Rosalia is seen in SoHo on June 16, 2026 in New York City. Credit: TheStewartofNY/GC Images
TheStewartofNY/GC Images
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The 2026 FIFA World Cup Final features the two best national teams, Spain and Argentina, competing to win the 23rd edition of the international soccer tournament. The final match takes place at New York New Jersey Stadium (MetLife Stadium) on Sunday (July 19) with kickoff at 3 p.m. ET/12 p.m. PT.
Additionally, the final match even include performances from some of the hottest names in music, such as Jennifer Hudson, Madonna, Shakira, BTS and Justin Bieber.
With the tournament final set, now is the best time to pick up tickets to cheer on your favorite team in person.
Tickets to the final match first went on sale through Ticketmaster, while the retailer’s Face Value Exchange program is an option for fans to resell tickets, if they’re unable to attend.
However, many of the dates have either sold out, or are very close to selling out, so one of the best ways to find World Cup Final tickets online is through third-party sites, such as StubHub, SeatGeek, Vivid Seats, TicketNetwork, Gametime, Event Tickets Center and others. All online retailers guarantee authentic tickets in time for kickoff. Prices may also be above or below face value at times.
Where to Find 2026 FIFA World Cup Final Tickets Online
Looking for cheap seats to the World Cup Final? Here’s where to find tickets still available and on sale online.
StubHub has World Cup Final tickets available. StubHub ensures that all tickets are valid and authentic, but for whatever reason, if they’re not, you’ll get your money back. Additionally, if the World Cup Final match is canceled and not rescheduled, you’ll receive 120% in StubHub credit or be given the option of a full refund without the extra 20% credit. As of this writing, match tickets start at $8,933.
BEST PRICES
Find World Cup Final Tickets at SeatGeek
Use our discount code BILLBOARD10 to save an additional $10 at checkout.
One of the lowest prices we’re seeing for World Cup Final tickets is at SeatGeek. We’re seeing prices starting at $7,734, as of publication.
EARN REWARDS
Find World Cup Final Tickets at Vivid Seats
As a bonus, you can use our exclusive promo code BB30 to take $30 off your purchase.
You can find World Cup Final tickets online at Vivid Seats, which lets you search by price, location and “Super Sellers,” which denotes reputable sellers with the best deals on tickets. You can even get 10% off your first purchase when you sign up for the company’s newsletter. On Vivid Seats, tickets start at $7,669, as of this publication date.
PROMO CODES
Find World Cup Final Tickets on TicketNetwork
You can use our exclusive code BILLBOARD150 to save $150 off $500 or BILLBOARD300 to save $300 off orders of $1,000 and up.
TicketNetwork has tickets to the World Cup Final with all-in pricing that lets you see exactly what you’ll pay up front (fees included). Tickets start at $8,315, as of this writing, but use our promo codes to get lower prices on the match.
Amid the flurry of mergers, acquisitions and asset sales that have taken place in the music industry this year, the sale of three scaled music rights catalog companies — Anthem, Iconoclast and Crescendo — is a sign that the catalog investment market is approaching a milestone.
Since 2018, when Hipgnosis Songs Fund listed on the London Stock Exchange and raised £200 million ($260 million) to invest in music intellectual property, the market for music as an “investible asset,” as Hipgnosis founder Merck Mercuriadis described it, has grown by the tens of billions.
Private equity funds including KKR and Bain have long invested in major music companies, while independent catalog companies like Primary Wave, Round Hill Music and the publisher Reservoir have been acquiring publishing rights and master recordings for decades. However, in the eight years since Hipgnosis’ listing, there has been a boom in catalog investing as more private equity firms, insurance companies, pension funds, sovereign wealth funds, global private credit investors and family offices — to name a few — have been drawn to the annuity-like returns music royalties provide in the streaming era.
As the practice of treating music as an asset class has grown in popularity, it has also evolved, with companies from indie giants like Concord to the four-year-old music rights company Duetti securitizing their music portfolios to raise capital from debt markets. The rating agency KBRA says it has rated more than 80 music asset-backed securities with a cumulative value of $12.9 billion since 2020, and many of those, including Concord, Lyra and Canon, racked up triple the interest that was expected.
Jimmy Stone, managing partner at Alderbrook, which advises on music investing, wrote in a recent research note that market activity in the first quarter, like Primary Wave’s acquisition of indie publisher Kobalt, signals that activity is now shifting from catalog acquisitions to the consolidation of scaled companies. And the backers of Anthem, Crescendo, Iconoclast and others are attempting to seize this moment and exit their music investments on a high note.
