Ella Langley continues to rule the Billboard 200 albums chart (dated May 2), as Dandelion spends a second week top the list. The set earned 106,000 equivalent album units in the United States in the week ending April 23 (down 37%), according to Luminate. The album premiered atop the tally a week ago with 169,000 units.
Also in the top 10 of the latest Billboard 200, TOMORROW X TOGETHER debuts in the top three with the 7TH YEAR: A Moment of Stillness in the Thorns, while Justin Bieber’s SWAG returns to the top five and the KPop Demon Hunters soundtrack gets a Record Store Day-assisted boost back into the top 10.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 2, 2026-dated chart will be posted in full on Billboard‘s website on April 28. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.
Of Dandelion’s 106,000 equivalent album units earned in the latest tracking week, SEA units comprise 97,000 (down 24%, equaling 99.41 million on-demand official streams of the set’s tracks; it spends a second week at No. 1 on Top Streaming Albums), album sales comprise 7,000 (down 81%; it falls 1-15 on Top Album Sales) and TEA units comprise 2,000 (down 33%).
Morgan Wallen’s former No. 1 I’m the Problem is a non-mover at No. 2 on the Billboard 200, with 84,000 equivalent album units earned (up 1%).
TOMORROW X TOGETHER claims its eighth top 10-charted album, as 7TH YEAR: A Moment of Stillness in the Thorns debuts at No. 3. The set starts with 69,000 equivalent album units earned. Of that sum, album sales comprise 67,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 2,000 (equaling 2.67 million on-demand official streams of the set’s songs) and TEA units comprise the remaining sum. The album’s first-week sales were bolstered by its availability across more than 20 CD variants, all containing collectible items such as photocards, stickers and posters, with some items randomized.
BTS’ chart-topping ARIRANG descends 3-4 on the Billboard 200 with 62,000 equivalent album units earned (down 21%). Justin Bieber’s SWAG rises 7-5 with 61,000 units (up 42%) as the set continues to benefit from the singer’s headlining performances at the Coachella Valley Music and Arts Festival April 11 and 18.
Olivia Dean’s The Art of Loving falls 5-6 with 46,000 equivalent album units earned (down 3%). The chart-topping KPop Demon Hunters soundtrack returns to the top 10, climbing 16-7, after two new vinyl variants of the album were released via independent record stores for Record Store Day (April 18). In the latest tracking week, the soundtrack earned 46,000 equivalent album units (up 46%), largely owed to album sales (19,000 sold, a gain of 444%).
A trio of former No. 1s rounds out the latest top 10: Don Toliver’s OCTANE falls 4-8 (42,000 equivalent album units earned, down 12%), Bad Bunny’s DeBÍ TiRAR MáS FOToS descends 6-9 (41,000, down 5%) and Wallen’s One Thing at a Time dips 9-10 (40,000, down 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
And then there were seven…
KPop Demon Hunters, which rebounds from No. 16 to No. 7 on the Billboard 200 dated May 2, is one of only seven soundtracks to land 38 or more weeks in the top 10 since separate stereo and mono charts were combined in August 1963. It gets better: KPop Demon Hunters is only the second soundtrack to an animated film to spend 38 or more weeks in the top 10. The other, as you can probably guess, is Frozen. Both films won Oscars for best animated feature film and best original song.
(Mary Poppins, which had more weeks in the top 10 than either of those films, blended live action and animation.)
KPop Demon Hunters spent its first 35 weeks on the Billboard 200 inside the top 10, becoming the first soundtrack to achieve that feat since the aforementioned chart overhaul in August 1963. It subsequently dropped out of the top 10 for a few weeks before moving back into the winners circle on the chart dated March 28 in the wake of the film’s double Oscar wins and the elaborately staged performance of “Golden” on the Oscar telecast. It remained in the top 10 on the chart dated April 4 before dropping out again for a few weeks prior to this week’s resurgence, which is due to two new vinyl variants of the album being released via independent record stores for Record Store Day (April 18).
By logging 38 weeks (so far) in the top 10, KPop Demon Hunters moves up our list of soundtracks that have logged 25 or more weeks in the top 10 since August 1963. This week, it pulls ahead of Prince & the Revolution’s Purple Rain, which logged 37 weeks in the top 10.
