En 1998, Hechizo de amor reunió a Sally Owens (Sandra Bullock) y Gillian Owens (Nicole Kidman), dos hermanas pertenecientes a una familia de brujas condenadas a perder a los hombres que aman. La película mezclaba comedia romántica, fantasía, asesinato, violencia doméstica, posesiones y números musicales alrededor de unas margaritas de medianoche. La crítica la destrozó con bastante razón. Su relato cambiaba de tono sin control, la puesta en escena parecía improvisada y el vínculo entre sus géneros dependía de que el espectador aceptara el caos como parte del encanto.
Griffin Dunne, recordado por interpretar al atribulado Paul Hackett de After Hours y al desafortunado Jack Goodman de Un hombre lobo americano en Londres, nunca consiguió la misma personalidad detrás de la cámara. Su filmografía como realizador incluye las fallidas comedias románticas Adictos al amor, con Meg Ryan y Matthew Broderick, y Marido accidental, con Uma Thurman, Jeffrey Dean Morgan y Colin Firth (quizás unas de las peores películas de todos los tiempos). Dentro de esa carrera errática, Hechizo de amor quizá sea su largometraje más estimable, en gran medida gracias a Bullock, Kidman y una banda sonora que entendía mejor a las protagonistas que el propio relato.
El paso de los años transformó aquel fracaso en una película de culto. Las reposiciones televisivas, el video casero y el streaming encontraron una audiencia que se reconoció en la relación entre las hermanas Owens, la casa familiar, los rituales compartidos y la idea de una estirpe femenina capaz de sobrevivir a sus desgracias. Hollywood ha aprendido a convertir esa clase de afecto tardío en propiedad intelectual, de modo que Hechizo de amor: La magia continúa llega 28 años después para comprobar cuánto permanece del encantamiento.
Sally ha vuelto a renunciar a la magia. La muerte de su segundo esposo confirmó que la maldición familiar seguía activa y la llevó a borrar de la memoria de sus hijas cualquier conocimiento sobre sus poderes. Gillian continúa practicando hechizos a escondidas, convencida de que negar la herencia de las Owens únicamente aplaza sus consecuencias.
El conflicto reaparece cuando Kylie (Joey King) descubre la verdad y su novio Gideon (Xolo Maridueña) queda en coma por efecto de la maldición. Guiada por el recién descubierto Libro del Cuervo, la joven viaja a Inglaterra en busca del origen de la magia familiar. Sally y Gillian la siguen mientras Antonia (Maisie Williams) permanece junto a Gideon. El recorrido incorpora al profesor de ocultismo Ian Wright (Lee Pace) y al misterioso Thomas Lockland (Solly McLeod), dos figuras masculinas situadas en lados opuestos de la galantería y la villanía.
Susanne Bier aporta una dirección más segura que la de Griffin Dunne. La realizadora danesa posee una trayectoria respaldada por Corazones abiertos, Hermanos, Después de la boda y En un mundo mejor, ganadora del Óscar a mejor película internacional. También conoce bien a sus protagonistas, pues dirigió a Bullock en Bird Box y a Kidman en The Undoing. Su experiencia ordena mejor los cambios de tono y les concede mayor claridad a los conflictos familiares.
El guion de Akiva Goldsman, Georgia Pritchett y Kelly Marcel acumula personajes, revelaciones genealógicas y reglas mágicas durante dos horas y diez minutos. La búsqueda del origen de la maldición pierde ritmo en varios pasajes y los hombres aparecen como simples funciones argumentales. Ian Wright encuentra en Lee Pace una presencia cálida y excéntrica, aunque su relación con Sally apenas dispone del tiempo necesario para crecer. Thomas Lockland posee intenciones más oscuras y representa una masculinidad herida por el poder femenino, pero su construcción resulta demasiado estereotipada y evidente.
Joey King le entrega energía a Kylie, heredera del miedo de Sally y la impulsividad de Gillian. Maisie Williams recibe menos espacio como Antonia, mientras las tías Frances (Stockard Channing) y Jet (Dianne Wiest) quedan relegadas durante buena parte del recorrido. Channing y Wiest conservan la calidez del primer largometraje, pero la película desaprovecha su sentido del humor y su capacidad para convertir la excentricidad en sabiduría familiar.
