“CrazySexyCool” cast (l-r): Jade Milan (Lisa “Left Eye” Lopes), Holli’ Gabrielle Conway (Tionne “T-Boz” Watkins) and Stoney B. Woods (Rozonda “Chilli” Thomas).
Ambe J. Williams
Holli’ Gabrielle Conway, Jade Milan and Stoney B. Woods are set to portray Tionne “T-Boz” Watkins, Lisa “Left Eye” Lopes and Rozonda “Chilli” Thomas, respectively, in CrazySexyCool — The TLC Musical. As noted in an earlier Billboard story, the show — produced by special arrangement with Bill Diggins — will debut this summer at Arena Stage’s Kreeger Theater in Washington, D.C. It will run from June 12 through Aug. 9. The musical’s debut will precede the upcoming It’s Iconic Tour, co-headlined by TLC and Salt-N-Pepa with special guest En Vogue. The tour launches Aug. 15 in Franklin, Tenn.
Based on music recorded and performed by the four-time Grammy Award-winning group — featuring signature songs such as Billboard Hot 100 No. 1 hits “No Scrubs,” “Creep,” Waterfalls” and “Unpretty” — CrazySexyCool is written and directed by Kwame Kwei-Armah. His credits include One Love: The Bob Marley Musical. Additional members of the production’s creative team include choreographer Chloe O. Davis (Gypsy), Tony Award-nominated music supervisor David Holcenberg (MJ the Musical) and music director Jaret Landon (Smokey Joe’s Café).
“CrazySexyCool is as bold, fearless and unapologetic as TLC themselves,” said Arena Stage artistic director Hana S. Sharif in the press release. “It holds space for the music we love and the reality that lies behind it, making room for both the joy of their success and the complexity of everything that came with it.”
The actresses playing the three members of the pioneering R&B/pop group have previously performed on Broadway. Conway appeared in Tina: The Tina Turner Musical, Milan was in Hell’s Kitchen and Woods acted in The Book of Mormon. “One of the most meaningful parts of this process is showing how TLC’s impact has lasted for generations,” said the trio in a joint statement. “Every song brings you back to a moment in your life. Stepping into that nostalgia, while furthering TLC’s legacy of resilience, creativity and sisterhood has been one of the coolest and most rewarding parts of telling this story. The chemistry and trust between us have become a huge part of what makes this show feel special.”
In speaking about the musical’s titular group, cast and creative team, Kwei-Armah commented, “TLC’s music was the soundtrack to a very meaningful part of my life. The cast we have assembled is fire, and the creative team is out of this world. I haven’t been this excited in a long time.”
For additional information about CrazySexyCool — The TLC Musical and tickets, visit the show’s website here.
In partnership with Billboard, Montauk Yacht Club has announced the return of its Marina Music Series for a third season, kicking things off with a Memorial Day Weekend DJ set from Washed Out on Saturday, May 23, with more talent announcements yet to come.
Washed Out — christened the “Godfather of Chilllwave” by Pitchfork — will set the tone for the summer with a sunset DJ set on May 23 from 5-8 p.m. ET. The singer/songwriter/producer born Ernest Greene has scored two top 20 albums on Billboard‘s Top Dance Albums chart, including his most recent release, 2024’s Notes From a Quiet Life (Sub Pop).
Related
The Marina Music Series will bring a string of live performances to the East End all summer, following a 2025 season that featured sets from NEIL FRANCES and Paco Versailles, as well as inaugural 2024 sets from Anderson .Paak and St. Lucia.
If you’ll be in Montauk next weekend, you can reserve a spot for Washed Out here, or reach out about VIP table reservations for larger groups by emailing myc.dining@montaukyachtclub.com. You can also keep tabs on future summer events and more Marina Music Series announcements at MontaukYachtClub.com/happenings. (Table reservations, hotel guests and marina members have priority access and guaranteed entry; GA guest list is based on capacity and not guaranteed entry.)
