Limp Bizkit will headline the 2026 edition of Good Things Festival, the Australian travelling heavy-music event announced Tuesday (Aug. 11), atop a bill of more than 30 acts across nu-metal, pop-punk, metalcore and hardcore.
The lineup also features Simple Plan, Spiritbox, Polaris, The All-American Rejects, Bad Religion, Alexisonfire, Grinspoon, Millencolin, Ministry, MxPx, Neck Deep, P.O.D. and The Devil Wears Prada. The festival runs Dec. 4 at Flemington Racecourse in Melbourne, Dec. 5 at Sydney Showground and Dec. 6 at Brisbane Showgrounds, with all dates 16-and-over. Presale tickets go on sale Aug. 18.
Limp Bizkit headline after appearing at the 2023 festival and playing sold-out sideshows. Formed in Jacksonville, Florida in 1994 and fronted by Fred Durst, the band’s 1999 album Significant Other debuted at No. 1 on the Billboard 200, earned two Grammy nominations and was certified seven-times platinum on the strength of “Nookie” and “Break Stuff.”
Its 2000 follow-up Chocolate Starfish and the Hot Dog Flavored Water also debuted at No. 1, opening with more than one million U.S. copies — at the time a record for the fastest-selling rock album of the SoundScan era. The band has sold more than 40 million records worldwide.
Elsewhere on the bill, Spiritbox’s 2021 debut Eternal Blue reached No. 13 on the Billboard 200, and its 2025 follow-up Tsunami Sea hit No. 26 while topping the U.K. Independent Albums chart; the Canadian band has earned three Grammy nominations for Best Metal Performance. Simple Plan return for the first time since the 2019 festival, while Australian metalcore band Polaris topped the ARIA Albums Chart with 2023’s Fatalism.
Several acts are marking milestones. Alexisonfire will play their 2006 album Crisis in full for its 20th anniversary, Millencolin will perform 2000’s Pennybridge Pioneers in full, and Bad Religion mark their 45th year. Ministry’s dates have been billed as the industrial band’s final Australian shows. Grinspoon also feature, weeks after frontman Phil Jamieson cancelled a solo tour following a fractured vertebra, alongside a card that includes Speed, Slowly Slowly, Neck Deep, MxPx, Bilmuri and Voice of Baceprot.
Good Things Festival 2026
Dec. 4 — Melbourne — Flemington Racecourse (16+)
Dec. 5 — Sydney — Sydney Showground (16+)
Dec. 6 — Brisbane — Brisbane Showgrounds (16+)
On Friday, it was announced that Sophia would be taking a step back from KATSEYE to prioritize her “mental health and wellness,” following a similar announcement from her groupmate Manon back in February. Now the six-person global girl group is down to a quartet — and it’s unclear when either member might return to the fold, especially after a six-month absence for Manon.
The news comes at a particularly busy time for KATSEYE, with their Wild album arriving on Friday and their Wildworld Tour — the group’s first global trek — kicking off in October. On the new Billboard Pop Shop Podcast, Katie & Keith are discussing the announcement and what it means for the group’s future. Will both women return, or might they remain a quartet? Listen to our full conversation below:
Also on the show, we’ve got chart news on how Ariana Grande’s new album petal debuts atop the Billboard 200 chart, while the set’s title track debuts in the top five on the Billboard Hot 100 songs chart. Plus, Ella Langley’s “Choosin’ Texas” continues to hold firm atop the list for a 17th week, fending off a challenge by Grande’s former No. 1 “hate that I made you love me.”
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
When Landon Barker was offered a spot on The Voice, his dad, Travis Barker, didn’t think it was time to jump at the opportunity.
Instead, the Blink-182 drummer asked his 22-year-old son to consider what kind of artist he wants to be and whether the opportunity actually fits into that vision.
“My son called me the other day and he’s like, ‘Hey, they offered me to go on The Voice,’” Travis said during an Aug. 8 appearance on The New York Times’ Popcast. “And I was like, ‘Dude, you’re way too cool for that.’”
For Travis, the decision came down to authenticity. He encouraged Landon to look toward the musicians who have influenced him and consider whether they would have pursued the same route.
“You got to think about your idols,” he said. “If your idol is Kurt Cobain, would he ever do The Voice? No.”
This advice comes as Landon is pursuing his own musical career, aiming to establish himself as a singer and songwriter in his own right. Instead of just rushing into trying to capitalize on every available platform, Travis said his son should give himself time to develop the music he actually wants to make.
“I’m in the studio, I hear the songs that he’s creating,” Travis said. “There’s no rush, you know?”
That doesn’t mean Travis is against televised music opportunities across the board. The drummer has appeared on American Idol several times himself, a distinction he pointed out while acknowledging that his advice to Landon could sound contradictory.
“I’m different,” Travis said. “I’m doing fun sh– that’s just fun for me ’cause I’m a drummer and I’m not in the forefront. It’d be different if I was singing with all these people.”
In other words, Travis sees a difference between making a guest appearance as a member of a band and putting yourself into a competition designed to introduce a singer to a mass audience. For Landon, he wants the focus to remain on developing his own sound and identity. “Stay on your own trajectory,” Travis advised his son.
Landon has already had some notable moments in his young career, including joining The Fray on tour. Now, according to his father, there’s no reason to let the pressure to move quickly dictate what comes next.
Travis also reflected on how his own relationship with fame has changed over the years. He recalled once having a much more confrontational attitude toward paparazzi, admitting that he “used to almost get in fights with paparazzi” and “used to have a temper.”
“Nowadays, I’ve realized it’s just all noise,” he said.
His approach now is considerably simpler: “Be happy. Try not to harm anybody and just be a good person.”
Travis has spent decades navigating the music industry himself, from Blink-182’s late-1990s, early 2000s Billboard 200 dominance to the band’s return to No. 1 with California in 2016.
Watch Barker’s full Popcast interview below:
]]>
]]>
]]>
]]>
]]>
]]>
]]>