El centro sigue perteneciendo a Sandra Bullock y Nicole Kidman. Bullock recupera la ansiedad terrenal de Sally, una mujer que intenta proteger a sus hijas mediante el control y termina provocando exactamente aquello que temía. Kidman vuelve a interpretar a Gillian con ligereza, sensualidad y una confianza absoluta en la magia. Sus discusiones, miradas y reconciliaciones transmiten la historia compartida que el guion apenas necesita explicar.
También resulta valioso encontrar una producción de esta escala protagonizada por dos mujeres mayores de 60 años sin convertirlas en figuras secundarias. Sally y Gillian siguen siendo deseantes, contradictorias y capaces de conducir la historia. El tiempo modifica su relación con la maternidad, el amor y la pérdida, pero mantiene intacta la energía que las reunió en 1998.
La secuela recupera las margaritas de medianoche, las canciones de Stevie Nicks y otros elementos destinados a activar la memoria de los seguidores. Algunas referencias surgen con naturalidad; otras tienen la insistencia de una lista de requisitos exigida por la nostalgia. Aun así, la reunión de las Owens conserva una calidez difícil de fabricar.
Hechizo de amor: La magia continúa ofrece una experiencia más sólida que su antecesora y comparte con ella la ligereza de un entretenimiento estacional. La historia se extiende demasiado, el misterio carece de verdadera fuerza y las nuevas incorporaciones rara vez compiten con las veteranas. Bullock y Kidman mantienen la película a flote gracias a una complicidad que sobrevivió mejor que los efectos, las modas y la reputación de la original. Con una margarita en la mano puede ofrecer una velada agradable. Sin embargo, su hechizo comienza a desvanecerse poco después de los créditos.
The post Crítica: <i>Hechizo de amor: La magia continúa (Practical Magic 2)</i> appeared first on Rolling Stone en Español.
Noel Gallagher confirmó que Oasis volverá a salir de gira en 2027 y descartó una vez más la posibilidad de grabar nueva música. Sin embargo, la revelación más resonante de su reciente entrevista con la radio británica talkSPORT tuvo a la Argentina como protagonista.
Mientras repasaba los momentos más memorables de Live ’25, la gira que selló el histórico reencuentro de los hermanos Gallagher tras más de una década y media de separación, Noel fue consultado sobre cuál había sido el mejor concierto de todo el recorrido. Su respuesta fue inmediata: la segunda noche de Oasis en Buenos Aires, el 16 de noviembre de 2025, en el estadio River Plate. “Es uno de los conciertos que ninguno de nosotros olvidará. Había que estar allí”, remarcó.
Para quienes estuvieron esa noche en el Monumental, la declaración no resulta tan sorprendente. Los propios Gallagher habían alimentado durante meses esa expectativa. Antes del desembarco argentino habían repetido en distintas entrevistas que Buenos Aires era uno de los lugares que más esperaban de toda la gira. Y el público pareció asumir el desafío desde el primer minuto.
Apenas sonaron los acordes de “Hello”, las más de 75.000 personas presentes transformaron el estadio en una sola voz. Durante buena parte de la noche, Liam Gallagher se dedicó a observar y escuchar. En “Stand By Me”, por ejemplo, prácticamente abandonó el micrófono para dejar que el estribillo quedara completamente en manos de la gente. Más tarde, después de “Roll With It”, llegó uno de los tantos cánticos futboleros que atravesaron el concierto: el clásico “olé, olé, olé, cada día te quiero más”.
Al recordar ahora aquella fecha, Noel no solo destacó el show en sí, sino especialmente la respuesta del público argentino.“Sé que la gente no quiere oírlo después de la Copa del Mundo, pero esa gente de ese país, en ese estadio… son gente enviada del cielo. Es increíble cuando Oasis toca en Buenos Aires”, afirmó. “Y en cuanto a la segunda noche: quien estuvo allí, sabe que estuvo allí”.
