Justin Bieber and Hailey Bieber are celebrating eight years of marriage.

The couple marked their wedding anniversary Sunday (Sept. 13), with Justin sharing a sweet Instagram tribute to his wife.

“8 years until infinity ❤️ NEW BEGINNINGS,” Justin, 32, captioned the post. “I love you baby Happy Anniversary.”

The “Stay” singer’s post included several photos of the couple shooting pool together at what appears to be a local bar on Saturday, with the Texas-Ohio State football game playing on a television in the background.

Hailey, 29, playfully chimed in with a comment of her own, writing, “8 years of me being horrendous at playing pool,” accompanied by a pair of smiling face with heart-eyes emojis.

The Rhode founder also took to her Instagram Stories to share a cute snapshot of the couple sharing a kiss during their billiards-themed date night.

Justin and Hailey officially wed in September 2018 at a New York City courthouse after years of on-and-off dating. A year later, they celebrated with a more traditional wedding ceremony and star-studded party at the Montage Palmetto Bluff hotel in South Carolina, surrounded by friends and family.

In August 2024, the singer and model welcomed their first child, a baby boy named Jack Blues Bieber.

In recent weeks, the couple was among the celebrity guests celebrating the wedding of Finneas and Claudia Sulewski. The nuptials were held at San Ysidro Ranch in Montecito, California, with Finneas’ younger sister, Billie Eilish, taking on the special role of officiating the ceremony.

Justin later shared a glimpse of the occasion on Instagram, posting several photos from the outdoor celebration on Aug. 30. The images included close-up selfies with Hailey as the pair sat together in front of a scenic mountain backdrop.

Justin also made headlines earlier this year when he headlined Coachella for the first time, performing songs from his Swag albums alongside some of his biggest hits. The singer later released Swag Live From Coachella (Weekend I) through Def Jam Recordings, a 22-track live album featuring guest appearances by The Kid LAROI, Tems, Wizkid, Dijon and Mk.gee.

“When in Rome,” Dove Cameron’s new single, tops this week’s new music poll.

Listeners voted in a poll published Friday (Sept. 11) on Billboard, choosing the singer’s whimsical love song as their favorite new music.

Bringing in more than 71% of the vote, “When in Rome” rose above new tunes streaming in from Jhené Aiko, Slayyyter, Bleachers and more artists.

Dove Cameron’s a very familiar name — besides building a career in television, where she flourished as a young Disney star (Liv and Maddie, The Descendants), she’s been recording music for several years as part of her solo endeavors — but her new single is the first listen off of what will actually be her long-awaited, debut full-length studio album.

The sunny sound of “When in Rome” likely has some in-love-in-real-life inspiration. Cameron’s engaged to Måneskin frontman Damiano David, who’s Italian and happens to have “jet black hair,” much like the muse of the feel-good new track.

“We should fall in love when in Rome,” Cameron sings in bliss. “Why don’t we get married, build a home?/ Something in the summertime/ Maybe all the cherry wine/ Makes me wanna take off my clothes/ And fall in love when in Rome.”

“When in Rome” arrived Friday with a playful music video celebrating romance, directed by Hannah De Vries. Cameron gushed about the co-stars featured in the sweet visual, writing on Instagram, “everyone showed UP and played with us, they were performerssss, they wanted to improv/dance/bring ideas and it made the whole 2 days a genuine joy. thank you also to the town cats, who played themselves. love creates alternate realities.”

She has yet to announce a title or release date for her upcoming album.

Trailing behind “When in Rome” on this week’s poll are Jhené Aiko’s Westside Whimsy album, with 11% of the vote. Slayyyter’s “Crank 2” and Bleachers’ “Caught Myself Believing” came in next on the ranking.

See the final results of this week’s poll below.

Ariana Grande found herself in a tight spot following the final show of her Eternal Sunshine Tour.

On Saturday (Sept. 12), the 33-year-old pop star and actress shared more than a dozen photos on Instagram following the completion of her 2026 Eternal Sunshine Tour, which wrapped up Sept. 1 at the O2 Arena in London.

Among the snapshots, Grande playfully revealed that she got trapped in an elevator shortly after her final show.

“Stuck in an elevator moments after our final show,” the “7 Rings” singer captioned a black-and-white photo showing her and team member CJ Robinson trying to pry open the doors.

In a second photo, Grande’s boyfriend, Ricky Álvarez, jumps in to help. “Continued (i almost had it tbh),” the Wicked star captioned the second picture.

