BTS brought their explosive energy to the 2026 FIFA World Cup final halftime show on Sunday (July 19) for a dynamic performance of their 2020 smash hit “Dynamite.”
As the second halftime headliners at New York New Jersey Stadium (the rebranded MetLife Stadium in East Rutherford, New Jersey), BTS hit the pitch wearing coordinated red, white and black outfits. It wasn’t announced ahead of time what the South Korean septet would perform, and they went with their very first Billboard Hot 100 chart-topper “Dynamite,” which spent three weeks at No. 1 in 2020; it made sense to go with their first U.S. No. 1 as they performed on a global stage in the American stadium.
BTS hit the field after Madonna and were followed by Justin Bieber and then finally Shakira (featuring Burna Boy) for their Global 200-topping 2026 World Cup anthem “Dai Dai.” All four headliners returned to the field for “We Dance,” an original song written by Coldplay for the show and performed by the Chris Martin-led band with New York’s PS22 Chorus and the Muppets.
Produced by Global Citizen and curated by Martin, the halftime show also included conductor Gustavo Dudamel, the New York Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela, Bijan Mortazavi and Emmanuel Kelly, as well as surprise appearances by soccer superstars Ronaldo and Ronaldinho and Jason Sudeikis and Brendan Hunt as Ted Lasso and Coach Beard.
“We set out with a bold ambition: to bring together the world’s greatest artists for what would be the most-watched halftime show in history,” said Hugh Evans, co-founder and CEO of Global Citizen. “I hope audiences around the world were massively entertained and inspired, and I hope they felt the message of unity and love at its core. Above all else, I hope millions of kids around the world receive access to education for years to come. I look forward to meeting a young person years from now whose life was transformed because the world came together to invest in the FIFA Global Citizen Education Fund.”
As of Sunday, the FIFA Global Citizen Education Fund has surpassed $60 million raised for children’s education worldwide.
BTS are currently on their ARIRANG World Tour, which resumes next month at the very stadium they played Sunday night, Aug. 1 and 2 at MetLife Stadium.
The 2026 FIFA World Cup Final halftime show did exactly what FIFA hoped and exactly what soccer purists feared: It turned the most sacred match in the sport into an 11-and-a-half-minute pop fever dream.
Staged Sunday (July 19) at New York New Jersey Stadium (the rebranded MetLife Stadium in East Rutherford, New Jersey) during the Spain-Argentina final, the first-ever halftime spectacle in the championship match moved with the logic of a playlist on shuffle and the pace of a caffeine rush, squeezing Madonna, BTS, Justin Bieber, Shakira, Burna Boy, Gustavo Dudamel, a children’s chorus, the Muppets, Coldplay’s Chris Martiin, and a sky full of colorful fireworks into a blink-and-you-missed-it production that still somehow felt gigantic. If the challenge was making every second count, the show’s greatest success was understanding that subtlety had no place here.
Madonna kicked things off in gloriously extra fashion, rolling in with DJ Stuart Price behind her while Brazilian legends Ronaldo and Ronaldinho appeared in a jeep with a license plate that read “Maestro,” because of course they did. From there, the show lurched — thrillingly, and at times hilariously — into Gustavo Dudamel leading players from the New York Philharmonic and the Simón Bolívar Symphony Orchestra of Venezuela through a dramatic take on The White Stripes’ “Seven Nation Army,” complete with flags, strings, color and Muppets in the mix.
BTS followed in matching red, motorcycle-inspired looks for a turbocharged “Dynamite,” before Jason Sudeikis, slipping back into Ted Lasso mode, introduced a notably subdued Justin Bieber for an acoustic “Everything Hallelujah.”
Then came the halftime show’s most natural stadium-pop peak: Shakira and Burna Boy tearing into the Billboard Global 200 chart-topper “Dai Dai,” backed by Ghetto Kids dancing. By the time the PS22 Chorus, Chris Martin, Kermit, Miss Piggy and the rest of the cast closed on a giant “LOVE” tableau with fireworks overhead, the whole thing felt slightly unhinged, deeply overstuffed and undeniably memorable.
