From a Michael Jackson-inspired opening to DeLorean-coded visuals, surprise guests and a closing stretch that brought the show full circle, Fuerza Regida launched their first-ever U.S. stadium trek with a performance built on memory, ambition and sheer force.
When Jesús Ortiz Paz (JOP) and crew opened their This Is Our Dream Stadium Tour at San Diego’s Petco Park on Thursday night (June 18), the San Bernardino band unveiled the most fully realized live production of their career on the biggest domestic stage they’ve played to date. Over the last several years, the group has pushed corridos into a more elastic, more commercially dominant and more visually ambitious space. In front of approximately 44,000 fans, that evolution came into focus in a show designed as much to trace their rise as to celebrate it.
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Framed by a Back to the Future-inspired concept, the production moved through the group’s past, present and future with a black pickup-truck take on the DeLorean, archival footage, family skits, fashion-forward flourishes, local symbolism and well-placed guest appearances — transforming a catalog-driven concert into something closer to a live origin story. It also left room for plenty of swagger, mischief and the unapologetic attitude that runs through Fuerza Regida’s music.
That sense of narrative gave the night much of its shape. The set moved from early breakout records like “Radicamos en South Central” and “Sigo Chambeando” through the songs that expanded the band’s reach, including “CH y La Pizza,” “Bebe Dame,” “TQM,” “Harley Quinn” and “Qué Onda,” before arriving at newer material from their No. 2 Billboard 200-charting 111XPANTIA (2025) and a preview of the unreleased “67.”
Even before the first note, Petco Park was already buzzing with hometown and cross-border energy, as fans in Mexican jerseys, black leather, cowboy hats and vaquera-style fringe packed the venue to see the SoCal hometown heroes open their tour after watching Mexico defeat South Korea 1-0 in a World Cup match shown inside the Padres’ ballpark.
By night’s end, JOP, Samuel Jaimez, Khrystian Ramos, José García and Moisés López had delivered a show that felt expansive without losing its grit — a stadium-scale performance rooted in memory, movement and the unruly energy that got them there in the first place.
Bootsy Collins has welcomed roots-soul singer-songwriter Davie as the first artist signed to Bootzilla Records, the funk legend’s newly launched label.
“Davie, welcome to Bootzilla Records,” Collins said in a statement. “You know you got a burning tent revival going on deep down in your soul, and all I can say is Church.”
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He added, “As the first signing to Bootzilla Records, Davie is helping lead the front line of what this label is here to bring to the people. He brings real soul, grit, and that feel-good fire that makes folks stop, listen, and believe every word he’s singing. We’re looking forward to rolling this thing out with him, letting his soul, fire, and truth touch the world the way only he can.”
Bootzilla Records is distributed through Jay-Z’s Roc Nation. The label “is built around artists Collins discovers organically, artists whose music is deeply rooted in tradition while connecting with audiences everywhere,” according to a press release.
“Bootsy is a legend,” Davie said in a statement. “He’s built a sound that’s unmistakably his own: funky, effortless, timeless, and full of personality. What inspires me most is how his music can be deeply rooted in Black musical traditions while still connecting with people everywhere. That’s something I aspire to as an artist.”
Davie made his label debut with “Soul,” released Friday (June 19).
“Juneteenth is a day to celebrate together freedom for all, and Black music has always been the soundtrack of our cultural expression,” Davie said. “The song draws from a rich history of blues, soul, and funk, which have been the soundtrack to joyful moments and celebrations worldwide. So, I wanted to join the celebration by lending my voice.”
Stream Davie’s new song “Soul” below.
The eighth edition of the Reggaeton Beach Festival (RBF) was canceled on Thursday (June 18) by the event’s organizers, who attributed the decision to economic and operational difficulties. The measure affects the seven events planned for this summer in Spain, including the one in Barcelona scheduled for June 27-28, which was set to be the first one to take place in 2026.
The lineup included performances from artists such as Myke Towers, Omar Courtz and Anuel AA. In an official statement published on social media, the organizers explained that the decision came after analyzing the global situation of the project and concluding that the company’s operational and financial structure no longer allows them to carry out an event of this magnitude with the necessary guarantees.