(The Billboard 200 began publishing on a regular weekly basis in March 1956 but split into mono and stereo LP charts from 1959-63.)
Here’s an updated list of soundtracks with the most cumulative weeks in the top 10 on the Billboard 200 since separate mono and stereo album charts were combined in August 1963:
The Michael Jackson film Michael grossed $217.3 million worldwide in its opening weekend, according to boxofficemojo.com. That already places it at No. 3 on Billboard’s list of music biopics with the highest worldwide grosses. How high will it climb on that list? Jackson has a long history of ranking No. 1 on lists, dating back to The Jackson 5 landing their first No. 1 hit on the Billboard Hot 100 with “I Want You Back” in 1970, but that will be a tough assignment in this case. The all-time top-grossing music biopic, Bohemian Rhapsody, grossed $910.8 million worldwide.
Michael grossed $97 million over the weekend in the U.S. and Canada alone. That’s the highest opening-weekend domestic gross ever for a music biopic, eclipsing the mark set by Straight Outta Compton in 2015 ($60 million).
Michael grossed more than four times as much domestically in its opening weekend as the 2009 concert film/documentary hybrid Michael Jackson’s This Is It, which grossed 23.2 million in its opening weekend in October 2009. That film went on to gross $268 million worldwide.
Of note: Graham King, who co-produced Michael with longtime Jackson associates John Branca and John McClain, also co-produced Bohemian Rhapsody and a third music biopic on this list, Jersey Boys, the story of the Four Seasons.
Here are the highest-grossing biopics of musicians in terms of worldwide box office. We didn’t include a few high-grossing films about real-life music personalities because the subjects are not well-known music stars in their own right. These include The Sound of Music (which tells the story of Maria von Trapp and the Trapp Family Singers); Green Book (which deals with a road trip taken by pianist and composer Don Shirley); Florence Foster Jenkins (about an heiress and hopelessly untalented soprano by that name); and Music of the Heart (about violinist and music educator Roberta Guaspari). Meryl Streep starred in the latter two films.
Here are the 25 biopics of music stars with the highest worldwide grosses.
Michael is already shattering box office records.
Lionsgate’s Michael Jackson biopic debuted in theaters Friday (April 24), earning a record-breaking $97 million domestic opening and a global launch of $217.4 million, according to Sunday estimates, The Hollywood Reporter reports.
The Antoine Fuqua-directed film delivered the biggest opening ever for a music biopic, surpassing Universal’s Straight Outta Compton, which debuted to $60.1 million in 2015. Fox’s Bohemian Rhapsody opened to $51 million in 2018, ranking as the second-biggest debut for a music biopic.
The Queen biopic remains the highest-grossing music biopic of all time, with $910 million worldwide, and earned Rami Malek a best actor Oscar for his portrayal of Freddie Mercury.
Michael now also holds the biggest domestic opening of all time for a biopic, surpassing Oppenheimer ($80 million), not adjusted for inflation, according to THR.
“This record-breaking performance is a testament to the incredible filmmaking team of producer Graham King and director Antoine Fuqua, an amazing cast led by Jaafar Jackson’s singular performance, our world-class partners at Universal, the cooperation and support of the Michael Jackson Estate, and our tireless and exceptionally talented Lionsgate team,” Lionsgate Motion Picture Group chair Adam Fogelson said in a statement.
“Above all, it reflects the tremendous outpouring of love and affection from moviegoers around the world, underscoring the strength and vitality of the theatrical box office. If you give audiences what they want, they will come.”
Michael grossed $38.5 million domestically on opening day Friday and was off to a strong start overseas, with an international launch in the $114 million range, THR reports.
Heading into the weekend, the film had been tracking to open between $65 million and $70 million domestically. Nearly 40% of its gross is coming from IMAX and other premium large-format screens. The biopic’s momentum was evident early, earning $12.6 million from Wednesday and Thursday preview screenings.
Michael has drawn strong audience reception, with a 96% audience score on Rotten Tomatoes, PostTrak exit scores in the low 90s, and a definite recommend of 85%. It also earned an A- on CinemaScore. The movie is attracting a broad audience across demographics, led by Black and female movie-goers, according to THR.
