A$AP Rocky is returning to Australia and New Zealand. The rapper has announced a five-date arena tour for December, his first visit to the region in eight years.
The local leg of his Don’t Be Dumb World Tour opens Dec. 5 at Melbourne’s Rod Laver Arena, followed by Sydney’s Afterpay Arena on Dec. 9, Auckland’s Spark Arena on Dec. 12, Brisbane Entertainment Centre on Dec. 14 and Perth’s RAC Arena on Dec. 17. Tickets go on general sale Friday, Oct. 16 at 1 p.m. local time, following artist, Vodafone, Mastercard, Live Nation and Westfield presales earlier in the week.
The dates follow a sold-out 25-date run across the U.K. and Europe that saw Rocky perform in 19 countries. According to promoter Live Nation, the European leg broke several regional records, including the fastest-selling rap show in Greece and the biggest arena sales for a rap artist in Zagreb, Belgrade and Sofia.
The tour supports Don’t Be Dumb, released in January as the long-awaited follow-up to 2018’s Testing. The album debuted at No. 1 on the Billboard 200 — Rocky’s third chart-topper and his first in more than a decade — moving 123,000 equivalent album units in its opening week, and also topped Australia’s ARIA Hip-Hop/R&B Albums chart. Its lead single “Punk Rocky” reached No. 9 on Billboard’s Hot Rock & Alternative Songs chart, and the record featured a sprawling guest list including Tyler, the Creator, Doechii, Gorillaz, Brent Faiyaz, Thundercat and will.i.am, with cover artwork created by filmmaker Tim Burton.
One of the most celebrated figures in hip-hop over the past 15 years, the Harlem rapper broke through with his 2011 mixtape Live.Love.A$AP and has since topped the Billboard 200 with At.Long.Last.A$AP (2015) and Testing before Don’t Be Dumb. Beyond music, he has become a fashion fixture — co-chairing the 2025 Met Gala — and expanded into film, appearing in the A24 productions Highest 2 Lowest and If I Had Legs I’d Kick You.
A$AP ROCKY — DON’T BE DUMB WORLD TOUR, AUSTRALIA & NEW ZEALAND 2026
Dec. 5 — Melbourne — Rod Laver Arena
Dec. 9 — Sydney — Afterpay Arena
Dec. 12 — Auckland — Spark Arena
Dec. 14 — Brisbane — Brisbane Entertainment Centre
Dec. 17 — Perth — RAC Arena
James Hetfield doesn’t seem very interested in turning a Metallica concert into a political lecture.
During the band’s Las Vegas Sphere residency, the heavy metal frontman took a second to thank fans for traveling to see the group before making one thing clear: Metallica isn’t there to push an agenda.
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“Unless you live in Vegas, you’ve come a long way to spend some time with Metallica,” Hetfield told the audience during the band’s Oct. 10 show. “And I just gotta say: Metallica is not here, like some other entertainers, to influence you with their bullsh–.”
Instead, the singer and guitarist said the band wants fans to leave their outside worries at the door.
“We are here to forget about all the outside sh–,” he continued. “Metallica’s agenda is love, energy and heavy music, baby!”
Hetfield didn’t name any specific entertainers he had in mind, leaving his comments open to interpretation. Still, his message was unmistakable: When fans show up for Metallica, he wants the music to take center stage.
And the band’s staying power speaks for itself. Metallica’s ReLoad returned to the Billboard charts following an expanded reissue, landing at No. 1 on the Top Hard Rock Albums chart. The achievement was the band’s sixth leader on the ranking, following the success of its 2023 album 72 Seasons.
The remarks came during Metallica’s Life Burns Faster residency at Sphere, the immersive Las Vegas venue that has become known for its enormous wraparound screen and elaborate visual productions. The band kicked off the run in October, becoming the first heavy metal act to headline the venue. The residency features a series of performances scheduled through March 2027.
While Metallica doesn’t want to get political onstage, that doesn’t mean the band has refrained from being outspoken throughout their decades-long career. Over the years, they’ve addressed subjects ranging from war and addiction to social alienation in their music and they were on the frontlines of the fight against Napster, becoming the first musicians to sue the controversial music-sharing service in 2000.
BTS is bringing its competitive spirit to the pickleball court.