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Billboard Español reached out to the organizers for more details but had not received a response at the time of this publication. For now, no information has been provided about the procedure attendees should follow to recover the cost of tickets and passes already purchased.
The statement also noted that the new management had identified “economic, financial and operational circumstances that significantly affect the viability of the project.” As a result, they stated that the managing company “is not in a position to continue with the 2026 tour or to maintain the operational activity required for the development of the scheduled events.”
“We are fully aware of the disappointment, concern and inconvenience that this announcement causes to everyone who has placed their trust in RBF for this edition,” they added. “We know that behind every festival there are tickets, trips, excitement, plans and expectations. For this reason, we deeply regret that the 2026 tour cannot take place.”
The message concludes by thanking everyone who was part of the festival over the years.
Zara Larsson’s resurgent 2026 adds another milestone, as the Swedish pop star’s “Midnight Sun” rises three places to No. 1 on Billboard’s Pop Airplay chart (dated June 27).
Larsson lands her second leader on the list, a week after her and PinkPantheress’ “Stateside” reached the top spot. She becomes the first artist ever to post two initial No. 1s in consecutive weeks, dating to the chart’s October 1992 start.
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Meanwhile, only two acts previously claimed their first two Pop Airplay No. 1s back-to-back overall. In December 2003, OutKast’s “Hey Ya!” began a nine-week command, which ended when the duo’s “The Way You Move,” featuring Sleepy Brown, took over the following February for three weeks. In June 2014, Iggy Azalea’s “Fancy,” featuring Charli xcx, hit No. 1 for three weeks. Directly after, Ariana Grande’s “Problem,” featuring Azalea, led for two weeks that July.
(Beyond acts’ first two Pop Airplay No. 1s, Mariah Carey, Halsey, Grande and Doja Cat have also replaced themselves atop the chart with consecutive leaders; unlike Larsson, none notched two new No. 1s in a span of two weeks.)
Meanwhile, Larsson charts four titles on Pop Airplay for a seventh week — she’s the only act to achieve the feat this year. Alongside “Midnight Sun” and “Stateside,” which dips to No. 2, Tyla’s “She Did It Again,” featuring Larsson, climbs 29-27 for a new best and 2016’s “Lush Life” holds at its No. 28 high.
“Midnight Sun” is the title track from Larsson’s fifth studio set, which peaked in the top five on Top Dance Albums and the top 40 of the Billboard 200 in May.
“For the first time in a long time, I’m on the Billboard charts. I’m reaching so many new heights 10 years into my career, which is exciting and a testament to never giving up,” Larsson, Billboard’s 2026 Women in Music Breakthrough award winner, recently mused. “This change really came with the creation of Midnight Sun. Sometimes I think of my career like this car I’ve been sitting in. I’ve known where we’ve been heading, but I’ve been in the back seat. With this album, I was like, ‘Guys, I feel like I should drive.’ ”
All charts dated June 27 will update on Billboard.com Tuesday, June 23.
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Bunnie Xo’s memoir has returned to the top of the charts, following the influencer’s recent split from husband, Jelly Roll.
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Bunnie’s book, titled Stripped Down: Unfiltered and Unapologetic, was released on Feb. 17, and quickly became a bestseller, thanks to its raw and revealing anecdotes, which touched on everything from her work in the sex industry to her at-times rocky marriage to Jelly Roll.
Now, Stripped Down has returned to number one on Amazon’s entertainment biographies chart, as fans seemingly scramble to seek clues into what led to the star’s much-publicized split.
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Amazon has the hardcover version of Bunnie’s book discounted to just $16 right now — a 46% discount. You can also listen to Stripped Down as an audiobook, narrated by Bunnie herself.
The book is branded as a “modern-day rags-to-riches story,” spinning a tale of triumph against all odds. “Stripped Down is the rawest reflection of who I am in every form. It felt only fitting to name my book after the way I’ve always lived life — raw, unfiltered and in my naked truth,” Bunnie said in an interview with People in regards to the memoir.