Iconoclast, the music rights and brand development company started by Olivier Chastan and backed by the $2-trillion investment manager PIMCO, is in the final stages of a sale to Irving Azoff’s Iconic Artists Group, according to three sources. Music Business Worldwide previously reported Iconoclast was seeking a sale price around $500 million.
Chastan previously headed Iconic Artists Group, when the firm acquired rights to music by Brian Wilson and The Beach Boys, David Crosby and Linda Ronstadt.
Iconoclast has acquired select music rights to more than 30 catalogs, including Diplo’s Mad Decent Publishing, David Cassidy, Marianne Faithfull, Tony Bennett and The Band’s Robbie Robertson. Music Business Worldwide wrote that Iconoclast is generating at least $25 million in annual revenue.
Anthem Entertainment, the Canadian music company whose portfolio includes the publishing assets and recorded master royalties of Rush, Timbaland, and the music from the Spider-Man franchise, is also nearing a sale, to Influence Media.
The main owner of Anthem, the Ontario Teachers’ Pension Plan, previously went to market to sell the fund in 2017 and 2022, but those auctions came in below expectations. This time, around a dozen parties bid between $500 million and $600 million. Influence Media bid slightly above $650 million, sources say.
Meanwhile, global private markets investment firm Northleaf Capital is in advanced talks to sell the Crescendo catalog — which contains Pete Townshend’s publishing from his The Who repertoire; T. Rex’s publishing catalog and masters; and Ingrid Michaelson’s music assets — to Litmus Music for around $500 million, sources say.
Northleaf acquired Crescendo in 2021 after providing $500 million in funding to Lyric Capital Group in a deal that was termed a “strategic alliance.” Lyric Capital was formed by Jon Singer and Ross Cameron when they were executives at Spirit Music to buy Spirit Music and its catalog from original owner Pegasus Capital in 2018. Spirit Music is now the operational music company of Lyric Capital and serves as administrator for the Crescendo catalog. That portfolio also includes the 2014 acquisition by Spirit Music of the Cal IV Entertainment portfolio’s country hits like Faith Hill’s “Breathe,” Keith Urban’s “Stupid Boy,” Tim McGraw’s “Watch The Wind Blow By” and Jason Aldean’s “Big Green Tractor.”
Litmus was launched in 2022 by music industry executives Hank Forsyth and Dan McCarroll with $500 million from private equity giant Carlyle Group. Its portfolio includes rights to music by Katy Perry, Benny Blanco and Keith Urban.
Stone says music catalog companies raised more than $4 billion in the first quarter this year, surpassing all of the capital acquisition funds raised in 2024.
That’s plenty of dry powder for investment deals.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Kacey Musgraves has teamed up with Stanley 1913 for her first-ever collaboration with the popular drinkware brand, launching a limited-edition collection inspired by the Western aesthetic of her latest album, Middle of Nowhere. The eight-time Grammy winner worked with Stanley to create four everyday essentials, including a tumbler, mug, water bottle and even a pet bowl, all wrapped in a premium cow-print finish that nods to her Texas roots. As with many of Stanley’s celebrity collaborations, demand was immediate, and several pieces sold out shortly after launch on July 14.
If you missed the initial drop, there are still two items available directly from Stanley.
FOR HOT OR COLD DRINKS
Kacey Musgraves x Stanley 1913 Classic Legendary Bottle
The cow-print bottle is still in stock (as of this writing) and it features the leakproof, sweatproof, and drop-proof construction Stanley Cups are famous for.
The one-quart classic bottle pairs Stanley’s durable insulated design with an exclusive cow-print cover created for the collaboration. Made from recycled 18/8 stainless steel, it features double-wall vacuum insulation to keep drinks hot or cold for up to a full day. It’s dishwasher safe and ships in Stanley’s standard packaging. A Stanley water bottle clutch can be used alongside this product as a must-have for music festivals.
ESPECIALLY FOR PETS
Kacey Musgraves x Stanley 1913 Pet Bowl
The 2-in-1 lid keeps your pet food fresh while traveling and flips over to serve as a non-slip base during mealtime.
