Vuelen a estar de modas las bolsas con las que en el pueblo íbamos a comprar el pan. Te enseño mi modelo favorito porque lo hay en varios colores.
Qué va a pasar en ‘Sueños de libertad’: Cloe toma una decisión inesperada sobre su futuro, mientras Gabriel presenta una propuesta ante la Junta que provoca un profundo malestar entre quienes la escuchan.
Qué va a pasar en ‘En tierra lejana’: Cihan toma una decisión irrevocable. Jura que Halis responderá por haber revelado el paradero de Boran. Nadie debe conocer sus verdaderas intenciones hasta descubrir quién fue el responsable del asesinato.
Es hija de Megan Maxwell pero su nombre suena por méritos propios en el mundo editorial. Con solo 29 años, Sandra Miró acaba de publicar su séptima novela, ‘Un beso al aire’, y prepara ya la siguiente, libros en los que entretiene mientras visibiliza la diversidad sexual, el feminismo y los problemas sociales.
La disputa judicial entre Bad Bunny y su expareja Carliz De La Cruz Hernández sumó un nuevo capítulo luego de que el Tribunal Supremo de Puerto Rico resolviera que la demanda presentada por la abogada podrá seguir su curso, al considerar que existen elementos suficientes para que varias de sus reclamaciones sean analizadas en el proceso.
La decisión, conocida esta semana y divulgada por Billboard, no representa una condena contra el artista puertorriqueño ni determina que haya incurrido en alguna conducta ilegal. Sin embargo, sí confirma que parte de las acusaciones presentadas por De La Cruz Hernández continúan vigentes y deberán ser discutidas en los tribunales.
El litigio se centra en la utilización de la frase «Bad Bunny baby», un audio que, según la demandante, grabó en 2015 a petición de Benito Antonio Martínez Ocasio, nombre de pila del cantante, cuando ambos sostenían una relación sentimental.
Años después, esa grabación terminó formando parte de la canción «Dos Mil 16», incluida en el exitoso álbum Un Verano Sin Ti. De acuerdo con la demanda, el mismo audio también fue utilizado anteriormente en «Pa Ti», además de diferentes presentaciones y contenidos promocionales, sin que existiera una autorización para su explotación comercial ni una compensación económica.
Tribunal mantiene viva parte de la demanda
En su decisión, el máximo tribunal puertorriqueño confirmó que las reclamaciones relacionadas con «Dos Mil 16» pueden continuar, mientras que descartó las referentes a «Pa Ti» al considerar que fueron presentadas fuera del tiempo permitido por la ley.
Los magistrados respaldaron el criterio adoptado previamente por tribunales inferiores respecto a que la voz de De La Cruz Hernández pudo haber tenido un uso con fines comerciales dentro del lanzamiento del álbum.
En la sentencia, el Tribunal sostuvo: “No erraron al determinar suficientes los hechos presentados sobre la explotación comercial o mercantil de la voz de la señora De la Cruz Hernández para atraer la atención sobre el bien en cuestión o para informar al público de este a través de los medios de comunicación”.
Esto le podría interesar: ¡La noticia más feliz! Camilo Cifuentes, reconocido por el viral «yo afán no tengo», anunció que será papá
Uno de los aspectos analizados durante el proceso fue que la circulación del fragmento de audio en redes sociales habría despertado el interés de los seguidores sobre una posible referencia a la antigua relación entre ambos, situación que, según decisiones judiciales previas, pudo favorecer la promoción del álbum.
También revivieron reclamaciones por derechos de autor
Además del debate sobre el denominado derecho de publicidad, el Tribunal Supremo revocó una decisión previa que había desestimado las reclamaciones por derechos de autor relacionadas con la grabación de voz.
Al explicar esa determinación, el juez Pabón Charneco escribió: “En tanto esa prestación con su voz sea fijada en un medio tangible, reconocemos que pueden germinar derechos de autor sobre la grabación”.
Asimismo, agregó: “La señora De la Cruz Hernández reclamó en su Demanda que se utilizó indebidamente la grabación de su interpretación personal, distinguible e incomparable de la frase y que fue utilizada sin la debida atribución. Por lo tanto, concluimos que la demandante ha presentado hechos suficientes para ofrecer en su día la prueba que justifique este reclamo”.
No todos los integrantes del alto tribunal compartieron esa postura. El juez Ángel Colón Pérez emitió un voto disidente en el que afirmó: “Nos parece claro que, en el contexto del presente litigio, ninguna de las causas de acción invocadas por la señora De La Cruz Hernández resulta jurídicamente procedente, bajo cualquier derecho positivo disponible en nuestra jurisdicción”.