Robinson jumped into the comments section to note that she “wouldn’t want to be stuck in an elevator with anyone else xoxo.”

In August 2025, Grande announced a select run of tour dates for the following year in support of her 2024 album, Eternal Sunshine, which spent three weeks at No. 1 on the Billboard 200.

The North American arena tour opened June 6 in Oakland, Calif., and traveled through Los Angeles, Atlanta, Chicago and Montreal before concluding with 10 shows at London’s O2 Arena.

Grande announced in early August that she was taking “a step back” from public engagements amid “ongoing public scrutiny.” As part of that decision, she dropped out of the planned West End revival of Sunday in the Park With George, in which she was set to co-star.

Grande released her eighth studio album, petal, in July, and the album debuted at No. 1 on the Billboard 200. In early September, she surprise-released petal (The Complete Live Album), a live album featuring performances of all the tracks from the studio album.

My Chemical Romance frontman Gerard Way has hinted that the band hopes to make a new album — its first in more than 15 years — during the closing night of their Black Parade tour in San Antonio on Saturday (Sept. 12).

Addressing the crowd at the Alamodome, Way framed the prospect as a hope rather than a firm plan.

“Just know that, like, we’ve kind of really always wanted to make another record, so we hope that life allows us to do that,” he said. “Cause you guys, honestly, you guys kept us alive so long. You guys deserve another record. I don’t know when it’ll be. But it’ll be awesome.”

The remarks stop well short of an official announcement — Way named no title, timeline or release date — but they represent the band’s most direct public acknowledgment of a potential fifth studio album since its 2019 reunion. A new record would be My Chemical Romance’s first full-length since 2010’s Danger Days: The True Lives of the Fabulous Killjoys.

Since reforming, the band has released just one standalone single, 2022’s “The Foundations of Decay,” and has otherwise focused on touring, including the current run celebrating the 20th anniversary of The Black Parade.

The comments came as the band capped a hugely successful anniversary campaign. My Chemical Romance have been performing their 2006 magnum opus in full throughout the tour, which has since been extended into a global stadium run billed as The Black Parade 2026, with dates across North America, the U.K. and Europe.

Days before the San Antonio show, the band announced an expanded 20th-anniversary reissue of The Black Parade, due Oct. 23 via Reprise Records. The set pairs the original album with six bonus tracks — including three live recordings from a 200-capacity 2007 club gig in Hoboken, New Jersey, and the never-before-released B-side “Someone Out There Loves You” — and features three new pieces of art from original cover artist James Jean.

Released in 2006, The Black Parade remains the band’s commercial and cultural peak. The album was certified four-times platinum in the U.S. and topped Billboard’s Top Rock Albums chart, while its lead single “Welcome to the Black Parade” — a No. 9 hit on the Billboard Hot 100 — has been certified five-times platinum and endures as one of the defining rock anthems of its era.

Drake has shared another teaser for his mysterious new project, Fear of Missing Out.

On Saturday (Sept. 12), the 39-year-old rap superstar took to social media to share a 25-second video captioned, “a not so short film.”

“Scored by the family,” the caption on Instagram continues, noting a Sept. 15 release date.

In the clip, a neon green speedboat glides across the water with a cityscape in the distance, while Drake appears to be behind the wheel.

“What if I told you there were two versions of your life?” a female narrator says. “In one, you avoid risk and withhold love. You feel like you’ve gone missing from yourself. You look for something you can’t find. In the other version of your life, you find it.”

The trailer closes with a black-and-white poster for Fear of Missing Out.

The 6 God first rolled out FOMO in early September, when he announced plans for a YouTube livestream scheduled for Sept. 15 at 9 p.m. ET. Following the initial tease, some fans speculated that the cryptic project could be new music, a video or possibly a tour.

Drake made history in May with the release of ICEMAN, HABIBTI and MAID OF HONOUR, becoming the first artist to simultaneously hold the top three spots on the Billboard 200.

“Janice STFU” became the 14th Billboard Hot 100 No. 1 hit of Drizzy’s career, breaking a tie with Michael Jackson and giving the Toronto MC the most No. 1 hits among male soloists. He also charted a record-high 42 songs on the chart in a single week.

ICEMAN debuted at No. 1 on the Billboard 200, giving Drake his 15th chart-topping album and moving him past Jay-Z for the most No. 1 albums among rappers. The album has continued its strong run, spending a career-best 13 weeks at No. 1 on the Top Rap Albums chart.