“Billboard has long been an incredible partner to us, so we’re thrilled to bring this music series back to Montauk Yacht Club,” says Casey Dolkas, vice president, activations & experiences at Proper Hospitality. “Music has always been central to how we create culture and community across our properties, and there’s no better backdrop for this summer series than Montauk.”
“Billboard has always been focused on bringing artists and fans together in unforgettable settings, and Montauk Yacht Club provides a unique experience,” says Mary Rooney, SVP of experiences at Billboard. “We’re excited to continue building on this partnership and create a summer series in Montauk that feels intimate, elevated, and deeply connected to music culture.”
Built in 1928, Montauk Yacht Club is the largest luxury hotel and marina in the Hamptons, spanning 16 acres, with 106 hotel rooms and more than 230 boat slips on the historic Star Island.
Universal Music Group (UMG) expects the newly acquired Downtown Music Group to save Virgin Music Group 15 to 20 million euros ($17.4- $23.3 million) in costs the coming years, further bolstering Virgin Music Group’s growth, which is outpacing UMG’s recorded music division overall, UMG CFO Matt Ellis said on Monday (May 18).
“In terms of the return, we’re driving 15 to 20 million euros of synergies over the next couple of years … a mid-teens [internal rate of return] for that investment,” Ellis said at a conference hosted by JPMorgan.
Related
Ellis made the remarks during a wide-ranging discussion about factors that are pressuring UMG’s margins and how growth in lower-margin businesses like Downtown’s is impacting the complexion of its overall growth.
“Virgin is certainly growing faster, especially with the addition of Downtown,” Ellis said. “So we will continue to focus on driving revenue and EBITDA more so than just worried about the short-term margin impact.”
The discussion comes a little over a month since billionaire investor Bill Ackman criticized UMG’s investor communications and disclosures as “suboptimal” in his company Pershing Square’s offer to move UMG to the United States through a merger transaction. UMG has since taken steps toward providing more information to investors, including breaking out Downtown and Virgin Music Group’s financials in its recent first-quarter results, the company’s first since UMG closed its $775-million acquisition of Downtown.
Addressing questions about UMG’s overall flat margins in 2025, Ellis said the company’s strength is the overall operating leverage gained from its individual businesses, three of which — Virgin Music Group, physical distribution and publishing — are currently growing at faster rates than the recorded music division overall.
Related
While they’re growing faster than recorded music, Ellis said those comparatively lower profit-margin businesses are having “a mixed effect on the gross margin line.”
Ellis declined to provide an update on when UMG may proceed with listing on a U.S. stock exchange, saying the board continues to review market conditions for such a move. Ellis similarly declined to say how UMG’s contractual agreements with BMG and Concord, which recently announced plans to merge and contract with UMG for certain services, would change post-merger.
Artist advances totaled more than 400 million euros in 2025, and Ellis said that line item has grown by 8% over the past six years. He called these advances a “working capital investment” that the company can recover from future sales of an artist’s work and revenue generated by an artist’s back catalog.
“As the total using industry has grown, it’s not surprising that advances have grown as well,” Ellis said, pointing to UMG’s 11% total revenue growth and nearly 14% adjusted earnings before income, tax, depreciation and amortization (EBITDA) over the same six-year period. “The fact that they’re growing is a reflection of the health of the music business, and we continue to look to deepen the relationship with our artists and the success that they’ve delivered.”
Ellis said he expects streaming revenue to rise in the coming year now that three higher-priced deals that UMG struck with streaming platforms in 2025 are going into effect, but he did not disclose specific guidance.
Asked about UMG’s merchandise acting as a drag on company margins over the past year, Ellis said he is optimistic about the top-line growth and demand from fans and artists alike for specialty T-shirts, jackets and other merchandise, but added they need to address operational issues that will result in higher margins.