The long-anticipated film stars the King of Pop’s nephew Jaafar Jackson in the title role, charting his rise from fronting The Jackson 5 in the 1970s to launching a solo career that reached historic heights. The story culminates with the release of Thriller, the best-selling album in pop music history.
Michael is the first installment of a planned two-part biopic.
Madonna continues to tease her upcoming Confessions II album.
In the early hours of Saturday morning (April 25), the Queen of Pop made a surprise appearance at the invite-only Club Confessions Los Angeles party at The Abbey in West Hollywood, where she previewed two new songs from the follow-up to her 2005 album Confessions on a Dance Floor.
As the clock neared 1 a.m., the pop superstar appeared in the DJ booth alongside Stuart Price, the producer behind both Confessions albums.
“Hello, children, mutha is here to save you,” Madonna told the star-studded crowd, according to Variety. “Are you ready to dance for me? Come on meet me on the dance floor. Alright, let’s go gays, come on! Don’t let me down, gays.”
Sporting a pink bustier, Madonna previewed previously unheard tracks “Love Sensation” and “Freedom,” along with the recently released banger “I Feel So Free” and 2005’s “Hung Up.”
The singer’s Confessions II album is slated to arrive July 3 through Warner Records. It marks her first album since 2019’s Madame X and serves as a sequel to the Billboard 200 No. 1 album Confessions on a Dance Floor.
Elsewhere during her set, Madonna shouted, “Don’t wait. Take it. Don’t wait. Take it. Take your freedom! Put your hands up! Put your hands up!” She also urged partygoers to “put your phones down” and be present in the music, according to The Hollywood Reporter.
Saturday’s party also featured DJ sets by Romy and Mez Monty, and doubled as a birthday celebration for Abbey owner Tristan Schukraft.
The star-studded guest list reportedly included Madonna’s daughter Lourdes Leon, her boyfriend Akeem Morris, Cara Delevingne, Tom Daley, Tori Spelling, Lily Allen, Sky Ferreira, Addison Rae, Kali Uchis, Julia Fox, Lola Young, Bebe Rexha, Jeremy Scott, and Vivian Jenna Wilson.
RuPaul’s Drag Race stars Willam, Trinity the Tuck, Morgan McMichaels, Gottmik, Symone, Kelly Mantle and Courtney Act were also spotted in the crowd, along with TikTok creator Harry Daniels.
Check out more fan-captured footage from the party here and here.
Megan Thee Stallion got emotional during her Moulin Rouge! The Musical performance following her breakup with Klay Thompson.
In fan-captured footage from her Saturday (April 25) appearance at the Tony Award-winning Broadway show in New York City, the 31-year-old rapper is seen tearing up onstage during the curtain call hours after announcing her split from the NBA star amid cheating allegations.
Still in costume, the “WAP” hitmaker turned away from the applauding audience to wipe away her tears as she received a standing ovation.
The three-time Billboard Hot 100 chart-topper recently made her Broadway debut in Moulin Rouge! as the first female-identifying performer in the role of Zidler, beginning an eight-week engagement on March 24 that runs through May 17 at New York’s Al Hirschfeld Theatre.
Leading up to Saturday’s show, Megan confirmed her split from Thompson on social media.
“Cheating, had me around your whole family playing house… got ‘cold feet,’” she wrote on her Instagram Stories. “Holding you down through all your HORRIBLE mood swings and treatment towards me during your basketball season now you don’t know if you can be ‘monogamous’????”
The rapper further addressed the breakup with the Dallas Mavericks player in a statement obtained by Billboard.
“I’ve made the decision to end my relationship with Klay,” Megan said. “Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward. I’m taking this time to prioritize myself and move ahead with peace and clarity.”
The hip-hop star and shooting guard began dating in summer 2025, with Megan once describing their first meeting as “a meet cute” and calling her former partner “the nicest person I’ve ever met in my life.” The pair made their red carpet debut in New York City that July.
Last Thanksgiving, Thompson had named his boat after her (“SS Stallion”), and the couple spent the holiday together with his family.
Earlier this year, Megan said that she was “manifesting my engagement” in a video clip filmed in Milan with Olympic athletes Brittany Bowe and Hilary Knight, who are engaged.
See a full timeline of Megan Thee Stallion and Klay Thompson’s relationship here.
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