Check out Drake’s latest Fear of Missing Out teaser on Instagram below.

Pink is addressing the backlash over her reaction to Macklemore’s onstage calls to “free Palestine.”

During his opening sets for Ed Sheeran’s Loop Tour at New Jersey’s MetLife Stadium on Sept. 4 and 5, the “Thrift Shop” rapper made pro-Palestine remarks that drew criticism from the pop star.

Shortly after the shows, Pink reshared a post on social media from StopAntisemitism criticizing Macklemore’s remarks and calling for him to be removed from Sheeran’s ongoing stadium tour. On Friday (Sept. 11), the “Just Give Me a Reason” hitmaker took to Instagram to explain why she shared the post and what concerned her about Macklemore’s onstage actions.

“Last Sunday I reposted somebody else’s post about Macklemore’s set at Ed Sheeran’s show,” Pink began her statement. “It said things in words I didn’t write, and I wouldn’t have chosen all of them. Then the comments came, and I did what I do when I’m hurt, which is post snarky memes and act like I’m fine. That’s on me. A repost isn’t a statement, and a meme isn’t a spine. Social media makes all of us cheap and fast, and we all know it.”

She continued, “I was born a Jew. I didn’t pick it, and I’ve never hidden it. And this week a whole lot of people decided what I believe without asking me, without checking a single thing I’ve ever said or done, because a repost and the word ‘Jew’ were apparently enough to fill in the rest.”

Pink clarified that she has never spoken for “Israel, or for any government” and reiterated her belief that “Hamas is a terrorist organization. Palestinians deserve a future that honors their humanity and their aspirations. Protecting innocent life comes first, everywhere, and nobody should ever celebrate the death of a child. Anybody’s child.”

The singer also pointed to her decade-long work as a UNICEF ambassador, saying she has advocated for children impacted by war regardless of where they were born.

“I have grieved every one of them, on both sides of that fence,” she wrote. “I didn’t do it from behind a screen; I went to those children and held them. I’m not going to litigate a complex war in an Instagram caption, and I’m not going to recite anybody’s slogan to earn back a follower.”

In her three-part statement, which continued in the comments, the singer-songwriter recalled a 2014 Macklemore performance in which he wore a costume that was widely criticized as antisemitic. The rapper later apologized, saying, “I respect all cultures and all people.”

“Every Jew I know knew exactly what it was,” Pink wrote on Instagram. “But he apologized, and I let it go, because that’s what we do. We let it go. Then last weekend he stood in front of a stadium full of music-loving families, with violent images from a war on the screens, dedicated a song to the movement of his choice, and then took the mic to tell all of the Jews in the stadium that it wasn’t about them. You don’t get to decide that for us.”

“That’s what prompted my repost,” she continued. “Not ‘Free Palestine,’ and not anyone’s right to say it. I have never asked for another artist to be silenced and I’m not asking now. I don’t need anyone fired, and I don’t need a refund. What I need is to be able to say, as a Jewish mom, that scared me, and it scared people I love, without being told our fear is just propaganda, and without being told I’m somehow cool with genocide because I noticed?”

Pink concluded her statement by reflecting on the 25th anniversary of the Sept. 11 attacks and the start of Rosh Hashanah, wishing her fellow Jewish people a “shana tova” for the new year.

Following his onstage comments in New Jersey, Macklemore stood by his “free Palestine” statements. “Wanting all humans to be treated equal should never be controversial,” he wrote on X, along with video of his speech from the Sept. 5 show.

The controversy also drew a response from the Israeli-American Council (IAC), which launched a petition calling for the rapper to be removed from the next eight U.S. stadium shows he’s slated to open for Sheeran through early November.

Read Pink’s full statement on Instagram below.

It took a while for Brazil’s major festivals to give K-pop a space proportional to the strength the genre has already achieved worldwide.

On Friday (Sept. 11), Rock in Rio changed that scenario by dedicating a night of the Palco Mundo (World Stage) to the genre for the first time. And it fell to Stray Kids to close out this historic chapter as headliner.

Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N. were, without a doubt, the most anticipated artists of the day. From early on, STAYs took over the Cidade do Rock with custom lightsticks, group T-shirts, fans, and plenty of anticipation to see the eight members again in Brazil.

