La presidenta de la Comunidad de Madrid ha apostado un diseño monocolor en azul marino creado en exclusiva para la ocasión por Rocío Osorno.
Los Reyes y sus hijas reciben al Papa León XIV en el Palacio Real en una ceremonia histórica en el que ha sido el debut de sus hijas ante el Sumo Pontífice.
Doña Letizia se ha decantado por un vestido de The 2nd Skin Co. que estrenó durante el viaje de Estado a Egipto en septiembre de 2025.
Madrid ha amanecido preparada y vestida con sus mejores galas para darle la bienvenida a León XIV en su primera visita oficial a España como Sumo Pontífice.
El crítico recomienda una novela de aventuras y misterio ambientada en la Polinesia que sigue releyendo desde la infancia.
A sus recién cumplidos 20 años, el hijo mayor del actor cubano y Elizabeth Gutiérrez, cada vez se asemeja más a su padre y luce un atlético cuerpo como él.
Una mujer desaparece durante casi dos años tras una noche que cambia su vida para siempre y reaparece sin memoria justo en la fecha que había dejado escrita en una libreta. Así comienza este thriller que está volando de las librerías.
Electric Callboy have released their new single “Let the Good Times Roll,” featuring The Offspring‘s Dexter Holland — the latest preview of their forthcoming album TANZNEID, due August 7.
The track pairs Electric Callboy’s genre-blurring electronicore — metalcore breakdowns colliding with glowstick-ready techno drops and grin-inducing pop hooks — with Holland’s unmistakable tenor, the kind of voice behind “Come Out and Play,” which hit No. 1 on the Billboard Modern Rock Tracks chart in 1994, and “Self Esteem,” which peaked at No. 4 on the same chart.
The collaboration marks a full-circle moment for the German band, who cite The Offspring as a foundational influence. “The Offspring have been one of the bands that shaped us from the very beginning,” Electric Callboy said in a statement. “Their music was part of our lives long before Electric Callboy even existed, so having Dexter on this song honestly feels surreal.”
Holland was equally enthusiastic about the pairing. “When Electric Callboy sent us the track, it immediately put a grin on our faces,” he said.
“It’s energetic, unpredictable and doesn’t take itself too seriously — exactly the kind of spirit we’ve always loved about punk and rock music. I had a blast being part of ‘Let the Good Times Roll.’”
The single arrives as Electric Callboy kick off their European festival season, with major appearances at Rock am Ring and Rock im Park this week. The TANZNEID World Tour also includes an Australian leg in September, presented by Destroy All Lines, with Ice Nine Kills and Coldrain as special guests.
The run opens at RAC Arena in Perth on Sept. 4, followed by AEC Arena in Adelaide on Sept. 6, Rod Laver Arena in Melbourne on Sept. 8, Qudos Bank Arena in Sydney on Sept. 10, and Riverstage in Brisbane on Sept. 12 and 13 — with the Sept. 12 date already sold out. Tickets are on sale now via destroyalllines.com.
Formed in Germany in 2010, Electric Callboy have grown into one of heavy music’s most genre-defying global acts on the strength of viral hits including “Hypa Hypa,” “We Got the Moves” and “RATATATA” featuring BABYMETAL. Their 2022 album TEKKNO amassed hundreds of millions of streams worldwide. TANZNEID is pre-order available now.
Watch the video for “Let The Good Times Roll” below.
Nine years after Lorde last played the Governor’s Ball in New York City, the New Zealand native returned Friday (June 5) to close out night one of the 2026 festival. And with the time she had on the main stage, she chose to deliver a powerful set that both expanded her Virgin universe and, more importantly, reminded her fans just how much they’re worth in her eyes.
Ever the unorthodox pop star, Lorde kicked off the program by seemingly debuting a snippet of an unreleased song. While manning a scratchy synth board to the side of the stage, she sang, “Don’t look for me now that I’m gone/ Don’t look for me, I’m gone.”