In the latest episode of Run BTS 2.0, released Sunday, the seven members traded their intense choreography and microphones for paddles as they took on a series of games, culminating in a pickleball tournament that brought out their playful trash talk, questionable strategies and determination to win.
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The episode began with the members taking on a preliminary game before moving on to pickleball, a paddle sport that combines elements of tennis, badminton and table tennis. While some members seemed to be more comfortable on the court compared to others (specifically V and j-hope, who used to play pickleball together as a hobby), the group quickly got into the competitive spirit as they practiced their serves and worked to get the hang of the game. Suga even got some tips on serving from the other members as V stood on the other side of the court.
Things got pretty entertaining once the tournament began. The first up were RM and Jin (Team Kim-Kim) against Jimin and Jung Kook (Team Kim Seokjin). The remaining members sat on a bench near the court, with the competition bringing plenty of friendly banter, enthusiastic celebrations and dramatic reactions to missed shots. Even seemingly straightforward plays became opportunities for the group to tease one another, while the running commentary from the sidelines proved almost as entertaining as the matches themselves.
Team Kim Seokjin ended up victorious, therefore moving on to the finale. The remaining members go up to the court to ultimately decide who will challenge Team Kim Seokjin. j-hope goes up against V and Suga as a solo member, which the other members deem “impressive.” Ultimately, only one winner will emerge from the finale.
Of course, the tournament came with more than bragging rights on the line. The members discussed a playful punishments for the losers, meaning there was more on the line than the winning title.
By the end of the tournament, the members gathered to reflect on the matches and celebrated the competition, ending the episode with the possibility of turning their games into a longer-running project.
Watch the full episode below.
The Jonas Brothers‘ latest performance was totally bananas. At the inaugural Banana Bowl in Washington, D.C., Kevin, Joe and Nick delivered a high-energy medley of their hits on the field, at certain points struggling to compete volume-wise with the intense cheers from fans watching the show.
During the ninth-inning performance on Saturday (Oct. 10) — which the Savannah Bananas baseball team posted in full on YouTube — the JoBros opened with some of their classics. Leading with “Burnin’ Up” followed by Camp Rock banger “Play My Music,” the trio segued into later hits such as “Waffle House” and Billboard Hot 100 topper “Sucker” while strutting from one end of the field to the next.
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At different points in the performance, the band was joined by the six different teams in the Banana Ball Championship League, the players for which clearly had lots of fun making up dance moves to display while accompanying the JoBros. During other moments — most notably when a crowd of fans was welcomed onto the field to receive autographs from the guys — it was difficult to hear the music over the audience’s excited, banana-splitting screams. (If anything, it added to the fun of the performance.)
The first-ever Banana Bowl closed out with the Texas Tailgaters winning 2-1 against the Savannah Bananas. It was a day full of fanfare and celebrity appearances, with John Cena, Kane Brown and Pentatonix also joining the fun.
The Jonas Brothers last dropped an album in August 2025, reaching No. 6 on the Billboard 200 with Greetings From Your Hometown. Last month, they performed at the NFL game in Melbourne, Australia.
Watch the Jo Bros’ full performance at The Banana Bowl above.
With all apologies to the people that were inconvenienced when day one of Head Trip ended early due to potential lightning, the general consensus on the ground during day two was largely the same: “It’s pretty epic that it’s turning out this way, though.”
The situation went down as such: At exactly 9 p.m. on Saturday night, Chris Lake and Fisher (playing as Under Construction) were ripping it on Head Trip’s sole stage when the music was abruptly cut off. “That was probably the best show I’ve ever played,” Lake later tweeted. “Right before the music cut, Fish had said similar. We unfortunately didn’t get any warning and didn’t get any chance to explain to you what was happening (we didn’t know either) and we got rushed off site.”
As they were rushed away, the roughly 90,000 of us on the field were instructed to walk back to our vehicles due to the approaching weather, the remnants of Tropical Storm Rachel moving inland as the storm hit the SoCal coast. Within 30 minutes it was raining, and the remainder of night one was soon cancelled completely, meaning that a headlining set by Calvin Harris wouldn’t happen.
As big of a bummer as this all was – Head Trip took place Oct. 10-11 on the Coachella grounds in Indio, Calif., a location that doesn’t feel as enchanted under cloud cover – the dejected ambience made the thrill even bigger the next morning, when Head Trip organizer Goldenvoice announced that Harris had joined the Sunday night lineup.