The response matched the hype. Stray Kids closed out the Palco Mundo lineup with an explosive show, driven by intense choreography, hits from different eras of their career, and constant interaction with a crowd that barely stopped screaming.

This reunion was exactly what the members had been waiting for. In an interview with Billboard Brasil before the festival, the group had already spoken about their eagerness to see Brazilian fans again. At Rock in Rio, one only had to look at the crowd to see the feeling was mutual.

“We’ll make sure there’s a lot of passion,” they said.

“DOMINO” and “BOUNCE BACK” kicked off a sequence that had already raised the energy sky-high within the first few minutes. “Thunderous” and “MANIAC” kept up the intensity, backed by precise choreography and the packed Cidade do Rock singing along.

In this first segment, the members went with streetwear-inspired outfits, combining blue, black, and white in athletic pieces, jeans, tank tops, and accessories, keeping an individual identity for each member without losing the group’s visual cohesion.

Between songs, the lineup broke apart and reassembled quickly, with the members moving across different points of the stage and finding time to joke around and talk with fans.

The performance took on a different aesthetic during “DIVINE” and “God’s Menu.” The members swapped the sporty look from the start for predominantly white outfits with traditional Korean references, while the dancers reinforced that inspiration with black-and-white clothing, hats, and long fabric sashes woven into the choreography.

During “Chk Chk Boom,” the members tried out a few samba steps on stage, drawing even louder screams from the crowd.

Throughout the set, songs like “S-Class,” “LALALALA,” and “God’s Menu” revisited different phases of the group’s career, while tracks from “THIS & THAT” showcased their most recent era.

After trying out samba steps during “Chk Chk Boom,” that choice rounded out the sequence of nods to the Brazilian audience throughout the show. In the final stretch, the group ramped up the intensity even further.

Fireworks, pyrotechnics, and a light show took over the stage as the members ran, jumped, and made the most of their final minutes alongside Brazilian STAYs.

And there was even more Brazil in the set. In one of the most lighthearted moments of the closing stretch, Bang Chan sang a bit of “Ai Se Eu Te Pego,” the hit by Michel Teló. The audience immediately recognized the surprise, singing along to the chorus and screaming even louder.

What a debut. It was historic, loud, and, above all, it left the Cidade do Rock wanting more. May this have been just the first of many nights of K-pop at Rock in Rio.

— This article was written by Bruna Calazans and Dora Arai for Billboard Brasil

Kylie Minogue‘s headline performance at this year’s AFL Grand Final is being billed as “the biggest spectacle ever seen” at the Melbourne Cricket Ground, according to new details about the show.

Per a report in Melbourne’s Sunday Herald Sun, the pop icon will deliver a 20-minute pre-game production featuring an avant-garde stage, dancers and visual elements never before seen at a Grand Final.

The performance — produced in partnership with Mushroom Group and the AFL — is being described as a “world-class production.” The Grand Final takes place Saturday, Sept. 26, at the MCG, with around 100,000 fans expected at the stadium and millions more watching the broadcast.

AFL CEO Andrew Dillon called it the league’s most ambitious pre-game show to date. “Kylie’s performance on the day of the Grand Final is the greatest production and show we’ve performed so far,” he said, adding that the league is “very excited that Kylie is returning home to perform on our most important day.”

Ahead of the match, Yarra Park will host a Footy Festival and a “Kylie Village,” where fans can buy exclusive official merchandise, both launching Sept. 23.

The performance marks Minogue’s first time headlining the AFL Grand Final, the biggest date on the Australian sporting calendar. When the booking was announced in March, the Melbourne-born singer framed it as a homecoming. “As a Melburnian, I’m so excited to be coming home for the biggest day in the Aussie sporting calendar,” she said at the time.

“I’ll not only be performing, but I’ll be one of 100,000 fans at the ‘G, watching the wonder that is footy.” She is the first Australian to headline the event since 2021, when a medley of local acts performed at Perth’s Optus Stadium during the COVID-19 pandemic; the intervening years featured international headliners Robbie Williams, KISS, Katy Perry and, in 2025, Snoop Dogg.

One of the most successful pop artists in history, Minogue has sold more than 80 million records worldwide and scored nine No. 1 albums in Australia across a career spanning nearly four decades. A two-time Grammy winner and 18-time ARIA Award recipient, she returned to the U.S. spotlight in recent years with the global smash “Padam Padam” and her Grammy-winning album Tension. She toured Australia in March 2026 on her Tension Tour, her first headline shows in the country since 2019.