Uno de los momentos más emotivos del concierto llegó con “Live Forever”, cuando las pantallas mostraron imágenes de Diego Maradona. Liam se dio vuelta para contemplarlas y le ofreció sus maracas y su pandereta en una suerte de homenaje improvisado. La reacción fue instantánea: todo River comenzó a cantar “¡Diego, Diego!”, en una secuencia tan argentina como improbable para una banda nacida en Manchester.
Según explicó Noel, la elección de Buenos Aires como punto más alto de la gira está directamente relacionada con esa comunión. “Muchos amigos míos de Inglaterra vinieron y fue algo increíble; el público estuvo fantástico”, señaló. Y aprovechó para reivindicar la gira completa. “La verdad es que no dimos ni un solo mal concierto. (…) Pero si se te juzga por tu última gira, entonces somos bastante buenos”, bromeó.
The post Para Noel Gallagher, el mejor recital de la reunión de Oasis fue en Buenos Aires appeared first on Rolling Stone en Español.
After spending two years leading his Las Vegas residency at Sphere, Kenny Chesney is returning to stadiums in 2027.
The Country Music Hall of Famer will launch his Original Vibe Room Tour 2027 on April 24 in Tampa, Florida (marking his eighth appearance at Raymond James Stadium), with the tour also making stops in Chicago, Atlanta, Pittsburgh, Detroit and Nashville before concluding at Foxborough, Massachusetts’ Gillette Stadium on Aug. 28.
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Joining Chesney are CMA entertainer of the year winner Eric Church, nine-time Grammy winner Sheryl Crow and newcomer Greylan James, known as a writer on songs by Jordan Davis, Morgan Wallen and more, as well as his own “Water at a Wedding.”
“When we started to talk about touring next year, all I could think about was how good those stadiums feel… how loud, how fast, how much energy comes hurling at us,” Chesney said in a statement. “I don’t think I knew how much I missed it. And when it hit me, as well as watching comments on Instagram and Facebook, I realized: we should make next year be all about the stadiums. So, we did.”
Chesney continued, “To make it really hit, I called Eric, who’d come out that first weekend in Vegas and sang a few with me, to see if he’d want to do this. He was in. Then to give fans a twist, something a little different, but someone who rocks and everyone in No Shoes Nation loves, I asked Sheryl Crow if she wanted to come play with us; and she said, ‘Yes.’ Suddenly, we’ve got all that high-powered energy, and it was starting to feel the same way we did way back in the day…”
The tour will mark Chesney’s 25th show at Gillette Stadium and his 13th year in Pittsburgh and Detroit, as well as his 12th stadium show in Philadelphia and ninth stop in New Jersey, Dallas-Fort Worth and Kansas City.
“It’s crazy to think these stadiums where I see football played every week are like coming home for the band and myself, but also really No Shoes Nation which rose out of these stadium parking lots. Stadiums are where we come most alive – and this tour’s taking it to a whole other level,” Chesney said.
Before the tour launches next year, Chesney will release his 21st album, Silver Sands Marina, on Sept. 25. The 11-song project will mark his first on his new independent label Hey Now Records, which launched earlier this year.
See the full list of cities and dates below:
Jason Kelce got the memo: what happened at MSG stays at MSG. But that didn’t stop the former NFL great for spilling a little on his brother Travis Kelce’s wedding to Taylor Swift this summer during ESPN’s Monday Night Countdown show on Monday (Sept. 14).
Before Travis and the Kansas City Chiefs demolished the Denver Broncos 31-10 on the first Monday Night Football matchup of the season, Jason Kelce pried the door open just a bit on what the vibe was like at the New York arena for the star-studded affair whose details have remained the best kept secret in show business.
“So many awesome people, obviously, all walks of life,” said Jason, who was the best man at the July 3 affair. “The football world, celebrity world, singers from Nashville, actors, actresses, people that we grew up with in Cleveland Heights, a melting pot of individuals,” said Jason of the guest mix he described as “insane.”
Jason said the ceremony was “gorgeous,” saying the couple did an “incredible job” putting together the event that was officiated by actor/comedian Adam Sandler in what Kelce described as “in a very Adam Sandler, beautiful way.” ESPN’s Scott Van Pelt, who was also at the wedding, seconded that emotion, saying of Sandler, “yes, he did.”