A cute gift idea for music-loving pet-parents, Kacey Musgraves’ Stanley pet bowl is designed for travel and everyday use. The 24-oz everyday bowl is made from recycled stainless steel with double-wall insulation to help maintain food or water temperature. The bowl is stackable, dishwasher safe and nests with Stanley’s larger six-cup pet bowl (available here for $40).
Where to Find Kacey Musgraves Stanley Cup Tumbler Online
While the sold-out 16-oz suburban mug and 40-oz Quencher tumbler are already out of stock from Musgraves’ Stanley 1913 collab, the latter has made its way to resale sites (albeit at marked-up prices).
THIRD-PARTY SELLER
Kacey Musgraves x Stanley 1913 Quencher ProTour Flip Straw Tumbler
Selling Fast
StockX has several Kacey Musgraves Stanley Cups available online though you’ll pay a little more than the original retail price.
The 40-oz Quencher ProTour Flip Straw Tumbler features the collaboration’s same cow-print coating and your purchase includes an exclusive charm keychain featuring a tassel, medallion, star and miniature CD case. Other features include the iconic leakproof flip-straw lid, brown-colored handle and a cup holder-friendly design. If you prefer waiting for more stock at the original price, shoppers can click the “Notify Me” button on Stanley’s product page for the 40-oz tumbler and the 16-oz suburban mug though the site has not yet announced a restock date.
Musgraves’ Middle of Nowhere, was released on May 1, 2026 and topped three Billboard charts, including the Top Album Sales charts. The album features fan-favorite hits like “Dry Spell,” “I Believe In Ghosts” and “Loneliest Girl,” among others.
Gracie Abrams is bringing us heaven in celebrating her new album, Daughter From Hell.
The project marks the pop singer-songwriter’s first full-length since her Billboard 200 No. 2-debuting The Secret of Us in 2023. Ahead of her third studio set’s release, Abrams unveiled two preliminary singles led by “Hit the Wall,” which reached the top 40 on the Billboard Hot 100, and “Look at My Life.” So far, the rest of the album’s 16 tracks are yet-to-be released — at least, not as studio recordings.
To kick off release week, Abrams hosted a free show at the Bowery Ballroom in Lower Manhattan on Tuesday (July 14) where a few hundred lucky Capital One cardholders got the opportunity to hear a handful of new songs live for the first time, plus some fan favorites (see the full setlist below). In addition to performing her prerelease singles, she sang six brand new songs from the project, including “Imaginary Friend,” which she recently revealed was co-written by her boyfriend, Paul Mescal.
A few hours before, Abrams sat down backstage to exclusively share early snippets of two other songs off the Aaron Dessner-produced project and chat about how they came to be in the Billboard original short form series, Voice Memo Demo.
Scrolling through the voice memos on her caseless silver iPhone, she eventually pulled up the original “verse-melody-pass” for what is now track 8 on the album, “Sober.” In the recording, we hear Abrams scratchily humming a soft melody a cappella, which she shared was inspired by an instrumental Dessner sent over.
“That melody isn’t even in the song anymore,” she quipped a few seconds into playing us the recording, which she said turned into a song that reminds her of something that could live on her first studio album, Good Riddance.
“Anyway, I love this song,” she continued. “It’s a song about in time, or in another life — this yearning quality. I thought about the girls who might dig a yearn.”
She also shared a similar very early recording of “Mews,” where she hums atop simple piano chords. After hitting pause on the memo, Abrams explained how the song was inspired by the London studio of the same name that it was recorded in.
“It sort of is like the most ballad-y ballad I’ve ever written, I think,” she said. “There’s something that feels classic about it that I loved right away.” She revealed the Macedonian Orchestra plays strings on the track, highlighting its build to the bridge.
She continued: “It sits in a place vocally that’s a bit uncharted for me, so stretching in that capacity was exciting.”
Daughter From Hell is out Friday (July 17).
Gracie Abrams: Live from the Bowery Ballroom in celebration of Daughter from Hell Setlist
Live debuts are bolded below.
- “Death Wish”
- “Broke My Heart”
- “Hit the Wall”
- “I Told You Things”
- “Imaginary Friend”
- “Minibar”
- “Good Reason”
- “The Knife”
- “Humming”
- “I Love You, I’m Sorry”
- “That’s So True”
- “Look at My Life”
- “Daughter From Hell”
Rosalía’s balletcore look already had fashion writers clocking the return of tutu-and-slipper dressing in June. Now, new data from JD Sports suggests the aesthetic may also be aligning with fresh attention toward one of the summer’s more talked-about footwear hybrids: the “sneakerina.”