Correction: A previous version of this story stated in the headline and first sentence that the Downtown acquisition is expected to result in 15 to 20 million euros in additional revenue. The story was corrected to reflect the Downtown acquisition is expected to result in 15 to 20 million euros in cost savings in the coming years.
Jason Lee typically doesn’t mince words when it comes to giving his unfiltered opinions as a pop culture critic. However, he realizes there are times he crossed the line, one of those being his offensive remarks about Ariana Grande, which his close friend, Cardi B, called him out for.
The Hollywood Unlocked founder joined If You Knew Better with Amber Grimes on May 14, where Lee recalled a time he overstepped his boundary with his criticism.
“There’s been a few times I have crossed the line. I was in a podcast and I didn’t have a lot of people around me that would say, ‘Damn, you shouldn’t have said that.’ So I would just say anything I wanted. At the time, I just felt some type of way about Ariana Grande,” he said.
The 48-year-old revealed it was Cardi B who checked him and put him in his place, which made him take a step back and reconsider his words.
“It was Cardi B who called and just said like, ‘Nah, you crossed the line. You got to go back and fix that ‘cause that wasn’t right. You’re better than that.’ So although nobody was around me at the time I said it or edited it, it went out,” he explained.
Lee continued: “Cardi was able to check me to go back and fix it. And so I looked at it, I’m like, you know, I got five sisters. I probably would have felt some way if somebody did that to my sister. I didn’t need to deliver it that way. So I did go back and apologize.”
Jason Lee didn’t offer up exactly what he was referring to about the “7 Rings” singer, but he’s possibly alluding to a viral clip from early 2019, which found him making extremely offensive comments including comparing her looks to “an underage piece of meat.”
“You chose to be friends with Nicki Minaj and clearly you pick losers,” he said. “And third of all, if I ever see you on an award show opening your legs up during a performance like you Beyoncé — girl you look like R. Kelly’s snacks you need to stop. She looks like an underage piece of meat ready to be p-ssed on by Robert.”
The former Wild ‘N Out star added: “If you’re f—ing Ariana Grande, you want to f–k little kids, for sure. She is not a woman. That is not a woman, that’s a little girl.”
Lee explained that he doesn’t regret his comments, but used them as a learning experience going forward. “Do I regret it? Nah, because I had to go through these experiences to learn the power of my platform, the power of the tongue, being responsible and owning it,” he said. “And that it’s OK to apologize when you cross the line, because people do want to see you’re human and know you’re not just an emotionless tree that don’t care about other people’s feelings… So yeah, I’ve made mistakes, but I’ve learned from them.”
Watch the entire interview below. Find Jason Lee’s comments about Ariana Grande and Cardi B around the six-minute mark.
Como corolario de la agitada semana en que se realizó la Cuarta Marcha Federal Universitaria, se celebró, el viernes pasado, un acto en el Aula Magna de la Facultad de Medicina de la UBA, para homenajear al Indio Solari, que había sido nombrado Doctor Honoris Causa.
“Quería agradecerles, tanto al rectorado como a todos aquellos que han impulsado esta distinción, que a mí me pone muy feliz. Le agradezco a la Universidad de Buenos Aires y a quienes les parece bien que yo merezca esta distinción. Les mando un gran abrazo y muchas gracias”, expresó el exlíder de Patricio Rey y Sus Redonditos de Ricota a través de un mensaje grabado en el que agradecía la distinción.
La entrega del Doctorado Honoris Causa se había decidido (y anunciado) en diciembre de 2025 por el Consejo Superior de la Universidad, en reconocimiento a su “destacada trayectoria y su aporte fundamental a la cultura popular”. En sus considerandos la resolución destacó que “con una trayectoria artística de más de cinco décadas, la extensa obra musical de Carlos Alberto Solari —conocido artísticamente como ‘Indio Solari’— lo convirtió en una figura central del rock argentino y latinoamericano, así como en una personalidad destacada del arte y la cultura popular de nuestro país”. El Doctorado Honoris Causa de la UBA es la máxima distinción otorgada por esta casa de altos estudios.