Here are the biggest highlights from each performance.
James “Jim” Gilstrap, the sonorous tenor heard on classics such as Stevie Wonder’s “You Are the Sunshine of My Life” and as the co-lead on the television series theme song Good Times, has died. Gilstrap passed away of natural causes in Los Angeles on July 18. He was 79 years old.
In a career that spanned more than five decades, Gilstrap crafted a sterling reputation as one of the music industry’s most versatile and in-demand session vocalists. He also charted a pair of R&B hits as a solo artist in 1975: “Swing Your Daddy” (No. 10 in the U.S.; No. 4 in the U.K.) and “I’m on Fire” (No. 20) — both featured on his Chelsea Records debut studio album, Swing Your Daddy. A year later, Gilstrap released a second studio album, Love Talk.
“To the world, Jim Gilstrap was a legendary voice. To us, he was simply Uncle James — a beloved husband, uncle, mentor and friend,” begins a statement emailed to Billboard by Gilstrap’s nephew and the family’s spokesperson, Geoffrey “Geoff Gil” Gilstrap.
The statement continues in part, “No matter how far his incredible talent took him, he never forgot his roots, his family or the values that shaped him. As kids, all of us nieces and nephews proudly bragged to classmates that our Uncle Jim was the voice behind the ‘temporary layoffs’ line from Good Times. Then we’d remind them that he also sang on ‘You Are the Sunshine of My Life.’”
Born Nov. 10, 1946 in Texas, Gilstrap — following a stint in the military and work with other early music groups — became a featured vocalist with Stevie Wonder’s backing band and vocal group Wonderlove in the early ‘70s. It’s Gilstrap singing the opening lines on the Grammy Award-winning “You Are the Sunshine of My Life” from the Talking Book album. Gilstrap also worked on other seminal Wonder albums during this fertile chapter that legend’s career including Innervisions and Fulfillingness’ First Finale.
In addition to his aforementioned solo foray and contribution to the Good Times theme song in 1974, Gilstrap lent his virtuoso tenor to host of projects by a diverse array of stars. Among them: Quincy Jones, Michael Jackson, Aretha Franklin, Whitney Houston, Bill Withers, Luther Vandross, Kenny Loggins, Dolly Parton, Stanley Clarke and Boz Scaggs.
“Beyond the music, we’ll remember Jim’s kindness, humility, humor, generosity and, of course, his homemade sweet potato pies that brought our family together. As we celebrate Uncle Jim’s remarkable life, we can’t help but thank God for those ‘Good Times’ … and how lucky we were to have him,” says Gilstrap’s nephew Geoff Gil.
The last surviving member of 10 siblings, Gilstrap is survived by his wife Gloria as well as children and grandchildren. Memorial arrangements are pending.
Future achieves his 12th No. 1 album on the Billboard 200 chart as his latest studio release, The Real Me, debuts atop the July 25-dated list. With a dozen leaders, Future now solely stands as the rap act with the third-most No. 1 albums on the Billboard 200 chart.
Among all acts with the most No. 1s, Future pushes ahead of Eminem (with 11), while the only acts with more No. 1s are The Beatles (19), Drake, Taylor Swift (both with 15) and JAY-Z (14).
The Real Me launches with 131,000 equivalent album units earned in the United States in the week ending July 16, according to Luminate, with the lion’s share of that sum driven by streaming activity.
The Real Me was announced on June 15, with its release date of July 9 shared 10 days later. It’s lead single, “Radio,” dropped on June 26 and has hit the top 25 on both Hot Rap Songs and Hot R&B/Hip-Hop Songs. The new set is the hip-hop star’s first project since his pair of No. 1 albums with Metro Boomin in 2024: We Don’t Trust You and We Still Don’t Trust You.
