Iron Maiden are enforcing a phone-free standing area at their Paris show on Monday (June 22), confirming the La Défense Arena performance will be filmed for their forthcoming Run For Your Lives Tour concert film.

The band announced the policy via social media on Friday (June 19), sharing a step-by-step graphic guide for using Yondr pouches — the lockable phone storage devices that have become the live music industry’s go-to solution for phone-free shows.

Fans in the standing and General Admission area will have their devices locked in pouches upon entry, with the pouches remaining with the fan at all times throughout the night. Designated phone-use areas will be available within the arena for emergencies, and physical payment cards will be required at bars and merchandise stands.

The band’s social media caption confirmed the policy directly: “The standing/General Admission area in La Défense Arena will be entirely phone-free to make sure the experience is optimal for the live recording of the Run For Your Lives Tour film. Yondr pouches will be provided upon entry to the venue to store your mobile device during the show. Your device will be locked in the pouch on arrival and unlocked when you leave at the end of the night.”

Iron Maiden have been consistent advocates for phone-free concerts throughout the Run For Your Lives Tour, having told fans to “put your phones away” ahead of the run’s launch in 2025. The enforcement for the Paris filming makes that preference official policy for what will be one of the tour’s most documented nights.

The Run For Your Lives World Tour was announced in September 2024 as a global celebration of the band’s 50th anniversary since forming in Leyton, East London in 1975, with the setlist focused on material from their first nine studio albums. The run has been one of the most commercially successful rock tours of the cycle — Billboard ranked it in the Top 3 of its Top Rock Tours 2025 chart, with the band generating approximately $150.9 million in revenue across 1.5 million tickets sold. The 2026 European leg, which includes the Paris filming date, represents the latest chapter of an expanded campaign that has since added North American, Central and South American, and Oceania dates. Iron Maiden will tour Australia in November — their final shows of the tour before a 2027 touring hiatus — with extra shows added due to demand.

The Run For Your Lives setlist has drawn heavily on fan favourites and rarities, including “Infinite Dreams” from Seventh Son of a Seventh Son, played live for the first time in 38 years. The set typically includes “The Number of the Beast,” “Run to the Hills,” “The Trooper,” “Hallowed Be Thy Name,” “Aces High,” “Fear of the Dark” and “Wasted Years.”

One of the most commercially successful heavy metal bands in history, Iron Maiden have sold more than 100 million albums worldwide and placed 29 titles on the Billboard 200, including four top 10 entries. Their most recent studio album Senjutsu (2021) debuted at No. 3 — their highest-ever U.S. chart position — while The Book of Souls (2015) and The Final Frontier (2010) both peaked at No. 4.

Travis Kelce seemed to have the time of his life vibing to the beat and shouting out to a crowd of more than 20,000 at Chris Lake‘s L.A. Historic Park show by Goldenvoice and Framework Friday night (June 19).

The Kansas City Chiefs tight end, who’s engaged to Taylor Swift, showed up to night one of Lake’s special two-night sold-out event at Los Angeles State Historic Park, with a source telling Billboard Kelce shared a VIP table with teammates and friends ahead of getting on the mic beside Lake.

Lake’s got musical ties to the pop star, as he previously remixed Life of a Showgirl single “Opalite.”

In reels from the show shared by concertgoers @mightrave and @bodybybina on Instagram, Kelce’s seen on stage, trying to hype the room before letting loose a wild scream over the soundsystem.

And in a clip posted by Framework, who co-produced the event that spanned Friday-Saturday night with Goldenvoice, Kelce’s seen jumping and dancing with glee at Lake’s side, surrounded by bubbles filling the air.

Swift was not present at the show with her fiancé, and was rumored to be having ladies’ weekend with friends at her Watch Hill property in Westerly, R.I., on Saturday. The pair are, so it seems, set to wed very soon: Swifties wondered if New York City Mayor Zohran Mamdani possibly confirmed gossip last week that the couple will tie the knot in Manhattan over the Fourth of July. A city official said Mamdani’s comment was only based on a TMZ report that Swift applied for a permit at Madison Square Garden for the July 4 weekend.

Lake’s show in L.A. on Friday featured supporting acts Ayybo, Ragie Ban and Kitty. Saturday’s lineup, led by Lake again, also has Hot Since 82, Club de Combat and Strawbry on the bill.

Lake reworked the pure pop of Swift’s “Opalite” into a club-ready track back in January after connecting with Kelce over Instagram DM; the NFL player told him his 2025 album Chemistry was a favorite. In creating his version of Swift’s release, Lake told Billboard in March that he had to figure out how to pair the “vibe and the sentiment of the song with the beats from my world, and make [the remix] make sense as something that would fit amongst other songs from my world without it standing out like a sore thumb.”

“Pretty much 99.9% of all the music I’ve ever played or made in my life is with minor chords,” Lake said. “To work with a vocal that wasn’t written to be used that way was really challenging. That’s the bit I’m actually the most happy with… If you listen to the original and to the feel of how her chorus comes in, it’s very happy and uplifting, whereas in the remix, I don’t know what emotion you’d call it, but maybe it’s sort of hauntingly emotive. It makes you feel a completely different way. Then the way it launches into the drop, I haven’t done that on a remix before. I’m really proud of it.”