Logo
search
Logo

Síguenos en Redes

TikTok Instagram Facebook YouTube
John Lennon criticó una de las canciones más famosas de Paul McCartney: “Podría haber sido de Wings”

Hacia el final de la relación de The Beatles, la brecha que separaba a John Lennon de Paul McCartney no era solo personal, sino también musical. Mientras que el primero quería un rock and roll visceral y directo, su histórico coequiper se inclinaba hacia las melodías elaboradas. Esa tensión quedó registrada en el álbum Let […]

Ver más noticias en Indie Hoy.

El vecino guitarrista que deslumbró a George Harrison: "Es increíble"

Cuando los Traveling Wilburys empezaron a tomar forma en 1988, George Harrison tenía en mente un proyecto que reuniera a amigos más que a estrellas mundiales. Bob Dylan, Roy Orbison, Tom Petty y Jeff Lynne completaban el más que envidiable elenco de este grupo con cinco guitarristas rítmicos que se juntaban a grabar. Pero cuando […]

Ver más noticias en Indie Hoy.

Qué ver en Netflix: 4 películas de época

Si tenés ganas de ver una película que te transporte a otros tiempos, Netflix cuenta con varias propuestas para vos. Repasamos 4 películas de época para ver este fin de semana. Mujercitas 2019 – Dir: Greta Gerwig Reparto: Saoirse Ronan, Timothée Chalamet, Emma Watson, Florence Pugh, Eliza Scanlen. Género: drama, romance. Origen: Estados Unidos. Amy, […]

Ver más noticias en Indie Hoy.

La canción que cambió las vidas de Elton John y George Harrison

En 1956, Elvis Presley lanzó “Heartbreak Hotel”, su primer sencillo con el sello RCA Victor, grabado en los estudios de la compañía en Nashville el 10 de enero de ese año. La canción llegó al número uno de Billboard y se convirtió en la primera de una serie de éxitos que posicionaron al oriundo de […]

Ver más noticias en Indie Hoy.

Qué ver en HBO Max: 3 series nuevas

Llega el fin de semana y los catálogos de las plataformas se renuevan con propuestas. HBO Max incorporó algunas series que podrían ser de tu interés. Las repasamos. Linternas Reparto: Kyle Chandler, Aaron Pierre, Nathan Fillion, Kelly MacDonald. Género: acción. Origen: Estados Unidos. Sigue al nuevo recluta John Stewart y al legendario Linterna Hal Jordan, […]

Ver más noticias en Indie Hoy.

El mejor bajista de todos, según Duff McKagan: "Fluido, sin esfuerzo y hermoso"

Antes de saltar a la fama mundial como miembro de Guns N’ Roses, Duff McKagan había tocado en una docena de bandas en Seattle, influenciado por grupos de la talla de Ramones y Sex Pistols. Sin embargo, cuando empezó a estudiar con seriedad el bajo, hubo un músico que lo dejó sin palabras: John Paul […]

Ver más noticias en Indie Hoy.

Dolly Parton says she and her team are in early talks with companies that produce “avatar performances,” as she continues working through health issues that have sidelined several appearances this year.

“I am dealing with some health issues that I just didn’t pay attention to when I was watching over Carl,” Parton, 80, told People in an interview published Friday (Aug. 21), referring to her late husband, Carl Thomas Dean, who died in March 2025 at 82 after nearly 60 years of marriage.

She said the avatar performances, which she did not describe in detail, are still in the “early stages of development.”

Parton framed the current stretch as difficult but not unprecedented. “It’s not like I haven’t been through hard times with my health,” she said, recalling being “down for several months with female issues” in the early 1980s.

She added that public scrutiny feels more intense now than it once did: “I think because we live in a 24/7 world with social media, everything gets magnified in ways it wasn’t years ago. I used to joke that I was the Queen of the Tabloids, but now I guess I can say I’m the Queen of Social Media AI! Seriously, though, even though I’m still healin’, I’m still workin’.”

The interview followed a string of missed appearances. Parton postponed a planned Las Vegas residency at the Colosseum at Caesars Palace, first pushing the December 2025 dates to September 2026 before canceling the run entirely in May.

She also appeared only virtually for several 2026 engagements, including the Academy of Country Music’s Poet’s Award at the ACM Honors and, most recently, the dedication of Dollywood’s new NightFlight Expedition ride on Aug. 14.