The memoir is witty and, at times, intense. That wittiness comes in handy to bring levity to otherwise dark topics. According to a synopsis from Amazon, the book is “cold, clear evidence that no one is irredeemable. With a heavy dose of humor and a refreshing sense of self-awareness, Bunnie pulls no punches as she shares her journey of redemption while offering some homespun wisdom to those who need a little saving themselves.”
The book’s cover is a reflection of Bunnie’s — born Alyssa DeFord — time in the sex-work industry. The star stands topless with her jeans unbuttoned, bearing her truth both physically and emotionally, through this memoir. According to Bunnie, her stint in the industry enabled her to “reclaim her power” following her struggle with addiction and the abuse she faced as a teen. Flash forward, and Bunnie has built an empire around Dumb Blonde Productions, creating a successful podcast with thousands of monthly listeners.
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Bunnie and Jelly met in Las Vegas while the musician was performing at the Las Vegas Country Saloon in 2015. The pair married a year later at Las Vegas’ Stained Glass Wedding Chapel in August 2016. They briefly split in 2018, but they rekindled their relationship. Since their whirlwind love story began, Jelly Roll has written songs dedicated to his wife, including “Hey Mama” from Beautifully Broken and “Kill a Man” from Whitsitt Chapel.
Olivia Rodrigo has earned her career-best opening week as You Seem Pretty Sad For a Girl So in Love soars to No. 1 on the U.K.’s Official Albums Chart (June 19).
You Seem Pretty Sad For a Girl So in Love flies straight to No. 1 to give the 23-year-old her third consecutive No. 1 album following Sour (2021) and Guts (2023). This week’s 103,000 chart units doubles Sour’s 51,000 units and Guts’ 60,000 units in their respective opening weeks. It is also the U.K.’s biggest opening week for an international album release in 2026.
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Speaking on her accomplishments to the Official Charts Company, Rodrigo said: “Thank you so much for this Number 1 album award! It means so much to me. I wrote so many of these songs in the U.K., so it makes it extra special. Thank you all for listening, I appreciate it so much. I can’t wait to put this on my mantle!”
Michael Jackson’s The Essential collection holds its position at No. 2, while Harry Styles’ Kiss All The Time. Disco, Occasionally is up nine places on last week to No. 12. Styles kicked off his 12-night residency run at London’s Wembley Stadium on Friday (June 12) and performed at Meltdown Festival on Tuesday (June 16) with a set of covers and deep cuts. 2022’s Harry’s House (30) and 2019 LP Fine Line (34) also see bumps on the charts as a result.
Olivia Dean’s The Art of Loving holds its position at No. 4 while Embrace’s Avalanche closes at No. 5, their highest position since 2018’s Love Is A Basic Need. Sonny Fodera scores a maiden top 20 placement with Can We Do It All Again? At No. 20 and Zac Byran’s With Heaven on Top re-enters the top 40 (No. 40) following the U.K. leg of his stadium tour.
“When you write a song, you want it to apply to as many people as possible.”
Alex Warren marveled to Billboard in 2025 about the mass appeal of “Ordinary.” As of June 2026, the song’s reach has led to another Billboard record: It now has the most weeks — 107 — at No. 1 among all the radio airplay charts that it’s topped.
The ballad’s haul encompasses 34 weeks and counting atop Adult Contemporary, along with record reigns on Adult Pop Airplay (30 weeks), the all-format Radio Songs chart (27 weeks) and Pop Airplay (16 weeks). It’s also the only song to be No. 1 for six months or more on as many as three airplay lists.
“I think every single year there’s always that wedding song or love song,” Warren told Billboard in 2025, when the singer-songwriter’s smash crowned the multimetric Billboard Hot 100 for 10 weeks and wrapped at No. 1 on the annual Songs of the Summer chart. “I think ‘Ordinary,’ sonically, has been this exciting storytelling record. It’s a song about love, and love is killing it right now.”
“Ordinary” wrested the record from Miley Cyrus‘ “Flowers,” which ran up 106 weeks atop all the Billboard radio charts that it led. It and “Ordinary” are the only songs with triple-digit weeks totals at No. 1 counting all airplay surveys.