The retailer tells Billboard that Google searches in Spain for Adidas’ Taekwondo Mei — one of the styles most closely associated with the trend — rose 252% over the last month, while demand for the shoe on its website increased 275%. JD also says global Google searches for “balletcore” climbed 154% over the same period, pointing to the wider return of the ballet-inspired aesthetic in 2026.
“The ‘sneakerina’ trend is redefining summer footwear by combining the comfort and practicality of sneakers with the delicate elegance of ballet flats,” Giuseppe Scardaccione, digital trade lead for Southern Europe at JD Sports, tells Billboard. “With the resurgence of the ‘balletcore’ aesthetic, which this summer has once again brought style icons like Rosalía to the forefront of the trend, this hybrid silhouette has quickly become a favorite in the fashion world, offering a natural balance between femininity and functionality. From Mary Jane-inspired sneakers to low-profile silhouettes, ‘sneakerinas’ reflect a broader shift toward footwear that is both versatile and stylish.”
Rosalía has become one of the celebrity figures most closely tied to that resurgence. In June, the Spanish star was spotted in SoHo in a punk-inspired ballet look that paired a pale-pink tutu with a plunging tan bodysuit layered over a black lace bralette, plus a rocker-studded belt and stacked black platform pumps. Styled by Jose Carayol, the outfit channeled the ballet references that have run through her 2026 Lux tour wardrobe onstage and off.
Scardaccione continued: “As the trend continues to evolve through new interpretations and innovative designs, the result is a fashion-forward shoe that effortlessly elevates any outfit, cementing its status as one of this summer’s ultimate it-girl essentials.”
The hybrid style has been building for some time. Marie Claire reported in May 2025 that global searches for “ballet sneakers” rose 1,300% in the past quarter, citing Lyst’s Q1 2025 Index, suggesting the category had already been gaining traction. Since then, brands like Puma’s Speedcat Ballet, Louis Vuitton’s Sneakerina and Vivaia’s Satin Sneakerina have kept the silhouette in rotation with their own takes.
That helps explain why the current moment feels bigger than one breakout pair. Balletcore itself is not new, but this latest iteration has returned in a way that feels less costume-like and more wearable, with slimmer footwear silhouettes becoming an easy point of entry. Whether “sneakerina” ends up being the lasting name for the trend or not, the shape has clearly moved into the center of the summer style conversation.
When Ne-Yo first came to Nashville in 2012 to record “She Is” with Tim McGraw for Ne-Yo’s album R.E.D., he says he immediately connected with the city’s relaxed writing and recording style.
“That’s when I realized it’s done a little different in Nashville,” Ne-Yo tells Billboard. “I was expecting to pull up to a studio, but I pulled up to Tim and Faith [Hill]’s home. Tim’s at the door with no shoes on. Faith is in the kitchen, and she made food for everybody, and we just sat in the living room and talked about life and songs. Tim’s always been super supportive of me, just an all-around good dude.”
With his first full-fledged, country-inspired album Highway 79, which released July 10 on HSG Ventures/10K Projects, Ne-Yo set out to recreate that same laid-back feel in the studio. “I was like, ‘I want that vibe all over again,’” he says.
Ne-Yo spent four months in Nashville, writing with artists, writers and producers including Luke Laird, Breland, Chuck Harmony, Claude Kelly, Dave Cohen and Lady A’s Charles Kelley. He previewed the album’s blend of R&B and soul sounds with songs including the tender “Simple Things” and the party anthem “Up Out and Gone.”
“When I decided I wanted to do something country-inspired, right away the thought was to go to Nashville. It just didn’t make sense to try to do something in the country vein without touching the mecca of country music,” he says. “We didn’t go into the studio trying to make hits. We wanted to make music that people related to — regular people, everybody.”
Those sessions produced songs like “If I Roped the Moon,” inspired by a line his co-writer Kelley brought to the session: “If I rope the moon, you would still want the stars.” “It’s such a classic country metaphor,” Ne-Yo says. “Without even hearing the full song, you hear that line, and you feel something right away.”
Ne-Yo also collaborated with Breland on the high-energy “Dance Right Now.”