Parton has not toured traditionally since 2016. In March, at her first in-person public appearance of 2026, she told a Dollywood crowd she had been “worn down and worn out” from grief and needed to rebuild herself “spiritually, emotionally and physically,” while maintaining that her health issues hadn’t slowed her down.

King Gizzard and the Lizard Wizard brought out Max Weinberg as a surprise guest during their Friday (Aug. 21) show at Queens’ Forest Hills Stadium, with the E Street Band drummer filling in for his son, longtime band collaborator Jay Weinberg.

Guitarist Joey Walker explained the swap to the crowd mid-set. “In continuing with the tradition that we started over the last year or so, where we get our friend Jay Weinberg to come out and play a song with us — it’d be rude not to. But Jay’s busy, he’s down in Nashville, so Jay made a call: ‘Alright, I’m going to call dad.’”

Max Weinberg then joined the band onstage as a second drummer, playing alongside regular drummer Michael Cavanagh on an extended rendition of “Hot Water.”

The elder Weinberg’s cameo continues a running bit between the Australian psych-rock band and Jay Weinberg, the former Slipknot drummer who has guested with King Gizzard periodically since first sitting in during a 2024 Nashville show.

He appeared again just a week earlier at the band’s Field of Vision II festival in Colorado, playing on “Hell” and hosting a solo drum clinic.

The guest spot came during the second of three King Gizzard shows at Forest Hills Stadium, part of a run marking the band’s fourth consecutive year at the venue and its first time playing three nights there. The Aug. 20 and 21 dates were billed as rock shows, while the run closed Saturday (Aug. 22) with an all-electronic rave set.

The band then heads to Brooklyn’s Under the K Bridge Park on Sunday (Aug. 23) for another rave show, before continuing to a run of Australian dates in October, including a stop at Sydney’s Hordern Pavilion.

King Gizzard’s Forest Hills stand comes amid a characteristically prolific stretch for the band, which released its latest album, Alien Metal, its 28th studio release, earlier this year.

Dale Morris, the legendary Nashville artist manager who helped build the superstar careers of Alabama and Kenny Chesney, has died. He was 89.

Morris died peacefully in his sleep Friday night (Aug. 21), his representatives said. A specific cause of death was not provided.

Related

“He lived a big, bold, beautiful, blessed life, and I’m holding onto that right now,” Clint Higham, president of Morris Higham Management, said in a statement about his mentor and longtime business partner. “It’s the end of an era.”

Morris began his career in the music industry as a songwriter, penning Johnny Paycheck’s 1967 single “Don’t Monkey With Another Monkey’s Monkey” before turning his attention to the business side.

After launching Dale Morris & Associates, Morris was introduced to the up-and-coming band Alabama in 1979 at The Bowery in Myrtle Beach, South Carolina. Under his management, Alabama went on to score 33 No. 1 hits on Billboard’s Hot Country Songs chart — the most among duos or groups — and became an unstoppable touring force, bringing production values on par with those of the era’s biggest rock acts.

In the early 1990s, Morris forged a professional relationship with aspiring country singer Chesney, who would go on to become a Country Music Hall of Famer and one of the highest-grossing country touring artists of all time, according to Billboard Boxscore. Chesney also holds the record for the most No. 1 songs on Billboard’s Country Airplay chart, with 33.

Morris’ other clients included Martina McBride, Barbara Mandrell, Jake Owen, Old Dominion, Brandon Lay, Ryan Griffin and Walker County.

“He was larger than life, and never met a dream he couldn’t build,” Higham said. “Dale Morris gave me my first internship, and I never wanted to go anywhere else. He saw things in people, in me, in Kenny, and inspired everyone to reach beyond what we thought possible. Maybe it’s how much he loved life, loved his family, loved us.”

In 2018, Paradigm (now called THE·TEAM) acquired Dale Morris & Associates, the in-house booking business of Morris and Higham’s firm, Morris Higham Management.

During his career, Morris also received the T.J. Martell Foundation’s Tony Martell Lifetime Entertainment Achievement Award in 2014.

Morris was married to his wife, Earline, for 68 years. He was preceded in death by his son, Tim. He is survived by his daughter-in-law, Jennifer; grandchildren Zack, Colton (and wife Mary Blair), Nick (and wife Shelby) and Kendall; and great-grandchildren Mary Dee and Gus.