The two hits are among 22 select songs that have spent at least 52 weeks, or a full year, combined at No. 1 on Billboard airplay charts. Billboard publishes 25 radio airplay charts, dating to the Adult Contemporary tally’s July 17, 1961, launch. Country Airplay became the first airplay chart ranked by electronically monitored data as of the list dated Jan. 20, 1990; all current airplay charts (more than half of which began in the ‘90s) are based on data monitored by Mediabase and provided to Billboard by Luminate. Meanwhile, despite increased audio competition from streaming and other platforms, radio remains a valuable and coveted outlet for exposure, with the No. 1 hit on Radio Songs each week drawing upwards of 80 million audience impressions.
The 25 such surveys: Adult Alternative Airplay, Adult Contemporary, Adult Pop Airplay, Adult R&B Airplay, Alternative Airplay, Christian AC Airplay, Christian Airplay, Country Airplay, Dance/Mix Show Airplay, Gospel Airplay, (the seasonal-only) Holiday Airplay chart, Latin Airplay, Latin Pop Airplay, Latin Rhythm Airplay, Mainstream R&B/Hip-Hop Airplay, Mainstream Rock Airplay, Pop Airplay, R&B/Hip-Hop Airplay, Radio Songs, Rap Airplay, Regional Mexican Airplay, Rhythmic Airplay, Rock & Alternative Airplay, Smooth Jazz Airplay and Tropical Airplay.
Below browse the earworms — with a leading three by Mariah Carey, followed by two by Adele — that have infused radio and spent the most cumulative weeks atop Billboard’s airplay charts (through rankings dated June 27, 2026). They’re some of the most familiar hits still prominent on airwaves: As Cyrus playfully asked the 2024 Grammys crowd when she performed “Flowers,” “Why are you acting like you don’t know this song?!”
Taylor Swift’s “I Knew It, I Knew You” has earned 2026’s biggest sales week in the U.K. as it enjoys a second week at the summit (June 19).
The song debuted at No. 1 in its opening week last Friday (June 12) to give Swift her seventh chart-topper on the Official Singles Chart. Now following the release of limited-edition CD and vinyl editions, the song has surpassed that debut to 71,000 chart units and is now the biggest sales week of 2026, overtaking overtakes Harry Styles’ “Aperture” which scored 70,000 back in January.
The Official Charts Company reports that the song is the biggest week in pure sales (excluding streams) since November 2023 when the Beatles released their final song “Now and Then.”
As she earns a career-best opening week on the Albums Chart, Olivia Rodrigo occupies three of the top five positions on the U.K.’s Official Singles Charts with You Seem Pretty Sad For a Girl So in Love highlights. “Stupid Song” debuts at No. 2, while “The Cure” and “Drop Dead” place at No. 3 and No. 5, respectively. The latter hit No. 1 earlier this year to give Rodrigo her fourth U.K. chart-topper.
Sam Fender and Olivia Dean’s “Rein Me In” is down two places to No. 4, having previously enjoyed a 13-week stay at the summit this year.
As the FIFA World Cup kicks off, Shakira and Burna Boy’s “Dai Dai” breaks the top 40 for the first time (No. 28) and the former’s 2010 track “Waka Waka (This Time for Africa)” also sees a boost (No. 35).
Following the start of his 12-night run at London’s Wembley Stadium, Harry Styles sees Kiss All The Time. Disco, Occasionally tracks “American Girls” (No. 12) and “Aperture” (No. 25) enjoy lifts.
Desde su incorporación oficial a The Rolling Stones en 1975, Ronnie Wood siempre fue mucho más que el “nuevo” guitarrista del grupo. Su llegada consolidó una química única con Keith Richards, el otro violero, dando forma a un estilo de guitarras entrelazadas que revitalizó el sonido de la banda en una nueva era. Además de […]
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Este viernes, The Rolling Stones anunciaron el lanzamiento de un nuevo podcast oficial. De cara al estreno de su próximo disco de estudio Foreign Tongues, previsto para el 10 de julio, la banda lanzará Speaking In Tongues, un podcast con entrevistas a Mick Jagger, Keith Richards y Ronnie Wood, narrado por Norah Jones. Según informaron, […]
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