“In an unthinkable situation, every artist made sacrifices for the greater good of the show, resulting in a truly once in a lifetime day of music,” Goldenvoice’s senior vp of talent Danny Bell tells Billboard. “It perfectly exemplifies what makes this genre of music and the artists that drive the culture forward so special.”
The camaraderie extended to Peggy Gou filling in on day two when The Blessed Madonna became unable to play the show for reasons that have not been announced. The revised Sunday bill would thus feature DJ Harvey, Gou (who’d also played b2b with Four Tet the night prior), Dom Dolla b2b Kettama and then Skrillex followed by Harris followed by Swedish House Mafia. (Even the city of Indio got in on the goodwill, confirming to Billboard that they will not fine Goldenvoice for Swedish House Mafia’s set running 33 minutes over the sound curfew.)
If you were alive and raving in the early and mid-2010s, the weight of this bill is epochal. Skrillex, Harris and Swedish House Mafia are three indisputable architects of the EDM era and the hallowed U.S. dance music boom the music fueled. Alongside a few others (Avicii, David Guetta, Zedd, Martin Garrix), they changed the trajectory of dance music in America, blowing down the doors for the millions of kids who entered the scene in the early and mid-2010s.
Head Trip appears to be the first time all three of these artists played the same festival on the same day on the same stage, back-to-back-to-back. Head Trip was an 18+ show, but the crowd seemed fairly equally balanced between younger attendees and a lot of us who were there for EDM, giving the night a dual energy — nostalgia for some, discovery for others — as many of the essential anthems of the era rolled out one after another.
These are our seven takeaways from the fest.
Olivia Rodrigo seems to have a new collaboration up her sleeve, and fans think Chappell Roan might be involved.
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The “Drop Dead” singer took to her Instagram Story on Monday (Oct. 12) to share a video of what appears to be a song session open on her computer screen, with a voice that sounds like Roan’s in the background saying, “Ooh, Olivia does remixes now.” The clip gave fans no further details about the potential release, but the tease was enough to rally pop music fans.
While Rodrigo has yet to officially announce the project or confirm Roan’s involvement, the potential pairing would bring together two of pop music’s biggest names. Fans have already begun speculating about which song the duo might be reworking, with “Expectations,” a track from Rodrigo’s You Seem Pretty Sad For A Girl So In Love, emerging as a leading possibility.
The theory stems from the song’s chanted “I’ve got big expectations” lyric, which is repeated in a fashion that some listeners likened to Roan. The resemblance fueled fan speculation about a potential collaboration or remix version of the song. Neither artist has confirmed a connection, however. Billboard has reached out to Rodrigo’s reps for comment.
The song is one of 13 tracks on the album, which debuted at No. 1 on the Billboard 200. The album also gave Rodrigo her third consecutive No. 1 on the chart, following 2021’s SOUR and 2023’s GUTS.
“Expectations” also made its own appearance on the charts. The song reached a peak position of No. 20 on the Billboard Hot 100, contributing to the album’s impressive chart showing: All 13 songs from You Seem Pretty Sad For A Girl So In Love landed in the chart’s top 30 in June, with “Drop Dead” topping the Hot 100 the previous month.
A collaboration with Roan wouldn’t be entirely out of left field. Roan was among the artists who joined Rodrigo at her inaugural Daisy Chain Fields festival in August, which brought together an all-women lineup of musicians. The two singers also have a history of supporting each other with Roan previously opening for Rodrigo on the GUTS World Tour in 2024.
View the Instagram Story below, via Pop Crave.
Britney Spears is effectively retired from pop music, but next month, her fans will get to hear a previously unreleased track that is likely to spark serious early 2000s nostalgia. On Friday (Oct. 9), the 44-year-old singer dropped “She’ll Never Be Me,” a classic-era Britney pop banger that was originally recorded for her self-titled third LP, 2001’s Britney.
Spears co-wrote the song with her then-boyfriend, Justin Timberlake, as well as Bradley Daymond (*NSYNC) and Alex Greggs (*NSYNC, Paris Hilton) and it was co-produced by Riprock ‘n’ Alex G.
“You know I’m one of a kind/ Boy, what’s this I see/ Your girl, she looks just like me/ Blond hair and dressed to a T/ You tell me how can this be/ Does she know I was the one/ Who used to turn you on,” Spears sings in her signature nasally, girlish voice over a burping keyboards and a robotic, drum machine beat.