“And then, from then on, it was a party. It was so good seeing everybody out there,” Jason said, giving out some extra love to “all of the people that sang” and “all the people dancing. It was a very fun evening.”
While we know for sure the couple got hitched — mostly because billboards outside MSG read “JUST&T MARRIED,” very few details about what went on inside have leaked so far, other than some of the names on the guest list, which included performers Paul McCartney and Stevie Nicks, as well as Ciara, Avril Lavigne, Tate McRae and Ice Spice. Among the guests who reportedly attended were: Jessica Alba, Elizabeth Banks, Stephen Colbert, Bradley Cooper, Tom Cruise — who was seated next to Swift in a luxury box at Monday night’s Chiefs game — Lena Dunham, Jimmy Fallon, Tom Hanks, Mariska Hargitay, Liam Hemsworth, Conan O’Brien, Brad Pitt, Gracie Abrams, Jack Antonoff, Benson Boone and many more.
Even Travis has kept details sparse in the interviews he’s done since the wedding, including in a teaser clip of an ESPN interview with Chris Berman in which Kelce called the wedding the “best night of my life.” He added, “Marrying Taylor was, you know, it was more than I could have ever dreamed it to be because of all the people that showed up … and the amount of, you know, love that was in the air.”
Travis talked a bit more about the special night on the recent season premiere of his New Heights podcast with Jason, where he said, “Me and Taylor are so thankful to everybody that showed up. It was just so magical, man. Thank you to everyone at MSG that allowed us to do this. We wanted to do it somewhere where we could have a very intimate and genuine setting without a lot of distractions, we needed it to be a private feel.”
Late Night With Stephen Colbert went out in style, winning outstanding variety series at the 78th annual Primetime Emmy Awards, which were presented at the Peacock Theater at L.A. Live in Los Angeles on Monday (Sept. 14). The show won a total of six Emmys for its final season, the most it ever won in any one season.
Widow’s Bay won a total of 14 Primetime Emmys, setting new records for the most wins in a single season by a comedy series, and most wins in a freshman season by a comedy series. It tops The Studio, which set new records in both categories with 13 wins last year.
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Widow’s Bay was the top award recipient this year across the three nights of the Primetime Emmys. Runners-up were The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny, DTF St. Louis, The Pitt and The Traitors, each of which won seven awards.
Mariska Hargitay hosted the show, becoming the first woman to host the show in 15 years. She opened with “I Love TV Screens,” a parody version of Joan Jett & the Blackhearts’ “I Love Rock ’N Roll,” a No. 1 hit on the Billboard Hot 100 for seven consecutive weeks in 1982. The spot featured cameos by basketball star Jalen Brunson, Jennifer Coolidge and Jean Smart.
Later in the show, she did a parody version of Supertramp’s “Goodbye Stranger,” a No. 15 hit on the Hot 100 in 1979, in which she saluted the many shows that are ending their runs this year.
Hargitay and the cast of Law & Order: Special Victims Unit performed a clever sketch, which spoofed Taylor Swift fans’ obsessive search for clues about her next moves. Swift, a friend of Hargitay, made a fun cameo appearance in the sketch.
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Sally Field and Reba McEntire paid tribute to Dolly Parton, who died three weeks ago.
Noah Kahan performed Simon & Garfunkel’s “Bridge Over Troubled Water” in the In Memoriam spot.
Colbert’s show had won outstanding talk series in 2025, soon after its cancellation was announced. This year it won in the outstanding variety series category that Colbert had won twice (2013-14) with The Colbert Report, his previous show on Comedy Central, and that Late Show With David Letterman won six times (1994 and 1998-2002).
Beginning this year, the Television Academy combined outstanding scripted variety series and outstanding talk series into a single category: outstanding variety series. The academy also converted it to what they call “an area award,” which means the nominees aren’t directly competing against each other. Instead, voters answer one question for each nominated show: “Does this nominee merit an Emmy?” Any series that receives at least 90% “yes” votes is awarded an Emmy. (If no nominee meets that threshold, the show with the highest approval percentage takes the trophy.) So, all five nominees could have won – or as few as one, which is what transpired this year.