Según ha informado TMZ, la demanda también plantea reclamaciones por el presunto uso no autorizado de la voz, vulneración de derechos de imagen y daños derivados de la explotación comercial de la grabación. La abogada solicita una indemnización superior a 40 millones de dólares.
Hasta el momento, Bad Bunny y sus representantes no han emitido un pronunciamiento oficial sobre la reciente decisión judicial. Mientras tanto, el proceso continuará en los tribunales de Puerto Rico, donde se definirá si existió un uso indebido de la grabación y si las reclamaciones de la demandante tienen fundamento legal.
On the second night of his three-day residency at Yankee Stadium, Jay-Z performed the album that solidified his spot as not only the King of New York, but the King of Rap. The Blueprint, turns 25 this year, and tonight fans were reminded that it is a relentless onslaught of triumphant and braggadocios records like “Hola Hovito” and “All I Need” with some of his best street records like “U Don’t Know” and “Never Change” mixed in.
The Brooklyn rapper performed them all, and like the first night, he did it with the help of a couple special guests sprinkled in who themselves added a song or two to the set list.
Slick Rick was the first guest to make an appearance when he came out to do “La Di Dadi” and “Children’s Story” after Jay opened the show with “The Ruler’s Back.” He then brought out Eminem to assist on their collab “Renegade” with the Detroit rapper surprising the crowd with a performance of his smash single “Loose Yourself.”
And finally, towards the end of the show, he had Pharrell as the night’s last guest and the duo did a bunch of the songs that they’ve done together. They did tracks like like “Frontin,” Excuse Me Miss,” “Give It to Me” and “Allure,” which of course, sent the audience into a tizzy. As a matter of fact, the crowd was engaged all night and sang along to damn near every one of the nearly 30 songs that were performed. With two nights down, there’s no telling what the Jigga Man has in store for fans on the last night of this once in a lifetime weekend.
Check out the full setlist from Night Two of Jay-Z’s three-night Yankee Stadium run below.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Netflix’s KPop Demon Hunters quickly became one of the streamer’s biggest animated hits, earning widespread acclaim for its animation, Grammy-winning K-pop music, and memorable cast of heroes and villains. The film’s massive global success has transformed it into a full-fledged merchandising powerhouse, with fans eagerly collecting everything from apparel to toys inspired by HUNTR/X and the supernatural world they protect.
Jazwares is among the latest companies to expand the franchise with an officially licensed KPop Demon Hunters Squishmallows collection. The collaboration introduces four fan-favorite characters in plush form: Rumi, Jinu, Sussie, and Derpy. The lineup joins Jazwares’ growing range of KPop Demon Hunters products, with the company also planning additional plush and BumBumz inspired by the film for global retailers.
FAN-FAVORITE CHARACTER
Squishmallows KPop Demon Hunters Rumi Plush
Rumi headlines the collection as an eight-inch Squishmallows plush made with the brand’s signature ultrasoft fabric.
The design shows off Rumi’s most recognizable features, including her embroidered mismatched eyes and woven purple braid. Her coffee-brown right eye represents her human side, while the glowing amber left eye symbolizes her demon heritage as a human-demon hybrid (cambion).
HUNTR/X RIVAL
Squishmallows KPop Demon Hunters Jinu Plush
Jinu’s standout detail is his traditional Korean gat, which has been incorporated into the plush design to mirror his on-screen look.
Jinu joins the Squishmallows lineup in an eight-inch plush that captures his signature appearance from the film. Like every release in the collection, it is an officially-licensed Netflix product crafted from Squishmallows’ ultrasoft material and features the official Squishmallows seal for collectors.
SUPERNATURAL MAGPIE
Squishmallows KPop Demon Hunters Sussie Plush
Sussie makes their Squishmallows debut as an eight-inch plush featuring a distinctive traditional black gat.
Sussie’s compact size makes it ideal for display alongside the rest of the KPop Demon Hunters Squishmallows collection.
MAGICAL BLUE TIGER
Squishmallows KPop Demon Hunters Derpy Plush
Squishmallows recreates the beloved tiger’s signature striped tail, one of the defining details fans will immediately recognize.
Constructed from Squishmallows’ ultrasoft material, Derpy joins Rumi, Jinu, and Sussie as part of the franchise’s first wave of collectible plushies.