The song is among a bevy of previously unreleased tracks slated to appear on the upcoming 25th anniversary edition of Britney, due out on Nov. 6. In addition to such beloved hits as “I’m a Slave 4 U,” “Overprotected,” “Lonely” and “I’m Not a Girl, Not Yet a Woman,” the 25-song expanded version will feature the “I’m a Slave 4 U” B-side “Intimidated,” as well as “Right Now (Taste the Victory),” from the singer’s 2002 Pepsi commercial, and the previously unreleased songs “Am I a Sinner,” “When I Say So” and “My Big Secret,” produced by the Neptunes, according to the singer’s posted tracklist.
“You know I’m one of a kind/ There’ll never be another me/ Can’t get me out of your mind/ You’re lost in your own fantasy/ And when you look in my eyes/ Is it hard for you to realize/ She’ll never be me,” Spears sings on the kiss-off chorus of the song in which she slams an ex for replacing her with an exact replica.
Britney signaled a more grown-up direction for the then-19-year-old singer, following on the heels of her breakout LPs …Baby One More Time and Oops!… I Did It Again. The album also featured another Timberlake collaboration, the JT co-written/co-produced “What It’s Like to Be Me,” which closed out the original set. Spears and Timberlake began dating in 1999 and broke up in March 2002. After their split, Timberlake released the revenge tune “Cry Me a River,” whose video featured a Spears look-alike to go with lyrics about a man who refuses to take back his ex after discovering that she’s been unfaithful.
Spears has not yet posted about the song on her socials, though her Facebook account teased on Sept. 30 that “more surprises are coming every week” until the refreshed album’s November release.
The JT co-write is the first “new” music from Spears since she teamed up with will.i.am on 2023’s “Mind Your Business” and Elton John on “Hold Me Closer” in 2022.
In January of this year, Spears — who hasn’t released an album of new material since 2016’s Glory — vowed that she would “never perform in the U.S. again,” more than seven years after wrapping her global Piece of Me tour. Her most recent live performance was on Oct. 21, 2018 in Austin, Texas and the singer adamantly stated in 2024 that she will “never return to the music industry.”
Listen to “She’ll Never Be Me” below.
Kelly Clarkson’s dispute with a Brooklyn store has escalated, with the singer now accusing the shop of lying after it pushed back on her account of a Pretty Woman-style snub.
Clarkson initially called out the specialty store Art of Play over the weekend in a post shared to X, saying staff had treated her as though she couldn’t afford its merchandise and comparing the experience to the 1990 Julia Roberts film.
The store responded on Sunday (Oct. 11) via Instagram, saying the item Clarkson had asked about — “Molly,” a singing-and-dancing bird automaton used in its magic shows — “is permanently attached to the wall and isn’t for sale.”
Clarkson wasn’t buying it. In a new Instagram Stories post, the 44-year-old disputed the explanation and shared a grainy photo she said showed the bird on display beside a $15,000 price tag. “So you’re not only rude, you’re also a liar. Got it,” she wrote, recounting what she said was a condescending exchange in which an employee quoted the price before offering to find “something comparable.”
She also rejected any suggestion she was punching down at a small business, noting she had been shopping at one when the alleged slight occurred. “You don’t get a free pass to treat people less than in your store just because you are a small business,” she wrote. “It’s not that hard to be kind.” She closed with a parting shot: “Your store is really cool. Unfortunately, you aren’t.”
In its Sunday statement, Art of Play had struck a more conciliatory tone, allowing that the “negative experience Kelly described … would resonate with anyone who has ever felt judged in a shop” and emphasizing that all visitors are “equally welcome.”
The shop also said it had been overwhelmed by the response to Clarkson’s post, writing that it was “suddenly attacked by 8 million people who have never visited our store,” and signed off with a nod to the singer’s own catalog: “What doesn’t kill you makes you stronger” — a line from her 2012 hit “Stronger (What Doesn’t Kill You).”
The exchange comes during a transitional stretch for Clarkson. In August, she aired the series finale of her Daytime Emmy-winning program The Kelly Clarkson Show after seven seasons, saying she wanted to “prioritize my kids.” She has since returned to NBC’s The Voice for its 30th season alongside Adam Levine, Queen Latifah and Riley Green. One of the most successful artists to emerge from reality television — she won the first season of American Idol in 2002 — Clarkson has topped the Billboard Hot 100 with “A Moment Like This” and “My Life Would Suck Without You” and launched eight consecutive top-five albums on the Billboard 200, most recently 2023’s Chemistry, which debuted at No. 6.