The other nominees in the category were The Daily Show (Comedy Central), Jimmy Kimmel Live! (ABC), Last Week Tonight With John Oliver (HBO) and Saturday Night Live (NBC). Three of these shows had won an outstanding series award in the past. The only one that hadn’t previously won is Jimmy Kimmel Live!, which has now gone 0-15 in the category.
“Thank you so much on behalf of the over 200 people who threw themselves at this show for 11 years to try to do the best show they possibly could for you,” Colbert said upon winning the award. “… I want to thank so many people in this room. Over the last 21 years, I’ve interviewed at least 1,000 of you. Thank you for coming on to talk to this idiot. I want you to know that you were the perfect guest. The segment went great, and I’m sorry I forgot to play your clip.
“But of course, there can only be one favorite guest, and that is my wife, Evelyn McGee, thank you, darling. … And I want to say to the audience, thank you so much for watching. We hope you enjoyed the show. We had a great time doing it for you. That’s it. Thank you. We’ll catch you all on the flip.”
Early in the telecast, Jean Smart (Hacks) and Allison Janney (The Diplomat) each won their eighth Primetime Emmys as performers, moving into a tie with Cloris Leachman and Julia Louis-Dreyfus for the most Emmy wins in performing/acting categories.
Matthew Rhys became the first person to win outstanding lead actor honors in two fields: comedy series (Widow’s Bay) and limited or anthology series or movie (The Beast in Me).
Notably, a series in its first season has won outstanding comedy series in three of the past four years. The Bear won in 2023, preceding these back-to-back wins for The Studio and Widow’s Bay.
The Traitors won outstanding reality competition program for the third year in a row. It’s the first show to win three times in a row in this category since RuPaul’s Drag Race won four in a row from 2018-21.
The Pitt is the first show to take best drama series in each of its first two seasons since Mad Men, which won in each of its first four seasons.
There were cast reunions to honor Buffy, the Vampire Slayer; Baywatch; and Charlie’s Angels. Of these three shows, only Buffy won an Emmy during its run. Baywatch was never even nominated.
Programs that won multiple awards across the three nights of the 2026 Primetime Emmys:
Widow’s Bay, 14
The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny, 7
DTF St. Louis, 7
The Pitt, 7
The Traitors, 7
The Late Show With Stephen Colbert, 6
Pluribus, 6
Spider-Noir, 5
The Muppet Show, 4
Beef, 3
Love on the Spectrum, 3
Margo’s Got Money Troubles, 3
Palm Royale, 3
The Beast In Me, 2
Bridgerton, 2
Fallout, 2
Genndy Tartakovsky’s Primal, 2
Hacks 2
My Mom Jayne: A Film By Mariska Hargitay 2
Ocean With David Attenborough 2
Remarkably Bright Creatures 2
Individuals that won multiple awards across the three nights of the 2026 Primetime Emmys:
Stephen T. Colbert, 3, executive producer, host, writer
Steven Conrad, 3, director, executive producer, writer
Judah Getz, 3, ADR mixer
Matthew Rhys, 3, actor, executive producer
Larry Benjamin, 2, re-recording mixer
Michael Brumm, 2, producer, writer
Aaron Cohen, 2, supervising producer, writer
Alan Cumming, 2, executive producer, host
Paul Dinello, 2, supervising producer, writer
Katie Dippold, 2, executive producer, writer
Ariel Dumas, 2, head writer, supervising producer
Gabe Gronli, 2, producer, writer
David Harbour, 2, actor, executive producer
Mariska Hargitay, 2, director, producer
Tim Hoogenakker, 2, re-recording mixer
Barry Julien, 2, co-executive producer, writer
Jay Katsir, 2, head writer, supervising producer
Matt Lappin, 2, co-executive producer, writer
Opus Moreschi, 2, co-executive producer, writer
Hiro Murai, 2, director, executive producer
Cian O’Clery, 2, casting by, executive producer
Denise Pizzini, 2, production designer
Dave Porter, 2, composer, scoring mixer
Tom Purcell, 2, executive producer, writer
Albertina Rizzo, 2, executive producer, writer
Christian Sprenger, 2, director of photography, producer
Noah Wyle, 2, actor, executive producer
“Thank you for selling this b–ch out,” Charli xcx thanked the Barclays Center crowd on Monday night (Sept. 14). Certainly, Brooklyn made for relatively safe early territory for the alt-pop star’s latest arena trek, as few other areas in the country are more likely to intuitively grasp the combined garage rock, dingy dancefloor and high art energy that comprises Charli’s Music, Fashion, Film era.