COMING SOON
BumBumz 4-Pack KPop Demon Hunters: Light Stick, White Couch, Ramen & Derpy
Pre-Order Now
Also from Jazwares is the KPop Demon Hunters BumBumz lineup, from the makers of the original Squishmallows.
Scheduled for release on Aug. 20 and currently available for pre-order on Amazon, the BumBumz set includes plush versions of the Light Stick, White Couch, Ramen and Derpy, transforming memorable items and characters from the film into quirky collectibles. Sized at 4.5 inches, the plushes are designed for easy display, travel, or desk décor.
The Squishmallows launch is just one of several major merch collaborations following the movie’s breakout success, alongside Mattel KPop Demon Hunters dolls, Hasbro’s NERF role-play weapons and Furby collectibles, Little People Collector set, Old Navy apparel, Vans footwear and other officially licensed products that continue to expand the franchise beyond the screen.
PHYSICAL RELEASE
KPop Demon Hunters DVD (Blu-ray + 4K Ultra HD)
Pre-Order Now
Fans who want to have the DVD as a collectible can pre-order KPop Demon Hunters from The Criterion Collection in Blu-ray and 4K Ultra HD editions. The release is currently listed for December 31, 2026.
The physical edition marks another milestone in the film’s continued popularity, giving collectors a premium home-video release to pair with the growing lineup of official merchandise. Details on possible bonus features have not been released yet, but The Criterion Collection’s DVDs tend to include deleted scenes, bonus material, and audio and visual updates.
Andy Bickers, the New Zealand-born saxophonist whose playing became a defining element of Cold Chisel’s live sound across more than three decades, has died following a battle with cancer. He was 56.
Cold Chisel confirmed his death on Friday morning in a statement posted to social media. “Our much-loved sax player of more than 30 years, Andy Bickers, passed away this morning after a hard-fought battle with cancer,” the Instagram post said.
“Andy was our brother: an incredible musician and a great person to be out on the road or out on the town with. His valuable contribution onstage to songs like ‘Rising Sun’, ‘Saturday Night’ and ‘My Baby’ will be sorely missed.’
“Our hearts break for his wife Lisa and his son Rudy,” the band added.
Frontman Jimmy Barnes — whose touring band gave Bickers his entry point into the upper tier of Australian rock — paid tribute separately. “Andy also toured many times with me, playing soul and rock shows,” Barnes wrote.
“We were friends not only because he was a great player, but he was funny, intelligent, and most importantly, he was a good man.
“Lots of love to Lisa and Rudy. You will be sadly missed, Andy,” he added.
ICEHOUSE’s Iva Davies also paid tribute to Bickers, reflecting on having recently performed with him.
“I am saddened and very sorry to hear the news about the loss of Andy Bickers,” Davies wrote in a message shared on ICEHOUSE’s social media. “We saw and performed with him only a few weeks ago.”
“Andy was a consummate musician as attested by the great array of people he performed and collaborated with along with the many he mentored and inspired,” Davies continued. “He will be truly missed by all of us within the ICEHOUSE team and by the Australian music community.”
“Our thoughts are with his family,” Davies added.
Born in Wellington, Bickers spent the 1980s working the local rock scene before relocating to Australia, first to Melbourne and then Sydney, where his tenor and baritone playing quickly established him as one of the country’s most reliable session and touring musicians. His breakthrough came via Barnes’ touring band, and by the early 2000s he had become a fixture in Cold Chisel’s live lineup.
His résumé extended well beyond Chisel. Bickers toured with Midnight Oil, Silverchair, the Eagles, Don Henley and Diesel, and recorded or performed with You Am I, the Presets, Hoodoo Gurus, Tony Hadley, and Vika and Linda.
Midnight Oil also paid tribute on social media, noting that one of his final performances was leading the brass section during a tribute to Rob Hirst at the 2026 APRA Awards.
Richard Clapton also remembered the musician, writing, “It is with heavy heart that I have to let you know that our beloved sax player Andy Bickers passed away yesterday. I have played The State Theatre 16 times and Andy was with us for virtually every one of those concerts, and made ‘Wintertime in Amsterdam’ such a special moment in the shows history. The song is not going to be quite the same this year.”
Formed in Adelaide in 1973, Cold Chisel remain one of the most commercially significant bands in Australian history, with a catalog that has produced multiple No. 1 albums on the ARIA Albums Chart. Bickers’ saxophone was central to the live renditions of some of the band’s most enduring songs, and his work across thousands of concerts and recording sessions made him one of the most quietly ubiquitous figures in Australian rock.
]]>
]]>