“We’re so blessed to have had 90 years with him as the patriarch of our family,” his grandson Zack Morris said in a statement. “Thank you to our music industry family and to his vast community of friends in Nashville, Boca and beyond for loving him all these many years.”

A celebration of life is being planned for later this fall, with details to be announced in the coming weeks. In lieu of flowers, Morris’ family is asking for donations to St. Jude Children’s Research Hospital.


Billboard VIP Pass

Whether you first encountered Kehlani through her era-defining Cloud 19 mixtape or her 2025 career-crowning smash hit “Folded” — which earned her two Grammys (her first after five previous nods) and became her highest-charting Billboard Hot 100 hit (No. 6) — the Oakland-bred R&B powerhouse was glad that you bought a ticket to her ongoing, 44-date world tour.

Related

Mounted in support of her eponymous fifth studio album — which reached No. 4 on the Billboard 200 and reached No. 1 on Top R&B/Hip-Hop Albums — the Kehlani World Tour will visit arenas and amphitheaters in major cities across North America, Europe and Australia through the end of the year.

But at Friday night’s (Aug. 21) sold-out Barclays Center show in Brooklyn, New York, the cover star of Billboard‘s 2026 R&B/Hip-Hop Power Players issue narrowed the scope of her storytelling to the emotional ebb and flow of a night out and the morning after, still finding space to honor the current wave of momentum mainstream R&B is enjoying and bridge that power with the iconography of eras past.

Before she entered the stage like a ’00s R&B fantasy to the tune of “Anotha Luva,” Kehlani ceded the stage to her dazzling support acts: Grammy winner Durand Bernarr, DJ Waseel, ascendant R&B singer-songwriter TheARTI$T and Oscar-nominated songwriter DIXSON. Waseel served as master of ceremonies for the entire night, soundtracking interludes with Kehlani deep cuts like “You Know Wassup,” feeding the day-one fans and keeping the energy high. TheARTI$T brought her signature ethereal sound to Barclays Center, playing cuts like “Sober” and “Love Is” and maintaining the thread of queer R&B that ran through the show. DIXSON played a few of his own cuts (“Cherry Sorbet”), as well as mashups of songs he helped write (like Beyoncé’s “Morning Dew”), before reappearing later in the show to assist on background vocals during Kehlani’s showstopping rendition of “Still.”

Bernarr, who played cuts from last year’s BLOOM (“Generous”) and this year’s BERNARR. (“Am I Okay?”), fully leaned into his rockstar proclivities, packing in gravity-defying riffs, an intensely physical stage presence (he was literally busting out kip-ups) and rollicking musical arrangements. The Cleveland vocalist was the final support act to hit the stage before Kehlani kicked off her nearly two-hour set — and he certainly knew a thing or two about properly preparing the space.

In her tracing of the pre-game, the night out, the comedown during the walk home, and the at-times questionable decisions that come in the wee hours of the morning, Kehlani performed nearly every track from her new LP, making sure to incorporate older catalog cuts. From 2017’s SweetSexySavage (“Piece of Mind”) and 2019’s While We Wait (“Footsteps”) to 2022’s Blue Water Road (“Everything”), nearly every era of Kehlani’s discography got some shine.

Not only did the setlist smartly weave the quasi-concept album feel of Kehlani with the narrative threads of her larger catalog, but it also allowed the htimaker and her music director to incorporate nods to ’00s R&B classics like Aaliyah’s “Rock the Boat” and Ne-Yo’s “So Sick.” That commitment to grounding the success of “Folded,” its parent album and accompanying tour, to R&B’s rich history extended to the choreography, helmed in part by Dominique Battiste and Darius “Dario” Boatner, who packed in homages to both Michael and Janet Jackson. Oh, and a surprise Cardi B appearance was simply the cherry on top.

From heart-melting vocals to an indescribably warm presence, Kehlani gifted Brooklyn a night of soul, gratitude and, most importantly, safety. A decade-plus in the making, the Barclays Center stop of the Kehlani World Tour was the ultimate proof of concept for unabashedly queer, vocal-forward contemporary R&B headlining and selling out arenas.

Here are the five best moments from the Kehlani World Tour in Brooklyn.