Considering that the last time she came through Barclays was on the Brat Tour in 2025 — after visiting Manhattan’s Madison Square Garden on the Sweat co-headlining tour with Troye Sivan in 2024 — it’s not surprising that the Music, Fashion, Film Tour felt like a little less of a pop culture event, without the rush of the world’s eyes being on the scene inside the arena in quite the same way. But the overall experience might have been richer, with Charli now able to mix her grungy confessionals with her self-aware club anthems and her twinkling hyperpop gems in a way that reveals them to all be coming from basically the same place, and sounding pretty dynamite when stacked back-to-back in a brilliantly designed live set.
The Music, Fashion, Film Tour so far closely follows the live set Charli debuted at a number of festival dates — most prominently Chicago’s Lollapalooza in late July — but also makes room for a number of additional songs, as well as the odd special guest or two. (Underscores also quickly proved an inspired choice of stateside opener, with her future-forward pop songs, full-bodied delivery and impressive emotional connection doing Charli’s legacy in advanced modern pop proud.)
Charli herself kept the banter to a minimum on Monday, mostly letting the songs (and her flailing dance moves) speak for themselves — with additional emotional support from her phalanxes of backing dancers and live backing band. It all added up to a a high-point performance from a pop star who functions just as naturally as a club kid and underground rocker, with all of her personas feeding into one singularly iconic presence in contemporary music: “It’s Charli, babyyyyy…“
Here were the five best moments from Charli’s first New York-area show of her Music, Fashion, Film Tour.
‘Abbott Elementary’ star Quinta Brunson, ‘The Pitt’ Shabana Azeez and more share which concerts their characters would attend if they could on the 2026 Emmys red carpet.
There will doubtless be tributes to Dolly Parton on many upcoming awards shows – the CMA Awards, the ACM Awards, the Grammys and the Oscars, to name a few. But the Primetime Emmys, airing on Monday (Sept. 14) — just three weeks after Parton died of cancer at age 80 — were the first.
Sally Field, who co-starred with Parton in the 1989 film Steel Magnolias, presented the tribute, which featured a performance by Parton’s longtime friend, Reba McEntire.
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The spot was extremely well-produced, though it didn’t mention that Parton first rose to prominence in 1967 on a TV program, The Porter Wagoner Show, or that she soared to stardom in the late 1970s with winning appearances on such programs as The Tonight Show Starring Johnny Carson, or that she won a Primetime Emmy five years ago.
“If there are truly angels on Earth, then we just lost one, Dolly Parton,” Field said. “It was my great good fortune to have worked with Dolly in a film called Steel Magnolias, and over the years, I never stopped loving her. Though we lived very far apart, I adored her from day one. How could you not? She was genuine and humble, supportive, and blisteringly funny, with a bawdy sense of humor that would send any rude guy looking for a place to hide. I couldn’t see then what a real giant Dolly was – not just as an artist, but as a human. She was a humanitarian whose contributions had made a profound difference in the lives of so many in her home state of Tennessee and across our country. God bless you, Dolly Parton, my friend. I am not the only one on earth that will love you forever and ever.”
The show then aired a clip of Parton performing in 1983. “I’m very very proud of the fact that I had the kind of parents that I did and grew up in the Smoky Mountains, the Appalachian Mountains, and I’ve written a song that touches me very deep, and I’m sure that in your own way, that you certainly will relate to this. This song, like I say, is very important to me, and I hope you like it. And if you don’t like it, well, if you don’t mind, I would rather not hear about it later. OK? It’s a song that I call ‘Appalachian Memories.’”