Además, el guitarrista e integrante de Los Fundamentalistas del Aire Acondicionado, Gaspar Benegas, junto a un octeto de cuerdas, interpretaron diez canciones del Indio.
El acto fue presidido por el rector de la Universidad de Buenos Aires (UBA), Ricardo Gelpi, y por el vicerrector, Emiliano Yacobitti, quien realizó el elogio académico. En su lectura definió al Indio Solari como “un artista que hizo de la originalidad una ética, que construyó uno de los lazos más intensos entre un músico y su comunidad que registre la historia cultural del país y, que demostró a lo largo de cinco décadas, que la mayor ambición posible no es la fama ni el dinero sino la justificación de una vida entera a través del trabajo”. Y agregó: “Hoy la UBA le otorga su Doctorado Honoris Causa. No porque sus letras hayan entrado a las aulas —aunque muchas de ellas merecerían estarlo—, sino porque la universidad, cuando está a la altura de sí misma, reconoce que el pensamiento crítico no tiene un solo formato. Que la poesía puede vivir en un recital de cincuenta mil personas. Que el arte popular, cuando es genuino, es también una forma de conocimiento”.
Como es tradición en estas ceremonias, Gelpi y Yacobitti hicieron entrega del diploma y la medalla a Gaspar Benegas, integrante de la banda Los Fundamentalistas del Aire Acondicionado, quien recibió las distinciones en nombre del artista.
El evento finalizó con un concierto a cargo de Benegas, acompañado por un octeto de cuerdas, conformado por Valentina Cooke, Lucas Agromedo, María Cecilia García, María Cecilia Isas, Lucía Kohan, Sara Tubbia Ryan, Carla Roberta Reggio, Brenda Zimmermann yMarisa Hurtado. El repertorio incluyó versiones de “El tesoro de los inocentes”, “La murga de la virgencita”, “Salando las heridas”, “El ruiseñor, el amor y la muerte”, “Ostende Hotel”, “Serenata de los santos fumadores”, “El arte del buen comer” y “Flight 956”. La versión final de “Yo caníbal”incluyó una intervención grabada del Indio. El homenaje se transmitió en simultáneo a través de una pantalla ubicada en la Plaza Houssay dispuesta para el público que se acercó a presenciar el homenaje.
The post La UBA declaró Doctor Honoris Causa al Indio Solari appeared first on Rolling Stone en Español.
Eurovisión suele premiar aquellas canciones capaces de sobrevivir al ruido del espectáculo y trascender más allá de la puesta en escena. Cada año, además, el país ganador obtiene el derecho de albergar la siguiente edición del certamen. Esta vez, ‘Bangaranga’ fue esa canción.
Con una puesta en escena marcada por la estética pop, Dara (nombre artístico de Darina Nikolaeva) le dio este sábado a Bulgaria la primera victoria de su historia en la 70.ª edición del Festival de Eurovisión.
La cantante de 27 años se impuso con 516 puntos, por delante de Noam Bettan, representante de Israel, quien alcanzó el segundo lugar con 343. Su tema es una canción pop de corte festivo cuyo título, según explicó minutos antes de conocerse el resultado, significa ‘el momento en que decides vivir tu amor y no tu miedo’.
La participación israelí volvió a convertirse en uno de los temas más tensos alrededor del festival. Durante las semanas previas al evento, distintas organizaciones y sectores del público impulsaron llamados al boicot por la presencia de Israel en medio de la guerra en Gaza, una discusión que terminó filtrándose inevitablemente en un certamen históricamente atravesado por la política europea.
Para un país que llevaba tres años fuera de competencia, el regreso no pudo haber sido más contundente. Y para Dara, que hasta hace unas horas era principalmente una estrella regional del pop búlgaro, Eurovisión acaba de convertirla en un nombre imposible de ignorar dentro del mapa musical europeo.
