A comienzos de los años 80, Sting y The Police atravesaban uno de los momentos más intensos de su carrera. Tras el éxito de sus primeros discos, Outlandos d’Amour (1978) y Reggatta de Blanc (1979), la presión por mantener ese nivel los llevó a grabar rápidamente su tercer álbum. Así fue como, en casi un […]
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Gene Simmons nunca tuvo miedo de expresar sus opiniones sobre la historia del rock y las bandas que marcaron una diferencia. Durante una entrevista con The Quietus en 2013, fue desafiado a seleccionar sus discos preferidos de todos los tiempos. En ese artículo, destacó obras de Jimi Hendrix, The Rolling Stones, Foo Fighters y The […]
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A lo largo de su carrera, Cillian Murphy mantuvo un vínculo cercano con la música. Cabe recordar que, entre finales de su adolescencia y principios de sus veinte, el actor y productor cantó y tocó la guitarra en varias bandas junto a su hermano, Páidi, entre ellas The Sons of Mr. Green Genes, nombre que […]
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Antes de convertirse en una de las figuras centrales de la historia del punk, Joey Ramone tuvo un momento decisivo que definió su camino artístico. Ese punto, que marcó un antes y un después en su vida, llegó en su adolescencia, cuando presenció un concierto de The Who, el conjunto británico que, según él mismo […]
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Elvis Costello tiene un origen ligado al punk, aunque su carrera fue tomando diferentes direcciones estéticas a lo largo del tiempo. Esto puede notarse en sus gustos musicales, los cuales quedaron plasmados en la ambiciosa lista de sus “500 álbumes esenciales para una vida feliz”, publicada en 2013 por Vanity Fair. “Probablemente se estén componiendo […]
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No todo lo que es tendencia en Netflix tiene buena crítica. Sin embargo, en el catálogo hay algunas novedades que recibieron el visto bueno. Te recomendamos cuatro películas y documentales que pisan fuerte en la plataforma y recibieron excelentes comentarios. Sobran las palabras 2026 – Dir: Luca Ribuoli Duración: 105 minutos. Reparto: Sarah Toscano, Alessandro […]
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Pocas ciudades fueron tan referenciadas en la música como Londres. Y no solo como sede de estudios legendarios y escenas que cambiaron la historia del rock, sino como tema, personaje y estado de ánimo. Desde los años 60, músicos y artistas de distintas generaciones y géneros se influenciaron en sus calles, sus trenes, sus ríos […]
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Cuando The Beatles aterrizaron en Tokio el 29 de junio de 1966, más de 1.500 fanáticos habían desbordado el salón de arribos del aeropuerto. Los esperaban, también, 35.000 policías desplegados por orden del primer ministro Eisaku Sato. La visita había generado una controversia que excedía con creces lo musical: en el Japón de mediados de […]
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Dance artist Anyma’s performance at Coachella 2026 was cancelled about 15 minutes after its scheduled midnight slot on Friday (April 10) on Weekend One of the two-weekend festival. At press time, Anyma remains scheduled to play next weekend.
The show was set to close out the festival’s main Coachella Stage, but minutes after 12:00 a.m., a message was posted on the stage’s screens stating that “due to strong winds affecting Anyma’s stage build, he is unable to perform tonight. Coachella and Anyma have made this decision together with your safety as the priority.”
“I’m sorry everyone,” the artist later wrote in a comment on an Instagram post with the news shared by Coachella. “We’ve done everything in our control to build the show I’ve worked an entire year on. Safety always comes first and we’re working on a solution now.”
The main stage appeared set with at least some musical equipment and various props for the show that ultimately did not happen. While not clear which aspect of Anyma’s set would have been impacted by the winds, the conditions appeared to only impact Anyma’s Coachella Stage set so adversely, as concurrent scheduled performances onsite continued during this timeframe. Crowds gathered for Anyma could be seen diverting to Gordo at the festival’s dance-focused Yuma Tent, Sexyy Red in the Sahara Tent, and Blood Orange at the Mojave, while others made their way to the festival exit.
The performance was meant to be the global debut of ÆDEN, the new Anyma production. This show would have followed his late 2024/early 2025 residency at Sphere Las Vegas, where the Italian American artist debuted his acclaimed audiovisual show, The End of Genesys.
If Anyma’s recent singles and music videos are any indication, the aesthetic of his new era is ancient ruins and cyborg angels, with both of these motifs seen in the recent videos for the Joji collab “Beautiful” and the LISA collab “Bad Angel.”
“I can’t believe I’m headlining Coachella!” Sabrina Carpenter proclaimed partway through her performance doing exactly that on Friday night (Apr. 10) of the festival’s first weekend. “I mean… I can a little bit. But it sounds nicer to say that.”
Probably more than a little bit: Carpenter actually predicted this almost exactly two years earlier, when she closed out her debut performance at the festival with the “Nonsense” outro proclamation: “Coachella, see you back here when I headline.” At the time, with Carpenter a rising hitmaker but still hardly a superstar, the prediction might’ve felt outlandish — or at the very least slightly ahead of schedule — but thanks in large part to a song she released the same weekend, she was about to be fast-tracked to pop’s A-list, where she has only become more established in the days since.
In fact, if there was one major takeaway from Carpenter’s headlining set this Friday, it’s just what a robust catalog of hits she’s built in such a short period of time. The only songs older than “Espresso” that she performed were a couple Emails I Can’t Send-era favorites: the likely “Drivers License” rejoinder “Because I Liked a Boy” and the radio-blessed deluxe cut “Feather.” Still, it didn’t feel like a thin setlist for a headliner — her two most recent albums have just that many hits between them, and even most of the Man’s Best Friend deep cuts she played sounded single-ier than ever on Saturday, with beefed-up, extra-discofied arrangements, not to mention plenty of time to grow on fans since their mid-2025 release.
Carpenter has simply put in the work over those two years to not only produce the songs worthy of fleshing out a pop star resumé, but to continue to expand the world around them, with music videos and live performances and even in-song callbacks that deepen their impacts. And Friday night’s headlining show was one of her best examples of that yet, finding new ways to play with her established hits both sonically and visually, and adding to her own iconography in the process. Most notably, Friday marked the introduction of the no-doubt eternal “SABRINAWOOD,” her take on the famous Hollywood sign that appeared displayed on stage for most of the performance.
Classic Hollywood and its eternal glamour seemed to be a fixation of Carpenter’s for the majority of her performance, with the grooves and general sweep of disco serving as its other twin pillar. But Carpetner’s adoption of these long-past cultural touchstones never felt overly retro; even “SABRINAWOOD” not just suggested her general takeover of Southern California this week but snuck in an another boner joke to a memorable performance of her already dangerously frisky “When Did You Get Hot?” And moreover, by this point she projects as such a larger-than-life pop figure that 2020s top 40 stardom sometimes doesn’t really feel big enough for her anyway. Tellingly, no musical guest stars interfered with Carpenter’s one-woman show, though a handful of big-name actors — most notably Susan Sarandon and Will Ferrell — did offer quick (or sometimes not so quick) diversions for her many set and costume changes.
Also telling: No “Nonsense” at all in this set, with the breakout hit marking the only major song of her past three years to not make an appearance. Perhaps when you call a shot like Sabrina did with her prior Coachella “Nonsense,” the proper thing to do is to not push your luck a second time. (It sounds nicer to say that, anyway.)
Here were the seven most memorable (non-“SABRINAWOOD”) moments from Carpenter’s winning headline performance:
