSY’s legacy of setting the stage for modern K-pop to cross over into the global mainstream in recent years with acts such as BTS, BLACKPINK and more.

Directed by Cho Soo-Hyun, the video finds the South Korean superstar causing chaos wherever he goes with his signature “Gangnam Style” choreography. A number of now-iconic scenes emerged from the project, including PSY busting a move by himself in a horse stable or singing to the camera while lying between a dancing man’s legs.

Reaching No. 2 on the Billboard Hot 100 in 2012, “Gangnam Style” has long been known as a game-changer. The year it was posted, its music video became the first upload to ever reach a billion views on YouTube, meaning it was the original member of the Billion Views Club that’s now inhabited by Justin Bieber’s “Baby,” Taylor Swift’s “Blank Space,” Ed Sheeran’s “Shape of You” and more pop smashes.

Several other K-pop visuals have also entered the club in the years since PSY kicked it off, including BTS’ “Dynamite” and “Butter” as well as BLACKPINK’s “Pink Venom” and “How You Like That.”

It’s been a few years since PSY dropped an album, releasing PSY 9th in 2022.

Add your view to 6 billion others by checking out the “Gangnam Style” video above.

Sony has initiated a new lawsuit against Udio, doubling down on its aggressive copyright campaign against the AI music company months after the other majors buried the hatchet.

The lawsuit, filed on Monday (July 20) and obtained by Billboard, expands the scope of Sony’s existing legal claims against Udio. The major music company initially teamed up with Universal Music Group (UMG) and Warner Music Group (WMG) in 2024 to sue both Udio and rival AI music company Suno, alleging both companies had committed copyright infringement at an “almost unimaginable scale” by training their models on unlicensed recordings.

UMG and WMG both exited the Udio litigation in the fall after reaching licensing deals that will require the tech company to build a new model out of pre-cleared training data and keep all AI-generated music inside a “walled garden” on the platform. WMG later settled with Suno as well. UMG and Sony are both continuing to sue Suno, but Sony is the sole remaining holdout of the three majors to still be pursuing Udio in court.

Sony is showing no signs of giving up that fight against Udio. Monday’s new lawsuit increases the number of sound recordings at issue in the case from 333 to more than 30,000, which in turn balloons Udio’s potential damages exposure from $50 million to a whopping $4.5 billion.

According to Sony, the smaller subset of songs in the original lawsuit was merely a “minuscule, illustrative fraction of the recordings Udio had actually copied.” Sony says it wasn’t until it began the legal discovery process and got access to Udio’s training data that it learned just how many Sony-owned recordings had been allegedly ripped from YouTube and fed into the AI model.

Procedurally speaking, Sony had no choice but to bring a new lawsuit if it wanted to increase the amount of music in the case. Sony previously tried to add these new recordings to the original lawsuit, but Udio argued that expanding the dataset two years into the process would amount to “indefinitely derailing the litigation.”

A federal judge agreed with Udio last month and refused to let Sony amend the first lawsuit, writing that doing so “would substantially prejudice defendants and unduly delay the resolution of this action.” He acknowledged, however, that a second lawsuit was a possibility: “I recognize that plaintiffs have the right to seek to stop infringement of, and recover damages for, all copyrighted works. But there is no requirement that it be done in this lawsuit,” wrote Judge Alvin K. Hellerstein.

Udio has maintained that its training process was fair use, a tenet of copyright law that allows unlicensed works to be used for transformative purposes. Whether AI training does indeed qualify as fair use is an untested legal question currently at the center of dozens of pending copyright lawsuits around the country.

Sony addresses the fair use debate directly in Monday’s new lawsuit, specifically the “market harm” factor, in which a judge must consider whether alleged infringement has harmed an existing licensing market. Sony says the fact that Udio has inked training licenses with UMG and WMG, as well as with Kobalt, Merlin, Believe and the National Music Publishers’ Association (NMPA), shows that such a market does indeed exist.

“A company that pays to license the very inputs at issue cannot credibly maintain that no market exists for those inputs, or that any such market is too speculative to be cognizable,” writes Sony in the new complaint.

Sony also notes in Monday’s lawsuit that it is not outright against the emerging tech, writing “there is room for AI and human creators to forge a sustainable, complementary relationship” as long as that relationship is based on the “well-established mechanism of free-market licensing that ensures proper respect for copyright owners.” Sony has AI partnerships in place with Spotify and Klay.

Udio did not immediately return a request for comment on Monday. A Sony rep declined to comment beyond the court filings.