The post Bulgaria obtiene su primera victoria en Eurovisión con ‘Bangaranga’ appeared first on Rolling Stone en Español.
Mientras muchas figuras de Hollywood optan por la cautela, Javier Bardem no duda en ser directo cuando se le consulta sobre temas políticos o culturales. En el pasado salió en defensa de Woody Allen y, durante la más reciente ceremonia de los Premios Óscar, lanzó un contundente ‘¡Palestina libre!’ antes de presentar el galardón a mejor película internacional.
Ahora, desde el Festival de Cannes 2026, donde presenta The Beloved, el actor español volvió a posicionarse sobre Gaza y sobre el miedo que, durante meses, ha rodeado a actores, directores y músicos que han hablado públicamente en favor de Palestina.
‘El miedo existe, claro’, dijo este sábado durante una conferencia en Cannes, según reportó Variety. ‘Pero uno tiene que hacer las cosas incluso si siente un poco de temor. Hay que ser capaz de mirarse al espejo y mirarse a los ojos, y ese fue mi caso’.
Lejos de mostrarse cauteloso, Bardem aseguró que percibe un cambio dentro de la industria cinematográfica y que Hollywood ya no responde igual frente a quienes se posicionan políticamente sobre Gaza.
‘Creo que quienes elaboran esas supuestas “listas negras” quedarán expuestos, y serán ellos quienes sufran las consecuencias a nivel público y social. Esto representa un cambio trascendental. Todos están empezando a darse cuenta de que esto es inaceptable’, afirmó.
Las declaraciones llegan apenas meses después de que Susan Sarandon asegurara haber sido marginada profesionalmente tras pedir un alto al fuego en Gaza en 2023, año en el que varias figuras de Hollywood denunciaron presiones, cancelaciones y silencios corporativos alrededor del tema palestino.
Bardem, sin embargo, sostuvo que su experiencia ha sido distinta. Según explicó, después de pronunciarse públicamente sobre Gaza ha seguido recibiendo ofertas de trabajo desde Estados Unidos, Europa y Sudamérica.
Para el actor, buena parte de esa transformación proviene de una generación más joven que consume el conflicto en tiempo real desde redes sociales y teléfonos móviles, lejos del filtro tradicional de los estudios y los grandes medios. ‘La generación joven está mucho más consciente de las cosas que vivimos directamente desde nuestras pantallas’, expresó.
Más adelante, durante la conferencia, Bardem también fue consultado sobre la democracia y aprovechó para criticar la concentración mediática tras la fusión entre Paramount Global y Warner Bros. Discovery.
‘Creo que existe un monopolio cada vez mayor en el mundo de la información. Ese es uno de los problemas que vemos, por ejemplo, con Paramount y Warner Bros. y su fusión’, afirmó. ‘En términos de información, ¿quién va a controlar realmente todo esto? ¿Lo que escuchamos? ¿Lo que vemos?’.
Asimismo, aseguró que el genocidio que se está cometiendo en Gaza es un ‘hecho’. ‘Puedes combatirlo, puedes intentar justificarlo o explicarlo. Eso es un hecho. Puedes estar en contra de ello o puedes justificarlo’, dijo Bardem. ‘Si lo justificas con tu silencio o con tu apoyo, eres pro genocidio. Para mí, esos son hechos’.
“Pero pueden afrontarlo con diferentes declaraciones. Mi declaración es que éste es el poder que ustedes me dieron. No tengo otro poder, ni más poder que ustedes, que éste, y lo uso de la mejor manera que sé.”
‘Este [el poder dar declaraciones] es el poder que ustedes me dieron. No tengo otro poder más que este, y lo uso de la mejor manera que sé’.