Parton included the song on her 1983 album Burlap & Satin. The song wasn’t a hit, even on Billboard’s Hot Country Singles chart, but it was a great choice here because it meant a lot to Parton. And it showed the depth of her catalog.
McEntire performed it live, with her characteristic class and warmth. “I love you, Dolly, so much,” she said at the end of her performance.
Parton won a Primetime Emmy five years ago as executive producer of Dolly Parton’s Christmas on the Square, which was voted outstanding television movie. She received her first Primetime Emmy nod 48 years ago as a guest on Cher’s ABC special, Cher … Special. She received three more nominations as executive producer of the specials Dolly Parton’s Christmas of Many Colors: Circle of Love (2017), Dolly Parton’s Heartstrings: These Old Bones (2020) and Dolly Parton’s Mountain Magic Christmas (2023), all of which were nominated for outstanding television movie.
The segment saluting Parton aired prior to the annual In Memoriam segment, which included a Noah Kahan performance.
Noah Kahan soundtracked an especially emotional “in memoriam” segment at the 2026 Primetime Emmy Awards on Monday night (Sept. 14), which was introduced by the movie and TV children of late actress Catherine O’Hara.
Home Alone star Macauley Culkin tearfully remembered how O’Hara showed up for him in life just like a real parent would after first portraying his mother in the 1990 Christmas classic. Then Schitt’s Creek stars Annie Murphy and Dan Levy both shared joyful memories of O’Hara on set as their quirky mother in the 2015-20 television comedy as well as sweet recollections of how strangers rallied around them in the wake of her death at age 71 in January.
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Following their intro, Kahan took the stage to perform Simon & Garfunkel‘s “Bridge Over Troubled Water,” playing acoustic guitar and backed by a mournful string section. The folk duo’s 1970 six-week Billboard Hot 100 No. 1 hit has long soundtracked poignant moments, thanks to its sad-but-hopeful lyrics: “When darkness comes and pain is all around/ Like a bridge over troubled water, I will lay me down.”
Once Kahan finished his performance, Jamie Lee Curtis took the stage to pay tribute to Rob Reiner, the actor/director who first made a name for himself playing Michael “Meathead” Stivic on the 1970s sitcom All in the Family and was tragically murdered alongside his wife, Michelle, in December. Curtis sobbed throughout her remembrance to the Hollywood legend. “He was generous and kind and funny as hell and a friend to all.”
Earlier in the Emmys broadcast, there was a stand-alone tribute to Dolly Parton, who died last month of cancer at age 80. Sally Field, who co-starred with Parton in Steel Magnolias, introduced the tribute and Reba McEntire performed “Appalachian Memories.”
She might not have been at the Emmy Awards on Monday night (Sept. 14), but Taylor Swift was still on our TV screens thanks to Monday Night Football.
Swift opted to attend husband Travis Kelce’s season-opening Kansas City Chiefs game against the Denver Broncos. She was joined by her mom Andrea, dad Scott and brother Austin in the suite, as well as her newly minted in-laws, Donna and Ed Kelce, and a surprise face: Tom Cruise.
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The blockbuster actor sat next to Swift in the suite and was spotted during the broadcast chatting up the pop superstar and even sharing a hug to celebrate a Chiefs touchdown. Cruise is clearly a friend of newlyweds Swift and Kelce, as he was in attendance at their July 3 nuptials, according to post-wedding anecdotes from sportscasters Joe Buck and Greg Olsen.
While we haven’t yet gotten a full look at Swift’s game day outfit, online fashion sleuths have already pinpointed that she’s wearing the red-and-white gingham polo dress from Guest in Residence based on the brief glimpse we’ve gotten on TV. The instantly in-demand dress appears to already be sold out in Swift’s color scheme.
While Swift chose the Chiefs/Broncos game over Monday’s Emmys, she did pre-tape a Law & Order: SVU sketch with her longtime friend Mariska Hargitay, who hosted the awards show. The sketch was all about decoding whether Swift would attend the show — seeing as she was nominated this year for outstanding variety special (pre-recorded), among five nominations for Disney+’s Taylor Swift | The Eras Tour | The Final Show; The Muppet Show special starring Sabrina Carpenter took the prize instead.