With that self-possessed energy locked in, she went on to play some of the boldest tracks in her discography back to back, starting with Billboard Hot 100 No. 1 hit “Royals” and Virgin lead single “What Was That.” Her latest headlining performance comes just a few weeks shy of the one-year anniversary of Virgin, which debuted at No. 2 on the Billboard 200 last summer — but while she’s spent the past several months on the Ultrasound World Tour in support of the project, this marked the first time she’s played a revamped festival version of the show.
“This is the most nervous I’ve been for a show in a while,” she confessed to the crowd midway through. “Partly because we’ve never done this show before, and partly because I’m obsessed with you, and I can’t even pretend that isn’t the case.”
The overall unvarnished, techy, raw-materials aesthetic of the show was still very much Virgin-coded, but all four of her albums got their moments throughout the night. Solar Power was the least represented, with Lorde playing only “Oceanic Feeling” from the project after running her hands through a drinking-water fountain. Live footage of her singing from creative angles captured by hidden and handheld cameras all over her stage projected on the big screens behind her during Pure Heroine classics such as “Buzzcut Season” and “Team” and Melodrama fan-favorites “Perfect Places,” “The Louvre” and “Liability.”
“Don’t you feel like so much has changed in the last nine years?” Lorde told the crowd before diving into the latter, reflecting on how she last played Gov Ball when she was promoting Melodrama. “To me, the world is unrecognizable compared to where we were in 2017 … There’s a loss of dignity that I feel. Our world feels increasingly unjust. And it feels harder and harder to arrive at your own definitions of beauty and truth and what is real. But I really feel this is real, all of us in this field.”
At that point, she urged fans to “show yourself” to the world, or in other words, let their real personalities “hang out.” “If we show ourselves — all the broken bits, all the jagged edges, all the filth — I really believe we will start f–king going somewhere,” she added earnestly.
Possibly the best two-song run of the set was “Man of the Year” followed by “Girl, So Confusing,” the 2024 Charli xcx remix that reunited the two pop savants after personal tensions divided them. (No, Charli did not make a cameo in NYC, with Lorde flying solo on their duet.) While the first track delves into Lorde’s embrace of masculinity, the second — which Lorde did not perform on the main Ultrasound trek — is all about her complicated relationship with femininity, making the pairing a perfect juxtaposition.
But by the end, Lorde made sure to turn the focus back on her audience. Her penultimate number was “David,” which she dedicated to “anyone who knows what it’s like to be under a boot.” As she sang, an enormous banner unfurled over the crowd for fans to hold onto together, literally unified under the mantra: “I don’t belong to anyone,” which big-screen footage from birds-eye cameras in the sky revealed to be printed on the fabric.
To close out the show, Lorde traveled to a B-stage deep in the crowd to belt out “Ribs,” far enough away from the stage for her to be able to turn around and watch her own fireworks go off in the background. “Look after each other,” she urged the audience in her final message of the night. “Let’s go Knicks.”
The musician will presumably continue playing the revamped show on her upcoming festival stops this summer, including All Things Go in Toronto on Sunday (June 7) and Mad Cool Festival in Spain, NOS Alive in Portugal and Festival de Nîmes in France in July. The first night of Gov Ball also featured sets from Baby Keem, KATSEYE and Pierce the Veil, with Stray Kids and A$AP Rocky set to headline Saturday and Sunday.
See Lorde’s setlist at the 2026 Governor’s Ball below.
- Unreleased
- “Royals”
- “What Was That”
- “Broken Glass”
- “Perfect Places”
- “Shapeshifter”
- “Buzzcut Season”
- “Favourite Daughter”
- “The Louvre”
- “Current Affairs”
- “Hard Feelings”
- “Oceanic Feeling”
- “Liability”
- “Hammer”
- “Supercut”
- “Team”
- “Man of the Year”
- “Girl, So Confusing”
- “Green Light”
- “David”
- “Ribs”