Finalmente, arremetió contra líderes mundiales como Donald Trump, Vladimir Putin y Benjamin Netanyahu, a quienes señaló como ejemplos de una conducta marcada por la masculinidad tóxica.
‘Y ese problema también incluye al señor Trump, al señor Putin y al señor Netanyahu, esos hombres de “grandes pelotas” diciendo: “Mi polla es más grande que la tuya y voy a bombardearte hasta la mierda”’, declaró. ‘Es un puto comportamiento masculino tóxico… así que sí, tenemos que hablar de ello. Y estamos hablando de ello porque, afortunadamente, somos más conscientes de ello’.
The post Javier Bardem en Cannes 2026: ‘Los que van haciendo supuestas listas negras de actores son los que van a ser expuestos’ appeared first on Rolling Stone en Español.
We’re gonna miss him when he’s gone. Well, except for one particular perennially online resident of 1600 Pennsylvania Ave., anyway.
After 11 years and nearly 1,800 episodes, Stephen Colbert is winding down his run on The Late Show on May 21. The CBS late-night show has been a frequent target of ire for President Trump over his two terms in office, with Colbert relentlessly skewering the man he’s dubbed “Tangerine Palpatine” and Mar-a-Lardo” in his nightly monologues.
And while Trump and the FCC have not threatened Colbert in the same way they’ve attacked fellow late-night host Jimmy Kimmel, in July 2025, CBS confirmed it was ending the franchise Colbert took over from David Letterman — who ended his run on May 20, 2015 — due to what it claimed were “financial constraints” and declining ad revenue.
Colbert has had plenty to say about why he thinks the beloved show is really ending, hardly holding his fire about his contempt and distaste for the Trump administration’s actions to restrain criticism of his administration, in much the same way he held previous presidents’ feet to the fire. OK, maybe a bit more, but can you blame him?
One of the things fans will miss the most is Colbert’s thoughtful, engaged interviews with his guests, from his deep geek-out sessions with most frequent guest astrophysicist Neil deGrasse Tyson, to last August’s toe-to-toe with Josh Brolin during an impromptu back-and-forth recitation from act 3 of Shakespeare’s Julius Caesar.
We’ll also miss his team’s razor-sharp song parodies of the day’s headlines, short, pithy bits that often opened the show, setting the stage for finely tuned monologues filled with cutting wit and comedic bull’s-eyes of contempt. And while we’re at it, we threw in a few original tunes from the team that are just so perfectly perfect.
So, in honor of the last hurrah, we’ve gathered 11 of our favorite song parodies and loving tributes, from the anti-anti-immigration ditty “ICE ICE Baby” to the absolute papal banger “They Not Pious” and, of course, the Lord of the Rings tribute “Number One Triller.”
Check them out.
Spain’s National Court has acquitted Shakira in a tax fraud case after eight years, ordering the government to return 60 million euros ($69 million) to the Colombian superstar. According to a judicial document obtained Monday (May 18) by Billboard Español, the court concluded that Shakira did not meet the minimum residency requirement to be taxed in Spain during 2011.
“After more than eight years enduring brutal public accusations and sleepless nights that took a toll on my health and my family’s well-being, the National Court has finally set the record straight,” Shakira said in a statement. “There was never any fraud, and the Administration itself was never able to prove otherwise.”
Related
The case revolved around whether Shakira was obligated to pay taxes in Spain on income generated during her world tour that year, during which she performed 120 concerts in 37 countries. Tax authorities had argued that the artist had spent enough time in Spanish territory to be considered a tax resident, a claim the court ultimately rejected.
The ruling also dismissed the notion that Spain was the main center of her economic activities and ordered the return of 60 million euros withheld, along with interest and legal costs. According to the verdict, Shakira did not meet the minimum stay required to be taxed in Spain during the investigated period.
In the same statement, the singer’s lawyer, José Luis Prada, described the ruling as the end of “an eight-year ordeal” and stated that Shakira “had the strength and resources to see it through to the end” in a process that, he said, “suffocates many anonymous taxpayers who lack the resources to defend themselves.”