Mike Love, the sole remaining original member of The Beach Boys still touring under the group’s name, is “facing serious health challenges,” John Stamos wrote in an update to fans on Sunday (Oct. 11).
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Stamos, who sometimes performs with The Beach Boys, posted a candid note on Instagram en route to Sunday night’s concert at Nashville’s Ryman Auditorium. Stamos said he was “struggling to put my feelings into words.”
He made the post following Saturday’s (Oct. 10) concert in Cincinnati, marking the group’s return after the Beach Boys hit pause on a summer tour in July to allow Love time to “recharge.” The announcement affected six weeks’ worth of tour dates, totaling nearly 30 shows.
Footage from the Cincinnati show on social media showed Stamos introducing Love and helping a feeble Love walk out and sit in a chair, where Love remained through the evening, occasionally joining in on songs. Other band members took turns singing lead on tunes usually handled by Love, according to Rolling Stone.
“My beloved friend, father figure, musical hero and mentor, Mike Love, is facing serious health challenges,” said Stamos, who did not give specific details about Love’s health condition. “We hope he’ll be doing what he loves for years to come, but we don’t know what the future holds. We have tonight.”
His message continued: “Mike is a fighter. Despite doctors, family and friends urging him to focus on his health, he insists on being on stage. He says he needs his band, the audience, his friends and drummer surrounding him to lift him up.”
“I’ve played with Mike for 41 years,” said Stamos. “I never imagined how deeply it would affect me to see someone larger than life face something so human and fragile. The Mike Love we see tonight may not be exactly the Mike we’ve always known. But he’s still every bit the Mike we love.”
Stamos said he hoped to be “completely present” onstage with Love at Sunday night’s concert, to “feel that first chord hit and watch age, illness and time disappear.”
The Beach Boys have a limited slate of dates scheduled currently, including a Nov. 11 performance at Walt Disney World’s Epcot theme park near Orlando, Fla., and a Nov. 13 concert at the Hard Rock Hotel and Casino in Bristol, Va. Looking ahead to 2027, the band has a May 8 show on the calendar at River Cree Resort and Casino in Enoch, Alberta, Canada.
Al Jardine, the only other living member of the classic-era Beach Boys lineup, doesn’t perform with Love’s current Beach Boys formation — but does still hit the road as The Pet Sounds Band with members of Brian Wilson’s backing group. Bruce Johnston stepped away from touring earlier this year after 61 years on the band.
Read Stamos’ Oct. 11 note about Mike Love in its entirety below:
I’m boarding a plane to Nashville to play with the Beach Boys at the Ryman Auditorium, struggling to put my feelings into words.
My beloved friend, father figure, musical hero and mentor, Mike Love, is facing serious health challenges. We hope he’ll be doing what he loves for years to come, but we don’t know what the future holds. We have tonight.
Mike is a fighter. Despite doctors, family and friends urging him to focus on his health, he insists on being on stage. He says he needs his band, the audience, his friends and drummer surrounding him to lift him up.
I’ve played with Mike for 41 years. I never imagined how deeply it would affect me to see someone larger than life face something so human and fragile.
The Mike Love we see tonight may not be exactly the Mike we’ve always known. But he’s still every bit the Mike we love.
His lyrics, optimism, unforgettable hooks and more than 7,000 concerts have brought joy to generations. What he’s given me personally is immeasurable.
Forty-one years of stages, airplanes, hotel rooms, laughter and moments nobody else saw. He married Caitlin and me. He’s shared experiences with my family, and now my son.
Mike didn’t just give me a place in his band. He gave me a place in his life.
He taught me how to entertain, hold a stage, connect with an audience and make people feel something. I carry those lessons everywhere. He’s made me a better musician, entertainer and man.
This life with Mike and the Beach Boys has become part of my identity. I’ve felt entrusted with being a steward of this extraordinary music, carrying it to new generations.
Tonight, at the Ryman, sharing the stage with Mike, I want to be completely present. Hear every harmony, familiar joke and cheer. Feel that first chord hit and watch age, illness and time disappear. Just a bunch of guys making music together.