“That was the only real preset thing we did in regard to the music,” Ne-Yo says. “With every session, I wanted to go in and just do whatever felt right. But for this session, I was like, ‘I got a couple slow situations. I needed something with some tempo.’ So, the music kind of came first, then from there we just started brainstorming on what the subject matter was going to be. The premise of the whole song is meeting someone in a nightclub, and it’s like, “I could sit here and try to figure out who you are, or you can sit there and try to figure out who I am — or we could just dance and worry about all of that other stuff later.”
It was Ne-Yo’s mother who helped spark the idea for the album title for Highway 79, a nod to the road that connects Ne-Yo’s hometown of Camden, Arkansas (two hours south of Little Rock) with Bearden, Arkansas, where his extended family lived.
“It was like double-wides, trailer parks, the whole nine,” Ne-Yo says of growing up in Arkansas before his family later relocated to Las Vegas. “I’ll say my love for the stage was definitely born in Las Vegas, but my heart and who I am as a person was birthed and nurtured in Arkansas.”
He remembers loving the storytelling aspect of songs such as Reba McEntire’s 1991 version of Bobbie Gentry’s “Fancy.”
“’Fancy’ was the first country song I ever heard in my life,” Ne-Yo recalls. “I wasn’t double digits yet, that’s for certain. First, Reba’s voice, then just the story of it. I remember when my mom brought that song home, I was hooked on it for five days straight.”
Ne-Yo also discovered Kenny Rogers through his love of the music of Lionel Richie, who wrote Rogers’ 1980 country hit “Lady.” He since became a fan of Garth Brooks. “I even love the Chris Gaines thing when he did that,” Ne-Yo says. “I used to think, ‘He has the kind of voice that he can do R&B if he wanted to,’ and then he did that, and I’m like, ‘See?’’
“Country music has songs about the not-so-glamorous part of life, and being just a regular person,” he adds of his affinity for the genre. “You can have the truck and the 9-to-5 [job] and that’s okay. It’s like R&B and hip-hop music, some of it kind of got to this place where you got to be so cool all the time, have all this money, the women got to love you, and you drive this fast car, all these things and that’s just not the reality of 90% of the world. That cool thing can get exhausting. The coolest person I’ve ever met is not that person behind closed doors — they are just a regular person at that point.”
Ne-Yo made several appearances around Nashville leading up to the release of his new album, including making his debut on the Grand Ole Opry in November. That performance included renditions of Ne-Yo’s 2006 pop/R&B hit “So Sick” and a collaboration with The War and Treaty on a version of Rascal Flatts’ “Bless the Broken Road.”
“It’s not a small thing to step into that circle,” Ne-Yo said of his Opry debut. “If they love you there, you did something right. I was a little nervous, but I got up there, did what I did, and it was standing ovation, just open arms and it felt good to be accepted that way. It was an amazing experience.”
Looking ahead, Ne-Yo says he would love to work with The War and Treaty on new music and work with McGraw again (he attempted to work with McGraw again on the Highway 79 project, but says the two artists’ schedules didn’t align).
He’s certain of one thing about Highway 79: there is more where that came from.
“This will not be my last country-inspired album,” Ne-Yo says.
Intocable officially received its own star on the Hollywood Walk of Fame, in the category of recording, on Thursday (July 16).
Honored with the 2,852nd star located at 7083 Hollywood Boulevard, the Texas-based group was honored with a 30-minute ceremony that included the presence of Latin hitmaker Edgar Barrera; Nir Seroussi, president of Interscope Capitol Miami; and longtime journalist Jessica Maldonado as the event’s MC.
“[They are] true icons of Mexican-American identity and pioneers of modern Mexican music, transcending generations and borders,” Maldonado said. “We are a community of immigrants, and your success represents all those Latinos.”
“They didn’t just build a legacy, they showed the world what música Mexicana could be. Today, so many of those artists are standing on the path that Intocable created,” Seroussi expressed.
Meanwhile, Barrera shared a sweet anecdote, recalling the time he became a fan of Intocable in his teen years — now, they are his personal friends. He also talked about how they inspired him to be proud of his “border town” identity. “I want you to know how important you are to the new generations, and how you have guided us and opened doors for us,” he told the group.
Formed in Zapata in the early 1990s by Ricky Muñoz, René Martínez, Sergio Serna, Johnny Lee Rosas, Alex Gulmar and Felix Salinas, Intocable blends Tejano, Norteño, pop, rock and cumbia music. The group has sold an estimated 55 million albums, has 15 No. 1s on Billboard’s Top Regional Mexican Albums chart and 21 No. 1s on Regional Mexican Airplay. They are Grammy, Latin Grammy and Billboard Music Award winners.