Also in the top 10 of the latest Billboard 200 chart, The Rolling Stones extend their record for the most top 10s as Foreign Tongues debuts at No. 7, while the Heated Rivalry soundtrack skates in at No. 9 after its release on CD and vinyl.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 25, 2026-dated chart will be posted in full on Billboard‘s website on July 21. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.
Of The Real Me’s 131,000 equivalent album units earned in the tracking week, SEA units comprise 118,000 (equaling 120.29 million on-demand official streams of the set’s songs — it debuts at No. 1 on Top Streaming Albums), album sales comprise 13,000 (it debuts at No. 9 on Top Album Sales) and TEA units comprise a negligible sum. The Real Me was initially released as a standard widely available 11-track download edition, a 13-track vinyl (across four variants, including two signed editions), a 21-track CD (two editions, including a signed version) and a 22-track download and streaming edition.
Five former No. 1s follow Future on the Billboard 200. Olivia Rodrigo’s you seem pretty sad for a girl so in love is a non-mover at No. 2 (96,000 equivalent album units earned, down 7%); Morgan Wallen’s I’m the Problem is up one to No. 3 (73,000, down 2%); Ella Langley’s Dandelion is down a spot to No. 4 (nearly 73,000, down 4%); Noah Kahan’s The Great Divide steps 6-5 (67,000, up 8%); and Drake’s ICEMAN falls 5-6 (61,000, down 10%).
The Rolling Stones extend their record for the most top 10s on the Billboard 200 albums chart as the band’s latest studio project, Foreign Tongues, debuts at No. 7, marking the legendary act’s 39th top 10. It starts with 53,000 equivalent album units earned. Of that sum, album sales comprise 48,500 (it’s No. 1 on Top Album Sales), SEA units comprise 4,000 (equaling 4.48 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The set’s first-week sales were bolstered by its availability across more than a dozen vinyl variants, four CD editions, two download editions and one cassette.
Foreign Tongues follows the Stones’ last new studio set, Hackney Diamonds, which debuted and peaked at No. 3 in 2023. The new album was preceded the radio-promoted single “In the Stars,” which has reached No. 14 on the Adult Alternative Airplay chart.
After the Stones, Barbra Streisand ranks second with 34 Billboard 200 top 10s, followed by Frank Sinatra with 33.
Michael Jackson’s chart-topping Thriller is a non-mover on the latest Billboard 200, holding at No. 8 with 41,000 equivalent album units (down 3%).
The soundtrack to the hit TV series Heated Rivalry debuts at No. 9 following the release of its CD and vinyl editions on July 9. It debuts with 41,000 equivalent album units earned (all in album sales; it debuts at No. 2 on Top Album Sales).
Heated Rivalry marks the first soundtrack from a TV series to debut in the Billboard 200 top 10 in more than a decade. The last was the season-one soundtrack to Fox’s Empire in 2015, which debuted at No. 1. Since Empire, the only other TV series soundtrack to reach the top 10 was the season-two soundtrack of Prime Video’s animated hit Hazbin Hotel, which peaked at No. 8, after debuting at No. 70 a week earlier, in 2025.
Heated Rivalry premiered on Canadian streamer Crave on Nov. 28, 2025, and debuted the same day in the United States on HBO Max. Its six-episode first season concluded on Dec. 26. The show has been renewed for a second season.
The soundtrack was issued physically on two vinyl variants and a two-CD set. The vinyl releases contain songs featured in the show (including t.A.T.u.’s “All the Things She Said,” Wolf Parade’s “I’ll Believe in Anything” and Feist’s “My Moon My Man”), along with highlights of Peter Peter’s original score for the series. The CD edition expands the tracklist to include Peter Peter’s full score alongside the songs.
Closing out the top 10 of the latest Billboard 200 is Morgan Wallen’s former leader One Thing at a Time, rising 11-10 with 37,000 equivalent album units earned (down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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