Maybe the hardest part of loving someone is becoming so accustomed to the miracle of having them there that you forget it’s a miracle at all.
Tonight, I won’t forget.
I want to cherish every second without feeling those seconds slipping away.
That’s what I’m giving him.
We don’t know what tomorrow brings. But we have tonight.
On Saturday night, Harry Styles asked a sold-out Madison Square Garden crowd to turn their attention to Oscar Belgal, the 28-year-old man who was shot by ICE in his car in the Bronx, New York City, earlier this week while his 5-year-old son was in the backseat.
“I just want us to take a moment to think about Oscar Belgal tonight,” said Styles, guitar in hand before performing “Sign of the Times,” one of the final songs on his Together, Together setlist on Saturday (Oct. 10). Concertgoers captured the moment and uploaded the clip to TikTok, as they’ve done with many of Styles’ interactions with fans throughout the star’s 30-night residency at the Garden.
“I want us to just think, [to] remember, to just look after each other,” Styles told the audience in a speech in which he didn’t say “ICE,” but seemingly referenced the situation with ICE — and the administration’s deportation agenda — after saying Belgal’s name.
“It is up to us to make the cities that we live in places we want to see,” Styles said. “It’s up to us to make the world a place that we want to see, that we want to give to our children. So please continue looking after each other, and remember, your friends, the people you love, the people who don’t look like you and aren’t born where you are from: they deserve respect, love, dignity.”
“Please get home safely and look after each other,” Styles urged the crowd.
On Thursday, Belgal was backing his car into a parking spot in the Marble Hill neighborhood with his young son in tow when he was surrounded by Immigration and Customs Enforcement officers in plain clothes. His vehicle started to move forward, and he was shot in the neck, according to NYPD commissioner Jessica S. Tisch, who says at least one ICE officer fired seven shots.
City police, who are not involved in federal immigration enforcement, arrived at the scene after hearing a report of shots fired and transported Belgal to the hospital. Belgal is now being held at Metropolitan Detention Center in Brooklyn, while the child is safe and in the care of a family member.
Federal officials described Belgal as an “illegal alien gang member” from the Dominican Republic who refused to get out of his car and “smashed into two government vehicles.”
Tisch reported Belgal has had two prior arrests in New York City: “One for robbery in 2023, in which he pleaded guilty to fourth-degree grand larceny and received five years’ probation, and one for criminal sale of a controlled substance in 2025, which is still pending.”
Mayor Zohran Mamdani held a press conference on Thursday, declaring, “What happened today was an outrage.” He stated, “There is no explanation for these tactics. There is no explanation for federal officers firing this many rounds into a car that has a 5-year-old in the car. There is no explanation.”
Mamdani said, “ICE agents surrounded the man’s vehicle before opening fire. They wore construction vests and masks that concealed their faces. There was no reasonable way to identify them as ICE agents. School had just gotten out. The street was crowded with families and children. When ICE agents opened fire, a 5-year-old child — a 5-year-old child — was in the backseat of the car. Thank God that child is physically unharmed.”
“Tonight, a 5-year-old child sits traumatized and terrified,” the mayor said at the time. “Tonight, millions of our neighbors are wondering whether they will be safe on our streets, in our schools, at their work sites. Tonight, New Yorkers across the five boroughs are asking whether their civil liberties will be respected, whether law and order is supposed to look like a man carrying a long gun, wearing a mask.”
Mamdani added, “I also want to say something on a personal note. I stand here not just as the mayor of our city, but as someone who is proud to be an immigrant in our city. And I know that these kinds of raids, this kind of terrorizing of this city, leave the 3 million immigrants of this city asking if they are safe here, if they belong here, if this, too, can be their home. We will not normalize ICE’s viciousness. We will not accept its cruelty.”
Styles’ historic concert residency at Madison Square Garden, where he performs Wednesdays, Fridays and Saturdays through Oct. 31, resumes with night 22 on Oct. 14.
He recently extended his touring plans into 2027 with a run of stadium dates in several more North American cities, including Phoenix, Dallas, Los Angeles, Toronto, Atlanta and Chicago, before the trek’s summer European leg.
Styles’ fourth studio album, Kiss All the Time. Disco, Occasionally, debuted at No. 1 on the Billboard 200 in March, led by the Hot 100 chart topper “Aperture.”