The artist added that she hopes the ruling “sets a precedent” for other taxpayers facing similar disputes with Spain’s Tax Agency.
This is not the only case Shakira has faced with the Tax Agency. In November 2023, she reached an agreement with Spanish authorities over a separate case related to the years 2012 to 2014, when she lived in Barcelona with her then-partner, Gerard Piqué. Shakira acknowledged six charges for unpaid taxes, received a suspended three-year sentence, and paid a fine of $7.6 million.
The ruling comes as Shakira prepares to close the European leg of her Las Mujeres Ya No Lloran World Tour in Madrid, where she has already scheduled 12 dates for October at the temporary “Shakira Stadium,” built specifically for the tour’s final stretch. The news also coincides with one of the singer’s most prominent moments on the international stage, following her performance for 2.5 million people at the Copacabana in Rio de Janeiro and her upcoming halftime show at the FIFA World Cup 2026 final alongside BTS and Madonna.
Reggaetón icon Don Omar will kick off his The Last King World Tour on Sept. 25, Billboard can officially announce.
The tour will hit 21 cities (to date), beginning Sept. 25 at Santander Arena in Reading, Pa. it will then travel to arenas in Boston, Dallas, Miami, Los Angeles and Las Vegas, among others.
The tour, produced by Don Omar (real name William Omar Landrón) and promoted in the U.S. by Cardenas Marketing Network (CMN), comes two decades after the release of Don Omar’s seminal sophomore album, King of Kings. The set was groundbreaking in its day for including collaborations with both Latin and mainstream artists. The album reached No. 1 on Billboard’s Top Latin Albums chart, and spent 11 weeks on the top spot. It also reached No. 7 on the Billboard 200 (for the week dated June 6, 2006), a massive achievement in the pre-streaming era. It would spend a total of 30 weeks on the chart.
Don Omar’s The Last King World Tour follows his 2024 Back to Reggaetón Tour, which was his first outing in over a decade. That tour would eventually sell more than 335,000 tickets in 2024 alone, earning more than $32.9 million over 39 shows and ending 2024 ranked 10th among Billboard’s top Latin tours of the year. Back to Reggaetón was also promoted by CMN.
Presale for The Last King World Tour begins Tuesday, May 19 at 10 a.m. local time for members of the Kingdom fan club and ends May 22. A CMN presale begins May 21. General public tickets go on sale May 22 at 10 a.m. local time.
Here is the full list of dates:
• 9.25.26 – Reading, PA – Santander Arena
• 9.26.26 – Boston, MA – TD Garden
• 9.27.26 – Hartford, CT – PeoplesBank Arena
• 10.1.26 – Dallas, TX – American Airlines Center
• 10.3.26 – Orlando, FL – Kia Center
• 10.4.26 – Miami, FL – Kaseya Center
• 10.8.26 – Chicago, IL – Allstate Arena
• 10.10.26 – Brooklyn, NY – Barclays Center
• 10.11.26 – Newark, NJ – Prudential Center
• 10.14.26 – Charlotte, NC – Spectrum Center
• 10.15.26 – Washington, DC – Capital One Arena
• 10.17.26 – Atlanta, GA – State Farm Arena
• 10.22.26 – San Antonio, TX – Frost Bank Center
• 10.23.26 – Houston, TX – Toyota Center
• 10.25.26 – El Paso, TX – UTEP Don Haskins Center
• 10.29.26 – Ontario, CA – Toyota Arena
• 10.30.26 – Las Vegas, NV – Michelob Ultra Arena
• 11.1.26 – Salt Lake City, UT – Delta Center
• 11.5.26 – San Jose, CA – SAP Center
• 11.6.26 – Los Angeles, CA – Kia Forum
• 11.8.26 – Phoenix, AZ – Mortgage Matchup Center