Last month the group, in the midst of its Cultura Tour, partnered with Primary Wave Music in a deal covering the band’s catalog as well as its name, image and likeness rights.
“Thank you for this experience and for putting us here,” Muñoz said in the short-and-sweet speech, where he thanked family members, the group’s hard-working team, and its loyal fans. “Oh, and the most important ones…our composers, who give us their songs and their works, because everything begins with a song.”
Watch the complete ceremony below.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
From chart-topping music releases to viral fashion moments, celebrity drops have become their own cultural events — and Hailey Bieber’s newest Gap collaboration is already making noise. The model and entrepreneur just launched “The Hailey Jean,” a limited-edition denim capsule inspired by her ’90s style influences and years of wearing Gap jeans.
Married to Grammy-winning singer Justin Bieber, Hailey Bieber has become a major force in pop culture, blending beauty, fashion and lifestyle trends across her growing empire. Now, she’s adding designer collaborator to her resume with Gap’s latest celebrity-led collection.
Available Thursday (July 16) online and in select Gap stores, The Hailey Jean capsule features two reimagined versions of the brand’s relaxed denim silhouettes: Extra Baggy Jean and Low Rise Loose Jean. Bieber worked directly with Gap’s design team to transform two vintage Gap jeans from her personal collection into modern takes on the brand’s iconic fits.
BAGGY FIT
Gap
The Hailey Extra Baggy Jean
Choose from three denim washes: light, medium and midnight indigo.
Straight from Hailey Bieber’s new Gap collection, the Extra Baggy Jean gives fans a chance to shop her signature ’90s-inspired denim aesthetic. The rigid, no-stretch denim features an extra relaxed leg, mid-rise fit and vintage-inspired washes designed to get better with wear. Personal touches like ‘1996’ hardware, a Hailey signature lining and a back patch make this limited-edition style a standout from the drop.
LOW-RISE FIT
Gap
The Hailey Low Rise Loose Jean
Sizing ranges from 23 to 35, with a full-length hem that hits below the ankle.
Made from rigid cotton denim with a loose, straight-leg silhouette, this full-length style sits low on the waist and offers a relaxed fit from hip to hem. The pair features five-pocket styling, a zip fly, 1996-inspired hardware and recycled cotton for a more sustainable finish.
The collection arrives at a time when oversized denim continues to dominate fashion, with relaxed silhouettes becoming a staple among celebrities and fans alike. Each pair is priced at $89 and comes in three washes, while the Low Rise Loose Jean is available exclusively online.
Adding personal touches, the jeans include custom ‘1996’ hardware honoring Bieber’s birth year and signature pocket lining details. The 100% cotton denim is designed to mimic the feel of vintage jeans that become more personalized with wear.
Missed out on the viral jeans? Gap has this similar bestselling pair on sale right now.
MID-RISE FIT
Gap
Mid Rise UltraSoft Studded Baggy Jeans
Bestselling medium denim wash pair that’s over 70% off.
Featuring a fitted waist and loose leg, this full-length pair is crafted from a breathable Tencel blend for a lightweight, drapey feel. The medium-wash style is finished with five-pocket details and side-seam studs for a vintage-inspired ’90s look.
Meanwhile, the launch comes after Gap’s recent collaborations with Victoria Beckham and KATSEYE, continuing the brand’s push into major entertainment partnerships. In the campaign video for the collection, Bieber highlights her longtime connection to Gap, explaining that the brand has always been part of her wardrobe. With select styles already selling out, The Hailey Jean is shaping up to be another celebrity fashion release fans want to add to their rotation.
Una tarde en la plaza, una película, los animales del zoológico y sangría para tomar. Así de simple y así de perfecto. Lou Reed canta en «Perfect Day” con una serenidad casi ingenua, como si estuviera narrando un capítulo perdido de una comedia romántica. «Oh, it’s such a perfect day / I’m glad I spent […]
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De tanto en tanto, Netflix apuesta por producciones protagonizadas por grandes estrellas y, en esta oportunidad, convocó a Will Ferrell para la serie de comedia El halcón. Ciertamente, la presencia del gran humorista de Hollywood es uno de los principales atractivos de esta ficción episódica ambientada en el mundo del golf. De qué se trata […]
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